“As I dig deeper into cartomancy,” writes Meg Elison, “I remember all the times that the dread revelations of the cards have shown up in stories I’ve loved. Tarot is often misused, represented not only inaccurately, but incorrectly.”
Arts & Culture
Beyond “Was She Really a Witch?”: Revisiting Margaret Atwood’s “My Evil Mother”
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“Contemporary reclamations of ‘witch’ as feminist identity tend toward celebration,” writes Beatrix Kondo, “which Atwood declines. What she offers instead is something harder and more useful: these practices functioned as survival apparatus for populations the official world refused to protect.”
Culture
A Witch’s Harrowing Sorrow: A Review of Hamnet
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Lyonel Perabo reviews Chloe Zhao’s film, a moody, witchy exploration of grief and art that incorporates the medieval Nine Herbs Charm into its story of Agnes Hathaway and William Shakespeare.
Culture
Twilight of the Twentieth Century
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The Norse myths are laced with a melancholic focus on the end of an age. Karl Seigfried notes that today it also feels as though a way of living is passing. But just as Ragnarök leads to a rebirth, so too might our own times – if we are willing to work for it.
Arts & Culture
Review: Faun’s “Hex” is true musical Witchcraft
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“Something that awestruck me is the wide variety of languages in this record,” writes Alan U. Dalul, “including German, English, Latin, Greek, Hungarian, and more. We are in deep need of diversity, of union, which this record celebrates through language and heritage.”
Arts & Culture
Classics of Pagan Cinema: Agora
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“We have no record from Hypatia about the circumstances of her life,” writes Meg Elison in her review of the 2009 film about the ancient Roman philosoher. “Letters written to her by men are preserved; none of her letters to them remain.”