Pagan Community Notes: Week of May 28, 2026

 


HBCM FTW!

Image courtesy of HBCM

ASHEVILLE, North Carolina — House of Black Cat Magic, a unique blend of metaphysical shop and black cat lounge in West Asheville, has been nominated by readers as one of the nation’s top cat cafés in the USA TODAY 10Best Best Cat Café contest.

Located at 841 Haywood Road, the venue combines magical practice, animal advocacy, and community gathering space into a single environment centered on improving the lives and reputations of black cats. Founded by Star Bustamonte and Hannah Soboleski, House of Black Cat Magic (HBCM) opened three years ago with a mission to address long-standing superstitions and adoption barriers faced by black cats while celebrating their associations with magic and folklore.

As The Wild Hunt previously reported in 2023, the organization emerged from the founders’ shared passion for animal rescue and occult spirituality, creating what they described as a welcoming place for both magical practitioners and cat lovers alike.

“The black cat lounge is specifically a spot where people can meet adoptable cats,” co-owner Hannah Soboleski explained. “Most of the time they are black… they can be tuxedos, they can be tortoise shells.”

The lounge partners with Binx’s Home for Black Cats, helping facilitate adoptions while also offering visitors opportunities to relax, socialize, or work in the company of feline companions. Alongside the cat lounge, HBCM operates as a metaphysical supply shop offering ritual tools, candles, herbs, books, and magical curiosities.

Cat cafés have grown steadily in popularity across the United States over the past two decades after originating in Taiwan and later spreading through Japan. Many cafés combine food and beverages with cat rescue partnerships that support local shelters and adoption programs.

Voting in the USA TODAY 10Best contest remains open through June 22, with readers permitted to vote once daily. Winners will be announced July 1.



The Green Man? 

Carving of a green man, likely Alkborough, North Lincolnshire (Simon Garbutt, public domain

LONDON— A Church of England court has ruled that a widow may place the image of the Green Man on her late husband’s gravestone after an earlier objection claimed the symbol was “unchristian.”

Dr. Polly Stirzaker sought permission to include the Green Man on the memorial for her husband, Roy Stirzaker, in the churchyard of St. Edward’s Church in Kempley, Gloucestershire. The symbol was chosen to reflect her husband’s lifelong love of folk music, Morris dancing, and traditional English folklore.

Initial permission for the design was denied in 2023 after the Priest-in-Charge of St Edward’s expressed concern that the Green Man was not an appropriate Christian image for consecrated ground. According to reports, clergy feared the symbol could offend some parishioners because of its modern association with Paganism and nature spirituality.

The dispute ultimately reached the Diocese of Gloucester’s consistory court, where Chancellor Mark Ruffell reconsidered the case after consulting historians and theologians specializing in medieval religious art. Expert testimony noted that Green Man carvings have appeared in churches and cathedrals across Britain for centuries, including Gloucester Cathedral and Exeter Cathedral.

Scholars Dr. Helen Hall and Professor Javier Garcia Oliva argued that medieval Christians often understood the Green Man within a Christian symbolic framework connected to seasonal renewal, resurrection, and the cycle of death and rebirth reflected in Christian theology.

The Chancellor concluded that, although some modern interpretations attempt to associate the Green Man with Pagan traditions, the historical evidence for such claims was not definitive. He acknowledged that the symbol might prompt conversation among visitors to churches or churchyards, but noted that contemporary scholarship, along with the Green Man’s inclusion on the invitation to the 2023 coronation of King Charles III, made it unlikely to cause significant offence or distress.

As Christianity spread through Europe, the Church frequently adopted and adapted existing cultural symbols rather than completely erasing them. This practice of syncretism was supposedly intended to help local populations transition to the new faith.

In his ruling, the Chancellor accepted that the Green Man could be understood within a Christian symbolic tradition, describing in a somewhat revisionist manner that as “a representation of Christ as the new Adam surrounded by the abundance of life that he brings.”



