The Wild Hunt (https://wildhunt.org/category/culture/film-and-television-reviews/page/2)
The Wild Hunt offers reviews of TV and Films that either feature depictions of, or may be of interest to, Pagans, Wiccans, Witches, Heathens, and other polytheists. Whether it’s the latest Netflix or Amazon Prime series, a summer blockbuster, indie film, or network offering, you’ll find it here!
Starve Acre is domestic horror only in the sense that Britain itself is the domicile. Dig just a few inches into the soil and a riot of irrational myth and impossible happenings is always just below this family’s feet.
Much like ceremonial magic, where ritual tools such as swords embody the practitioner’s control over the mind and spirit, He-Man’s sword does more than grant him physical power — it bestows wisdom and responsibility.
Twenty-five years later, my favorite thing about The Blair Witch Project is that the Witch does bite. The magic is secret and nobody talks too much. The horror is implacable, and the offering is written in a language the viewer is not meant to read.
“Pagan nonsense, celebrating the feast of Lughnasadh. This is the month of August. The feast of our lady’s assumption into heaven.” Meg Elison returns with a review of the 1998 Irish-American film “Dancing at Lughnasa,” which juxtaposes Catholic misery and Pagan joy.
The years between puberty and adulthood can be exciting and difficult,” wrote Silver RavenWolf in 1998. No one would have agreed with her more vociferously than Louise Miller, protagonist of 1989’s most tubular film: Dorian Walker’s Teen Witch.
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