Celebrations for the outcast dead

LONDON — The Southwark district has long had an association with the esoteric world, being the home of 20th-century occultist Austin Osman Spare and (before the fire which ravaged it) the Cuming Museum, which housed the Lovett collection of magical artifacts. More recently one of its hidden gems has become the focus of a small but dedicated following among British Pagans, occultists, and indeed Christians and members of other religious groups. This is an example of several events and gatherings which are not part of any organized inter-faith movement in the U.K., but which have developed organically across Pagan, Christian and other religious groups. This particular place is the cemetery of Cross Bones, dating from the medieval period. It is a graveyard for the outcast dead; mainly the medieval prostitutes of Southwark who were known as the ‘Winchester geese’ (as they were licensed by the Bishop of Winchester) ,and who worked in the area known as the Mint, one of Southwark’s worst slums. They were licensed to work in the Liberty of the Clink, which lay beyond the law of the city of London.

Column: War and the Wild Hunt(s)

In January 2014, Pope Francis—the Pontifex of Rome—released a pair of white doves after a prayer for peace in Ukraine. The doves were immediately attacked by a crow and a seagull. It doesn’t take a weatherman to see which way the wind blows. Nor does it take an augur to interpret this omen, especially in retrospect. Almost two years later, the Institute for the Study of War reports that “Russian-backed separatists intensified attacks along multiple frontline positions in Ukraine in early December 2015,” and the war shows no signs of abating.

Column: Gates of The Abyss

“When you hunt for souls in the winter rain
I shall listen in the gaps between towns knowing
Your face is the night storm of the underworld
And you shall bring terror to end all terror.” From Enchanting The Shadowlands, by Lorna Smithers

The Hunter Of Souls
Recommended listening while reading:
Undertaker by Disemballerina

Waiting for a band to play, I thumbed through a Nihilist tract and remember what it means to be mortal while silver-and-black antlers sharpen against flesh. I remember: it’s from the Dead we weave our lives. It’s from the Dead we weave our Meaning. The Cauldron of Awen is as Black as the Cauldron of Annwn, and from both spring the songs of Meaning.

Column: Mise en scène

It begins with a woman holding a candle. She is walking around the room, a guide for the priestess, who is casting the circle for Samhain. But don’t look at the priestess just yet; hear her, yes, hear the words that begin every circle in our tradition, but watch the woman with the candle. The first bit of magick walks with her – for she is not only a woman with a candle, but an Evening Star, a psychopomp, the leader on a path down into the underworld. In the double-sight of ritual, she is both physical and mythical, both our friend and an unfamiliar star.