Horology

I use models for what is “old enough” to consider seriously in my practice based on instinct and a vague understanding of the world “historiography,” picking up and discarding things from 1000, 1300, or 1800 as either “older than anything else I’ve found” or “too new” – all while the modern Witchcraft movement can be meaningfully traced to the 1940s.

Here and Hereafter: a report from the Parliament of World Religions

We were all, in some way, seeking the capital-T Truth – and if we thought we had found it, it made sense to want to share that with others. I hadn’t been sure of the Truth since I was a child, and, for me, that amorphous uncertainty was the point. Having someone, however well-intentioned, try to save me, or convince me – or even to convince themself that I was already saved – felt like the opposite of helping.

Far from the Mainstream

This is the first place that has been entirely mine, where every piece of art or display has been chosen because it represents something important to me, something that makes me happy. Trying to see it with another set of eyes feels distancing, like a particularly unpleasant magic trick. I suppose that’s fitting.

Crabapple

The best I can do, in my spells, is to throw myself towards the chaotic overlap of symbols that I like. I try to aim for the area where, even if I miss, I will enjoy the consequences.