Guardians of the Forests

Amazon – Brazil, 2011. ©Neil Palmer/CIAT

BRASILIA — Traditional and Indigenous communities across Brazil have formed a new alliance to defend the rapidly disappearing Atlantic Forest (Mata Atlântica), one of the world’s most endangered biodiversity regions. Reported by Brazilian outlet Revista Fórum, the newly launched “Alliance of Traditional Peoples and Communities Guardians of the Atlantic Forest” is described as the first coalition uniting diverse traditional communities specifically around protection of the biome.

The alliance brings together Indigenous peoples, quilombolas, caiçaras, caboclos, artisanal fishers, shellfish gatherers, and Afro-Brazilian terreiro communities from multiple regions of Brazil. Organizers frame the effort as both an environmental and cultural movement responding to deforestation, mining, industrial development, pollution, urban expansion, and continuing threats to traditional lands and lifeways.

The Atlantic Forest once stretched across large portions of Brazil’s coastline and interior, but only an estimated 12 percent of its original vegetation remains. Despite centuries of logging, agriculture, and urbanization, the forest still contains extraordinary biodiversity and serves as a critical water source for approximately 145 million people.

The coalition argues that environmental protection cannot be separated from the defense of the communities who have historically lived within and stewarded these ecosystems. Many participating groups emphasize forms of traditional ecological knowledge rooted in sustainable agriculture, artisanal fishing, forest management, and spiritual relationships with the land.

Particularly notable is the inclusion of Afro-Brazilian terreiro communities, whose religious traditions often maintain sacred relationships with forests, waters, and local ecosystems. Organizers describe the alliance as an effort not only to preserve biodiversity but also to defend cultural memory, spiritual traditions, and territorial rights increasingly threatened by political and economic pressures.

The initiative reflects broader global conversations surrounding Indigenous sovereignty, environmental justice, and the growing recognition that traditional communities frequently serve as some of the most effective guardians of threatened ecosystems.



 

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Tarot of the Week by Star Bustamonte

Deck: Blooming Cat Tarot, by Jen Brown, published by Cosmic Eye, LLC.

Card: Five (5) of Pentacles

The week ahead has the potential to hold significant challenges that highlight the need for assistance or help. When circumstances shift, causing resources to dwindle and hardships to set in, it can create a sense of shame and, by extension, isolation. The key here is that there are generally resources available to provide help, but even most of our closest allies are not mind readers. Asking for help will be key this week.

In contrast, if life has been particularly difficult, especially financially, this week is liable to signal a turning point towards the positive. The light at the end of the tunnel is, in fact, not a train! There may also be an emphasis on how one thinks about money, wealth, and poverty—and what our internal beliefs are regarding being worthy or deserving of possessions and/or achievements.



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Pan’s Labyrinth Restoration

CANNES, France — There’s good news from the Cannes Film Festival for fans of Pan’s Labyrinth as the dark fantasy classic marks its 20th anniversary this year. Mexican filmmaker Guillermo del Toro returned to Cannes to celebrate the film’s inclusion in the festival’s Cannes Classics section, where a newly restored version of the film is being screened ahead of a wider theatrical re-release later this year.

Originally premiering at Cannes in 2006, Pan’s Labyrinth famously received what remains one of the longest standing ovations in the festival’s history,  lasting approximately 22 minutes. Speaking to Reuters, del Toro reflected on the emotional experience, recalling that fellow filmmaker Alfonso Cuarón encouraged him to fully accept the audience’s admiration. “Let it in, let love go in,” Cuarón reportedly told him at the time.

Although the film did not win the Palme d’Or, it went on to become one of del Toro’s most celebrated works and a cult favorite among fantasy and horror audiences. Set in post-Civil War Spain during the dictatorship of Francisco Franco, the story follows a young girl who encounters a mysterious faun and undertakes a series of magical and dangerous tasks while navigating the brutal realities of fascist rule and family trauma.

Del Toro explained that the concept for the film emerged during a period of creative crisis following the September 11 attacks in the United States. He described wanting to explore the tension between authoritarian rigidity and the transformative power of imagination and myth.

The visually striking film, deeply rooted in folklore, fairy tales, and themes of resistance, remains especially beloved among viewers drawn to dark fantasy, liminal worlds, and stories where magic becomes a form of survival and defiance.


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