The Wild Hunt offers reviews of TV and Films that either feature depictions of, or may be of interest to, Pagans, Wiccans, Witches, Heathens, and other polytheists. Whether it’s the latest Netflix or Amazon Prime series, a summer blockbuster, indie film, or network offering, you’ll find it here!
TWH – Twin Peaks was originally a surreal crime drama airing for two seasons in the early 1990s. Created by Mark Frost and David Lynch, the show first received rave reviews for its unique blend of storytelling and visuals. In 1991, New York Times reviewer William Grimes wrote, “For an intoxicating few months, ‘Twin Peaks’ seemed to be crackling away on every synapse in the collective American brain. The massively promoted two-hour pilot that kicked off the series just over a year ago lured nearly 35 million viewers, a third of the nation’s television audience.” Those numbers fell sharply over the season and into the second season, forcing the seemingly cultural tour de force to close up shop in June 1991 after only 30 episodes.
[SPOILER ALERT: The following review contains details that may spoil the film for readers who have not yet seen the movie. ]
DC Entertainment’s new film Wonder Woman, starring Gal Gadot, has been captivating audiences since its release June 2. Opening weekend, the film grossed $103.2M in the United States alone, and is on track for record numbers in its second weekend. Directed by Patty Jenkins, Wonder Woman is the first female-centered superhero movie to be produced in twelve years; the last one being Elektra (2005) starring Jennifer Garner. Additionally, Wonder Woman is only the second comic book-based film to be directed by a woman; the first being Marvel Studios’ Punisher: War Zone directed by Lexi Alexender.
Neil Gaiman’s 2001 novel American Gods is a popular read in Pagan circles, and the new Starz television series was greeted with excitement by many of the book’s Pagan fans. Debuting on April 30, the series has aired three episodes as of this writing. The story revolves around the riveting premise that the old gods, being immortal, still exist. However, due to a lack of worship in the modern world, they are old and haggard and blend into American society, having arrived there when their followers immigrated, sometimes involuntarily. At the same time, America’s new gods, or the gods that represent the targets of modern worship such as media, computers, and globalization, are strong, vibrant, and at war with their predecessors.
TWH – In 1994, three student filmmakers walked off into the dense woods near Burkettsville, Maryland in hopes of a discovering the truth behind a local legend. They were never heard from again. One year later, their equipment was found, and the footage became the film The Blair Witch Project (1999). This weekend, the story continues in a new film, with the brother of one of the lost filmmakers traveling to the mysterious Black Hills of Maryland in hopes of learning exactly what happened 22 years ago. Or so the story goes.
A new independent fiction film exploring Witchcraft has hit the festival circuit. Anna Biller’s latest film The Love Witch is a colorful feast of pathological obsession, violence, narcissism, love and Witchcraft. Filmed in 35mm, the film contains a remarkable retro flair combined with a contemporary sensibility. Through the film, Biller explores both modern themes, such as the expression of female fantasy and non-traditional religious practice, along with age-old struggles involving gender politics and romantic love. In an interview, Biller told The Wild Hunt, “I can’t remember the exact moment I decided to make this film, but it initially came from getting interested in pulp novel covers and being struck by the images of witches on some of them.”