The Wild Hunt (https://wildhunt.org/author/alan/page/5)
Alan U. Dalul es un autor, blogger y periodista de Venezuela. Empezó a leer siendo adolescente, aunque le gustan los cuentos de hadas, los mitos y leyendas desde niño. Su columna en The Wild Hunt se enfoca en leyendas, folklore, creencias venezolanas, y lo que ha aprendido de ellas. También ha trabajado como columnista de salud mental y reseñado libros, cómics, películas y cualquier otra cosa que capte su atención. 99% de las veces, es algo sobre brujas. Sus historias de ficción suelen ser de romance y fantasía oscura con temas sociales. Actualmente busca un proveedor de chocolate 24/7. Alan D.D. is an author, blogger and journalist from Venezuela. He started to read as a teenager, although he likes fairy tales, myths and legends since he was a child. His column in The Wild Hunt focuses on Venezuelan legends, folklore, beliefs, and what he has learned from them. He has also worked as a mental health columnist and reviewed books, comics, movies, and whatever else grabs his attention. 99% of the time, it's something about witches. His fictional stories are usually romance and dark fantasy with social themes. He's currently looking for a 24/7 chocolate supplier.
Alan U. Dalul hears about a local curiosities market in his city, and hesitates at the idea of signing up to vendor as a tarot reader and sigil creator. But despite his anxiety, he finds himself practicing magic in a whole new way – and with a whole new community.
I don’t have control over death, as much as I like to include it in my practice. No Witch does.
The Little Red Wolf is a story that reminds me of this: that stories change, that people change, and while we need to respect and keep our traditions and culture alive, it doesn’t mean they can be an excuse for harm or put others in danger.
However, when it comes to Witchcraft practice, it’s not just the language that matters. It’s the techniques we use, the tools we get, the points of view we work with, and even the people we meet and learn from. Being in Venezuela forced me to work with limited resources, sometimes even limited information, but since I came to the United States, a door opened for more of all of this.
Sin embargo, cuando se trata de la práctica de la brujería, no sólo importa el idioma. Son las técnicas que utilizas, las herramientas que obtienes, los puntos de vista con los que trabajas, incluso las personas que conoces y de las que aprendes. Estar en Venezuela me obligó a trabajar con recursos limitados, a veces incluso información, pero desde que llegué aquí se abrió una puerta para más de todo esto.