I’ve known about Darkseid at least since he appeared on the cover of the first issue of DC Comics’ Super Powers in 1985. Since then, I’ve read dozens of comic books featuring the dark master of Apokolips and all the associated New Gods created by Jack Kirby. When the latest reboot of Superman comics introduced Lex Luthor’s Apokoliptian armor and use of a Mother Box, I realized that I’ve never really had a particularly clear grasp of Kirby’s whole DC mythology. I know who the characters are, I know about the strange melding of mysticism and technology, but I’ve never really felt like I fully understood what all the fuss and bother with these strange figures was all about. I decided to pick up a used copy of the first volume of Jack Kirby’s Fourth World Omnibus to start at the beginning and see if I could get a better understanding of the weirdness.
[SPOILER ALERT: The following review contains details that may spoil the film for readers who have not yet seen the movie. ]
DC Entertainment’s new film Wonder Woman, starring Gal Gadot, has been captivating audiences since its release June 2. Opening weekend, the film grossed $103.2M in the United States alone, and is on track for record numbers in its second weekend. Directed by Patty Jenkins, Wonder Woman is the first female-centered superhero movie to be produced in twelve years; the last one being Elektra (2005) starring Jennifer Garner. Additionally, Wonder Woman is only the second comic book-based film to be directed by a woman; the first being Marvel Studios’ Punisher: War Zone directed by Lexi Alexender.
If you are a Pagan or occult practitioner of a certain age, the word “Vertigo” brings up certain associations. A speciality line of comic books launched by DC Comics in 1993, Vertigo comics focused heavily on mythic, occult, psychedelic, and magical themes, introducing American audiences to rising talents like Neil Gaiman, Grant Morrison, and Dave McKean. Inspired by the earlier 1980s work of writers like Alan Moore and Jamie Delano, Vertigo created a new niche of “adult” comics that drew many people, myself included, back to reading comic books. I distinctly remember happening upon a write-up of Neil Gaiman’s “The Sandman” in The Monthly Aspectarian of all places, which led me back to a comic book store for the first time in years. For me, and for many of my peers, Vertigo gave a needed dose of youth, experimentation, and anarchic cool to a Pagan/magical subculture that was still trying to adjust to a sudden boom in popularity.
When we left off yesterday, Mark Ryan was discussing his experience creating the Greenwood Tarot. This wildly popular deck was published in 1996 after five long years of work by himself and artist Chesca Potter. Eventually, Mark moved on to other projects. He made guest appearances on a number of American T.V. shows and movies such as: Frasier, Alias, J.A.G., and Charlie’s Angels (film). He was hired as a sword coach for Richard Gere during the filming of First Night.