Archives For Sharon Knight

Pagan Community Notes is a series focused on news originating from within the Pagan community. Reinforcing the idea that what happens to and within our organizations, groups, and events is news, and news-worthy. My hope is that more individuals, especially those working within Pagan organizations, get into the habit of sharing their news with the world. So let’s get started!

worldwide heathen census asatru norse mythology blog norsemythResults from the 2013 Worldwide Heathen Census have been posted at The Norse Mythology Blog. According to Dr. Karl Seigfried, who initiated the project, “the results will give at least an approximate answer to a question on the minds of many heathens: ‘How many of us are there?’” So what is the estimated number of Heathens worldwide based on the results? From the over 16,000 entires, Seigfried believes there to be around 36, 289 Heathens in the world. As for what this project signifies? According to Dr. Seigfried it is, quote, “a wonderful take-home message from the census is that, when there is something positive for everyone to work towards, the often furious disagreements between various branches of the heathen community can be temporarily put aside. I was very glad to see posts by and receive emails from people who don’t agree with my approach to mythology and heathenry, yet still took part in the census and urged their friends to do so, as well. I was very happy to see members of diametrically opposed heathen communities urge people to take part in the survey.” You can see all of my reporting on this project here. It should be interesting to see how Heathen organizations like The Troth react to the projected numbers.

RandyDavidRIP-1024x1024T. Thorn Coyle has posted a moving remembrance of Randy David Jeffers (aka Randy Sapp), a musician, magician, incense maker, and co-owner of San Francisco-area metaphysical shop The Sword and Rose (currently closed). Jeffers tragically died from wounds sustained in a fire on Christmas evening. Quote: “Randy Jeffers was as kind to me the day I showed up at The Sword and the Rose – age 18, fresh to San Francisco – as he was twenty years later, when my first book came out, and as he was years after that, whenever I stopped by. I didn’t see him as often in the later years as those early ones, but when I did, there was always something of interest to talk about as he carefully packaged blessed oils and fragrant incense. This one to the Faerie Queen. That one to Ganesh. This one to the Djuat. That, to Tetragrammaton. [...] Every person who planned to visit San Francisco, looking for interesting places to go, I sent to the Sword and the Rose. People from many parts of the globe visited the shop. A hidden gem, tucked back behind two buildings and a small garden courtyard, fountain always burbling. Lit by a fire in winter. Warm or cool, depending on what was needed. Always hidden. If you didn’t know it was there, there was no way you could find it. Even people who had instructions sometimes missed the way inside. The shop is hardly big enough to hold much more than the rows of bottles filled with Randy’s art – everything blended and consecrated in sacred space. Magic. All of it. Just like Randy’s life.” Links to donate to his partner, injured in the fire, along with more remembrances, can be found at Thorn’s entry. What is remembered, lives.

304902_345967782158513_2076648666_nAfter last year’s successful event at PantheaCon in San Jose, Coru Cathubodua and Solar Cross Temple are teaming up again with Blood Centers of the Pacific to organize a blood drive in honor of, quote, “the Morrigan, your own Gods, or to help save a life.” To pre-register for the drive, simply head to this appointment form, and type “Pcon” into the top box to see available appointments. Here’s what Coru and Solar Cross had to say about the drive last year, which drew over 90 people: “Every three seconds someone in the U.S. needs blood. The Coru Priesthood and Solar Cross are hosting this blood drive as an act of kinship, hospitality and devotion to our community and to the Morrigan, Celtic Goddess of sovereignty, prophecy, and battle. We encourage all people to donate the gift of life, whether in the name of your own deities, the Morrigan or without devotional intent.” So if you can, sign up to be a Blood Hero!

In Other Pagan Community News:

  • Pagan singer-songwriter Sharon Knight writes in honor of her friend, Teresa Morgan, who died on December 26th. Quote: “Teresa was a trained magician. And honestly, I have no better explanation for why her death was so much more majestic than my father’s. She departed this world in an array of lights, shimmering blues and golds and whites. I began seeing these lights as soon as we got the phone call on Christmas night, and they lasted several days after her passing.” What is remembered, lives.
  • Journalist Beth Winegarner, whose new book “The Columbine Effect” explores how different teen pastimes got “caught in the crossfire” after the 1999 Columbine High School massacre, will be having her book launch, with reading and Q&A, at Bird & Beckett in San Francisco on January 13th. Quote: “Stop blaming teen violence on the wrong things–and…understand how Slayer, Satanism and Grand Theft Auto can be a healthy part of growing up.”
Selena Fox

Selena Fox

That’s all I have for now, have a great day!

Pagan Voices is a spotlight on recent quotations from figures within the Pagan community. These voices may appear in the burgeoning Pagan media, or from a mainstream outlet, but all showcase our wisdom, thought processes, and evolution in the public eye. Is there a Pagan voice you’d like to see highlighted? Drop me a line with a link to the story, post, or audio.

Starhawk at Occupy Santa Cruz. Photo by Matt Fitt, Santa Cruz IMC.


