The Wild Hunt (https://wildhunt.org/tag/david-bowie)
As in the Ziggy Stardust song from more than a half-century ago, we’re simultaneously surrounded by evidence of catastrophic climate change and absolutely unwilling to make the necessary changes to mitigate it.
TWH – Now that the season has turned and we are nearing the end of the 2016, we look back, one last time, to review this extraordinary year. What happened? What didn’t happen? What events shaped our thoughts and guided our actions? In our collective worlds, both big and small, what were the major discussions?
When David Bowie died in January, there was a mass outpouring of emotion. Fans around the world shared memories, re-watched his movies, and listened to their favorite Bowie songs. The international media machine dug up stories about his life and influence. Bowie was, and still is, an icon representing a form of transgressive pop culture. Through that work, he pushed boundaries into the fantastic and was fully embraced for his oddity.
There are lots of articles and essays of interest to modern Pagans and Heathens out there, sometimes more than our team can write about in-depth in any given week. So The Wild Hunt must unleash the hounds in order to round them all up.
In Religious Freedom News… PHOENIX, Ariz. — Announced in late January, The Satanic Temple was given the go-ahead to prepare an invocation to be read before the Feb. 17 Phoenix city council meeting.
Jean Genet’s text “The Criminal Child,” previously unavailable in English, was translated and published in December 2015. An anonymous commentary on the text, included as an afterword within the same pamphlet, reads “The Criminal Child” as an intricately coded set of instructions for magical initiation and ordeal. “The Criminal Child” was originally written in 1948 as a speech to be read on a radio show in order to address reforms to France’s youth prisons that had been proposed at the time. It was rejected and never read on the air. When Genet published the censored text the following year, he wrote in his introduction, “I would have liked to make the voice of the criminal audible.