“As I dig deeper into cartomancy,” writes Meg Elison, “I remember all the times that the dread revelations of the cards have shown up in stories I’ve loved. Tarot is often misused, represented not only inaccurately, but incorrectly.”
Arts & Culture
Beyond “Was She Really a Witch?”: Revisiting Margaret Atwood’s “My Evil Mother”
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“Contemporary reclamations of ‘witch’ as feminist identity tend toward celebration,” writes Beatrix Kondo, “which Atwood declines. What she offers instead is something harder and more useful: these practices functioned as survival apparatus for populations the official world refused to protect.”
Arts & Culture
Review: Faun’s “Hex” is true musical Witchcraft
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“Something that awestruck me is the wide variety of languages in this record,” writes Alan U. Dalul, “including German, English, Latin, Greek, Hungarian, and more. We are in deep need of diversity, of union, which this record celebrates through language and heritage.”
Arts & Culture
Classics of Pagan Cinema: Agora
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“We have no record from Hypatia about the circumstances of her life,” writes Meg Elison in her review of the 2009 film about the ancient Roman philosoher. “Letters written to her by men are preserved; none of her letters to them remain.”
Arts & Culture
Review: I Gave You Eyes and You Looked Toward Darkness
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“If you’re drawn to folkloric density, ancestral memory, visceral horror that rejects comfort, or animist logic where houses and bodies blur,” writes Cosette Paneque in her review of Irene Solà’s novel, “this has power. But know what you’re walking into.”
Arts & Culture
Researchers Say Hidden Detail in Boleyn Portrait Rebuts Witchcraft Accusations
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New analysis of a famous Anne Boleyn portrait suggests it was deliberately altered to counter witchcraft slander, revealing how art, politics, and gendered attacks shaped the posthumous image of Henry VIII’s ill-fated queen history.