For over a hundred years, from the middle of the 19th century to the postwar period, the indigenous Sámi minority of Norway was the target of an official policy of forced assimilation, essentially an attempt at ethnocide, which brought the Sámi language, way of life, and society to its knees. The painful process, very similar in many ways to the boarding school system of Canada, was however fiercely challenged by a new generation of young Sámi activists that ultimately brought the government to acknowledge the rights of the Sámi nation and the need for official representation. This liberation movement, which arose in the ’60s and ’70s, ultimately lead to a dynamic revival of Sámi culture that can still be experienced today: from summer arts festivals to academic representation and the spread of traditional crafts, contemporary Sámi culture, despite still facing numerous challenges, is more vigorous than ever before. In this teeming milieu of cultural development, numerous young Sámi figures have sprouted up in the past couple of years to showcase the intersection of their unique artistic vision and their traditional background. It is in this context that Elin Kåven, a singer, artist, and dancer from Karasjok in Arctic Norway has grown and developed her artistry, all the way from the frozen expanses of her hometown to the country’s most famed stages.
[Today we welcome guest writer Lyonel Perabo joining us from Northern Europe. He is a MA student currently enrolled in the Old Norse Religion program at the University of Iceland. He has written for various news websites, blogs and student magazines in the Nordic countries Lyonel is currently working on his Master’s thesis, which seeks to analyze the way North-Scandinavian populations were perceived in Saga Literature and works as a tourist guide and local History blogger in the town of Tromsø in North-Norway.]
The Sjamanistisk Forbund, or Shamanic Union, was established in 2012 in the city of Tromsø located in the far north of Norway. It was founded by Kyrre Gram Franck, a native of the region. Since then, the organization, which aims to rejuvenate the age-old shamanic traditions of Northern Europe, has experienced a steady growth and now has members over the whole country.
[Today we welcome guest writer Lyonel Perabo joining us from Northern Europe. The Wild Hunt is always seeking new voices and welcomes guests nearly every month. By doing so, we expand our ability to share the many diverse experiences found within the collective Pagan, Heathen and Polytheist communities worldwide. Submissions are always accepted. If you enjoy reading these guest pieces, consider donating to our Wild Hunt Fall Fund Drive. We are completely reader-funded, and all your donations go directly back to a writers, including guests, and to bringing you their stories! Donate today.
Top Story: In the second part of a six-part series on the geopolitical ramifications of global warming in the Arctic, NPR’s Morning Edition focuses on Russia’s aggressive push to claim waterways and resources becoming available as the Arctic ice melts. One group that is particularly concerned over the rush to claim the Arctic is the indigenous Saami people, a group native to the Kola Peninsula of Russia. NPR interviews traditional singer Nadezhda Lyashenko, who discusses the environmental consequences of this rush to exploit one of the few remaining untouched regions on our planet. The indigenous people of this region bore much of the brunt. The Saami tribe, for one, has lived centuries in Russia’s northwest, near the Norwegian border.