The Wild Hunt (https://wildhunt.org/category/culture/film-and-television-reviews/page/2)
The Wild Hunt offers reviews of TV and Films that either feature depictions of, or may be of interest to, Pagans, Wiccans, Witches, Heathens, and other polytheists. Whether it’s the latest Netflix or Amazon Prime series, a summer blockbuster, indie film, or network offering, you’ll find it here!
Twenty-five years later, my favorite thing about The Blair Witch Project is that the Witch does bite. The magic is secret and nobody talks too much. The horror is implacable, and the offering is written in a language the viewer is not meant to read.
“Pagan nonsense, celebrating the feast of Lughnasadh. This is the month of August. The feast of our lady’s assumption into heaven.” Meg Elison returns with a review of the 1998 Irish-American film “Dancing at Lughnasa,” which juxtaposes Catholic misery and Pagan joy.
The years between puberty and adulthood can be exciting and difficult,” wrote Silver RavenWolf in 1998. No one would have agreed with her more vociferously than Louise Miller, protagonist of 1989’s most tubular film: Dorian Walker’s Teen Witch.
“Witches can often enjoy the film versions of ourselves,” says Meg Elison in today’s review of the new movie TAROT, “who worship fake deities, cast nonsense spells, and practice bonkers made-up magic. Even those Witches will have a hard time enjoying Tarot, a new horror film by Spencer Cohen and Anna Halberg. Simply put, this movie is tarot-ble.”
“Armed only with some dude’s book of nonsense and her own determination and national pride, Eglantine Price could fly. She could conjure. She could make change.” Meg Elison is back with another Classic of Pagan Cinema: Disney’s 1971 musical “Bedknobs and Broomsticks,” a story with surprising resonance for her Wiccan tradition.