The Wild Hunt (https://wildhunt.org/author/melison/page/4)
Meg Elison is a Hugo, Philip K. Dick and Locus award winning author, as well as a Nebula, Sturgeon, and Otherwise awards finalist. A prolific short story writer and essayist, Elison has been published in Scientific American, McSweeney’s, Fantasy & Science Fiction, Fangoria, and Best American Science Fiction and Fantasy. Elison is a high school dropout and a graduate of UC Berkeley. She lives in the Berkshires. megelison.com
We were finally finding a way into the grooves of the Akashic record: the information superhighway was the Force, it was the oversoul, and we paid for it by the minute. One of the very first things I ever searched for on Alta Vista was Witchcraft.
With its right hand Eggers’s Nosferatu points at all the sex it can, but its left invokes the imagery and the uncanny nature of folk magic.
There are those who say a witch is born and others who insist a witch is made. This film suggests a third option: that witchcraft can come upon a person as unbidden and inevitable as puberty, and as impossible to understand.
Dickens expressed a general mistrust for organized religion, an admiration for Jesus Christ, and a social commentary that pointed out the corrosive effect of the Catholic church on personal liberty. Does this remind anyone else of every Pagan they’ve ever known?
“Nearly everyone in this film is obsessed with the Rome that was, where the emperor was a scholar instead of a syphilitic club kid in a toga,” writes Meg Elison in her review of Ridley Scott’s new film. “It is much easier to complain about a bad government than to build one that works. See Virgil for more on this. See Hannah Arendt. See Marija Gimbutas. See all of human history. See the news.”