The Wild Hunt (https://wildhunt.org/tag/carolyne-larrington)
Fáfnir is not born a dragon. He is a man who kills his own father to steal his wealth, then turns into a dragon to embrace the gold he hoards without ever using. He symbolically represents the negation of values belonging to the culture that produced him.
The more of Romero’s films that I watched – and especially the more of his novel that I read – the more I also found a theology bubbling up through the blood that aligns with my own theology of Ásatrú, a modern religion that revives, reconstructs, and reimagines the ancient polytheism of Northern Europe.
Týr guides us, keeps faith with us, stays the course us, and never fails us. In the sometimes-wild world of the Norse deities, that stability and faithfulness can bring great comfort to those who seek it.
As both musician and writer, I’m drawn to Odin as an embodiment of the creative force. As a practitioner of Ásatrú, I can’t support companies that steal the work of human artists to generate disposable dross.
Maybe it’s not such a great idea to turn to writers from 1,000, or 2,000, or 3,000 years before the United Nations publicly published the Universal Declaration of Human Rights for teachings on the universality of human rights.
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