Almost from the beginning comic books have lent themselves to repurposing mythology in order to tell stories. Usually this process was indirect, with new characters like Superman and Batman acquiring mythic resonances over time. However, the riches of ancient cultural myths and stories were far too tempting to simply borrow elements from, and soon you had figures like Thor and Hercules fighting alongside more down-to-earth heroes. In the late 1980s and through the 1990s this dive into ancient myth and religion took a more serious turn as writers like Alan Moore, Neil Gaiman, Jamie Delano, and Grant Morrison grappled with increasingly complex notions regarding the narrative reality of fantasies they were producing. Comic books, many started to argue, were the conveyers of the new mythologies.
There are lots of articles and essays of interest to modern Pagans out there, sometimes more than I can write about in-depth in any given week. So The Wild Hunt must unleash the hounds in order to round them all up. The “paganism-as-slur” story continues to gain ammunition, this time from the Family Research Council, who argue that America has entered an age of “pagan” sexuality. Quote: “What we really have outside is a pagan sexuality which is totally different from a Christian sexuality. And I don’t think enough Christians have yet put that way starkly enough to themselves.
If you are a Pagan or occult practitioner of a certain age, the word “Vertigo” brings up certain associations. A speciality line of comic books launched by DC Comics in 1993, Vertigo comics focused heavily on mythic, occult, psychedelic, and magical themes, introducing American audiences to rising talents like Neil Gaiman, Grant Morrison, and Dave McKean. Inspired by the earlier 1980s work of writers like Alan Moore and Jamie Delano, Vertigo created a new niche of “adult” comics that drew many people, myself included, back to reading comic books. I distinctly remember happening upon a write-up of Neil Gaiman’s “The Sandman” in The Monthly Aspectarian of all places, which led me back to a comic book store for the first time in years. For me, and for many of my peers, Vertigo gave a needed dose of youth, experimentation, and anarchic cool to a Pagan/magical subculture that was still trying to adjust to a sudden boom in popularity.
There are lots of articles and essays of interest to modern Pagans out there, sometimes more than I can write about in-depth in any given week. So The Wild Hunt must unleash the hounds in order to round them all up. Last week, the comic book Young Avengers #2 had the conversation that many Pagan comic-book fans were awaiting: What’s up with Wiccan calling himself “Wiccan”? Here’s hoping it leads to a new code-name that isn’t also the name for a, well, Wiccan. The issue was written by Kieron Gillen with art by Jamie Mckelvie, the same team who did the criminally under-appreciated Phonogram miniseries (which should be required reading for anyone who loves the intersection of music and magic).
Welcome to the working week! I hope you’re all having as good a Monday as possible. Let’s start off with an important update on a previously reported story, and then move on to some Pagan news of note. Haitian Government Reassures Vodouisants in Wake of Constitutional Changes: Last week I reported on the newly-amended Haitian constitution, and an assertion from Euvonie Auguste, head of the National Confederation of Haitian Vodou (KNVA), that it removes legal protections for Vodou practitioners. “Voodoo would be no longer protected by the Constitution amended. The Priestess Euvonie Auguste, Head of the National Confederation of voodoo in Haiti, deplores the abrogation of Article 297 of the Constitution which, accrding to her protected the sector voodoo against all forms of discrimination.