The real horror movie, writes Meg Elison, is the one you grew up in.
Arts & Culture
Classics of Pagan Cinema: Bell, Book, and Candle
|
“The 50’s, for all their historical patina, were an age of post-war innovation: the mixer, the slow cooker, the top load dishwasher,” writes Lauren Parker in her review of this favorite of Witch cinema. “And for more than just these appliances: the invention of the nuclear family and its purity.”
Arts & Culture
Review: “Wake Up Dead Man” is Rian Johnson’s caper of redemption and religious leadership
|
Luke Babb reviews the new Benoit Blanc film and discovers that, in the midst of a murder mystery steeped in Catholic imagery, there is a lot to consider about the role of clergy in modern Paganism.
Arts & Culture
No Good Deed Goes Unpunished: Magic, Paganism, and the Witch Who Refuses to Break
|
“‘No good deed goes unpunished,'” writes Erick DuPree after seeing the new film Wicked: For Good. “The song had always been powerful, but in Erivo’s hands it felt like something older than Oz, older than Broadway, older even than the myth itself.”
Arts & Culture
Review: The Carpenter’s Son
|
“The premise, a Biblical horror film exploring Jesus’s adolescence, is apparently treated by some as shocking,” writes Manny Tejeda Moreno. “To me, that simply confirms they’ve never read the Bible.”
Arts & Culture
Pagan Hauntology
|
As we officially enter the Season of the Witch, The Wild Hunt welcomes Gavin Fox, who examines the ways Witches, Pagans, and other occult communities were depicted in documentaries of the 1970s through 90s.





