Arts & Culture
The Rule Nobody Questions
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Beatrix Kondo examines gender, power, and the lines drawn in Lee Knox Ostertag’s 2017 graphic novel “The Witch Boy.”
The Wild Hunt (https://wildhunt.org/tag/lgbtq)
Beatrix Kondo examines gender, power, and the lines drawn in Lee Knox Ostertag’s 2017 graphic novel “The Witch Boy.”
These days, it often feels like I have two choices. I can be myself and in danger, or I can be invisible and hope that I am safe – that nobody notices, that I am lucky, that none of the aspects I can’t control (my health, my class, the city I live in) are the one that get me. It’s no kind of choice at all.
In this week’s Pagan Community Notes, Pensacola Bookstore removes LGBTQ+ and Witchcraft books from its shelves, Interfaith group in Ohio condemns book burning, for our community members in the armed forces (thank you for your service) fyi – the Department of Veterans Affairs (VA) has launched a new task force to investigate alleged anti-Christian discrimination, but on a brighter note, residents of Taipei celebrate Mazu, Star’s Tarot of the Week, and Eurovision Witchcraft.
It is my belief that modern queer practitioners have a responsibility to reinterpret, and even to create anew, myths and practices that enable us to more deeply connect to spirit in a way that affirms our sexuality, rather than ignoring it.