Arts & Culture
Classics of Pagan Cinema: Chocolat
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Meg Elison combines the folk magic of Lasse Hallström’s 2000 romance “Chocolat” with her own memories of coming to Witchcraft – and coming to terms with her mother.
The Wild Hunt (https://wildhunt.org/author/melison/page/3)
Meg Elison combines the folk magic of Lasse Hallström’s 2000 romance “Chocolat” with her own memories of coming to Witchcraft – and coming to terms with her mother.
“The Covenant” seemed like it was made to be the boys’ own answer to “The Craft.” But the film is too caught up in its own broken masculinity to begin to offer a coherent vision of magic – much less a coherent film.
This is not a subtle film. This is like Game of Thrones without a hint of subtlety and stranger accents.
Meg Elison invites our readers to curl up on the couch for a Christ-less Christmas Classic, the 2006 miniseries adaptation of Terry Pratchett’s Discworld novel “Hogfather.”
Many have wondered if this strange piece of folk horror even existed, or if it was a mass hallucination, another iteration of the Mandela Effect. Not so, says Meg Elison in this review of 1978’s “Dark Secret of Harvest Home” – it’s quite real, and a transgressive delight for Pagan audiences.