Classics of Pagan Cinema: Orphée

“The poet wrings a forever from Death, the only lover he will ever have who can really promise him that.” Meg Elison reviews Jean Cocteau’s 1950 classic ORPHEUS as part of our Classics of Pagan Cinema series.

A bit of Hocus Pocus

Three TWH contributors share their thoughts on the new Disney+ film, Hocus Pocus 2.

Film Review: The Love Witch

A new independent fiction film exploring Witchcraft has hit the festival circuit. Anna Biller’s latest film The Love Witch is a colorful feast of pathological obsession, violence, narcissism, love and Witchcraft. Filmed in 35mm, the film contains a remarkable retro flair combined with a contemporary sensibility. Through the film, Biller explores both modern themes, such as the expression of female fantasy and non-traditional religious practice, along with age-old struggles involving gender politics and romantic love. In an interview, Biller told The Wild Hunt, “I can’t remember the exact moment I decided to make this film, but it initially came from getting interested in pulp novel covers and being struck by the images of witches on some of them.”