The woods around my home in Arctic Norway were few and far between, mostly small birches barely taller than your average adult. Here in Åland, I met with real woods: tall bone-white birches, spruce, thick pines, bushy walnut groves. This vibrant life was everywhere, and all the while I was searching for graves.
Kitchen Witcheries
Polysporia – a dish that dedicates every grain to the gods
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“Made up of a mix of all the grains, legumes, and edible seeds grown in any given area,” writes Siobhan Ball, “polysporia belongs to that most fundamental class of agricultural ritual: the kind that gets down to the bare bones of the relationship between man and gods, expressing plainly what we want and what we’re willing to give in exchange.”
Living
Self-Care in the Face of an Uncertain Future
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“It’s hard to feel hopeful in the face of so much violence and gaslighting,” writes Storm Faerywolf. “That is why it is important to periodically disconnect from the noise and reconnect with our inner natures. To “touch grass,” as the often-snarky internet memes suggest. Toward this end, let us apply our magic.”
Book Reviews
With anti-trans bigotry on the rise, “Dreaming of the Transcestors” is a necessary work
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“I really appreciated that instead of simply highlighting one queer aspect of history,” writes Sprocket Wagner, “this zine emphasizes the encompassing nature of queerness throughout time: that it is everywhere and always has been.”
Living
Changeling
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“She pushes me under the water quickly, but there’s no violence to it,” writes Luke Babb in a searing encounter with the spirit world. “Still, I panic. I hold my breath, struggle against her, but this is the sort of thing she is. I am the sort of thing that breathes, and so, despite my body’s stubborn refusal, eventually my lungs pull in and I taste the water in the back of my throat.”
Arts & Culture
“Tarot for Creativity” helps writers and artists get through creative blocks
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“My very first experience was in asking the cards about a novel I was writing at the time and it wasn’t going anywhere,” says Chelsey Pippin Mizzi in an interview with Lauren Parker. “Up until that point, so much of my writing had been informed by visuals. And then suddenly there were these three pocket-sized pictures that were inviting me to consider creative ideas.”