The Wild Hunt (https://wildhunt.org/tag/hermes/page/2)
I use models for what is “old enough” to consider seriously in my practice based on instinct and a vague understanding of the world “historiography,” picking up and discarding things from 1000, 1300, or 1800 as either “older than anything else I’ve found” or “too new” – all while the modern Witchcraft movement can be meaningfully traced to the 1940s.
My room became a Wunderkammer of sorts, filled with strange and magical items right alongside cheap pieces of mass-produced plastic that made me laugh and reminded me of my friends. The ways in which I saw the gods grew into a visual language, a series of physical metaphors grounded in my everyday experience and sprawling across my living space. Like all languages, it began to create its own meaning.
I have never considered myself either a woman or a man. From the first days of my exploration, I was very clear that my identity was something else, a trickster-slick and shifting thing that slipped past both words and into uncharted lands. It was, by definition, dangerous.
As I settle into the house I find myself living most of my life in that space, surrounded by my allies. Hermes near the door, gathering small bright things like a magpie. Athena by the window, firm and steady and unexpected, watching with her grey eyes. The Good Neighbors at the threshold, honey in their cups and hawthorne close to hand.
Alan D. D. reseña el nuevo libro “Endymion or The State of Entropy: A Lyrical Drama” escrito por Kurt R. Ward e ilustrado por Rebecca Yanovskaya. Esta fantasía ilustrada evoca un mundo en el que personajes arquetípicos de la mitología griega luchan por el dominio, mientras Endymion, el personaje principal, intenta despertarse de un sueño interminable.
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