“Permaculture, spirit, and activism – three very potent tools to regenerate our world [...] I started Earth Activist Training because I wanted a program that could combine them all.  Permaculture is a holistic ecological design system that includes powerful tools that can help us heal damaged land, rebuild communities, and create truly sustainable abundance.  We teach it with a grounding in spirit—personal regeneration–and a focus on organizing and activism.  In our permaculture design course, students learn how to heal damaged soil, grow food organically, bioremediate toxins, harvest water and re-use graywater, build low-cost, low-carbon housing, and so many other skills.  And most of all, they learn how all the aspects of sustainability can fit together so that we can meet our human needs while caring for the natural systems around us. Permaculture offers solutions to some of our most grave ecological problems. The communities that most need these tools are those who are on the front lines of environmental and social struggles – our depressed inner cities, indigenous reserves where jobs and resources are scarce, desertifying drylands and war-torn lands in the developing world.  To share this knowledge, we need to train people who come from those communities.  They are the best ambassadors and most effective teachers!” – Starhawk, introducing her new IndieGoGo campaign to fund diversity scholarships for Earth Activist Trainings.

Sharon Knight

Sharon Knight

“Feri was my first introduction to magic, and I experienced first hand how powerful it can be to open to magical realms. From what I understand, not all traditions deal with the pure electric currents of magic, some are more liturgical. But in Feri, it is desirable to awaken what we call the Feri fire, a subtle electricity akin to kundalini, and which, when ignited, enhances perception greatly. You could say to ignite the Feri fire is to awaken the Ichor – the blood of the Gods – in our own blood, thus greatly enhancing our ability to touch and taste the realms of the Gods. Rituals that don’t open these gates feel flat to me. So, I have this precedent that I strive for as a musician as well. I want to kindle these fires in others with music, to stir and awaken an experience of magic in the listeners. It is every musician’s ideal to be able to captivate their audience and hold them in thrall, and my Feri training has definitely given me tools which enhance my ability to do this.” – Sharon Knight, on how Feri has influenced her career as a musician, in an interview with John Beckett.

Seb the Shaman

Seb the Shaman

“Be stubborn, don’t expect the universe to explode with happiness and gifts when you start on a professional spiritual path. Make a budget. Make sure you are still giving to your community, and sit down and figure out WHY you want to be a professional with a spiritual practice. If you cannot face the fact that it is a partly selfish endeavor then get out of the running. Be practical. Realize that sleep, making buckets of money, and being able to do what you want to when you want too – these should be on the list of things you are willing to sacrifice for a while. Give yourself five to ten years to get going. And ultimately, be proud to take the hard road. Humility is overrated, but don’t be an asshole as the pagan community usually does a good job keeping assholes in check and word spreads fast. Remember that you are in service to the people who pay you for your time, energy, objects, or whatever it may be. Do not over service people, and don’t take any bullshit. Do not complain about what you choose. And always do your taxes.” – Seb the Shaman, a participant in the Pagan Bundle project, on advice for those who want to make a living doing spiritual work.

Ivo Dominguez Jr.

Ivo Dominguez Jr.

“I read a lot of blogs, go to a lot of conferences and festivals, teach a lot of workshops, and have lively discussions with friends related to all things Pagan and Magickal. Although I can say that ease of access to ideas through the internet, bookstores, and Pagan and Magickal events has increased awareness of many social issues, ideologies, religious and theological perspectives, and the vast amount of minutia related Pagan culture and fads, there is an increasing percentage of the Pagan community that is magickally illiterate and innumerate.  I’m not saying that people are less serious, less devoted, or less committed to their path. Nor am I saying that the level of discourse has dropped, in fact in many ways it is much more sophisticated in exploring the development of Pagan culture. What I have noticed is that the technical end of things, magick theory, sacred sciences, and the like, are less well known. I’ve also noticed a trend towards focusing more exclusively on the lore and mythology of a specific people or a specific time at the expense of a generalized understanding of how magickal paths manifest in a variety of cultures and communities.” - Ivo Dominguez Jr., on magickal literacy, and the lack thereof, in today’s Pagan community.

Melissa Harrington

Melissa Harrington

“Davidsen’s critique of Pagan Studies is of a nascent field that has been evident since the late 1980s. Thus it has necessarily been going through a period of demarcation and description, which Davidsen criticises as a loyalist attempt at defining a “pure” Paganism. He also criticises the fact that a greater proportion of work so far has been done by “insider” researchers. In an economic climate where many academic jobs are being cut, with no faculty, department or undergraduate degree in Pagan Studies, it would seem obvious that only those with a deep personal interest would risk devoting time and funds to such studies. But that goes for any field of interest or employment and is not unique to Paganism. Nor does this preclude non Pagans from studying Paganism; it is a very varied area with much scope for development. Scholars of Paganism welcome input from any area of the academy, including from the critical study of religion, to work on developing understanding of religion in all its aspects and manifestations via Pagan Studies, and in increasing knowledge of Paganism itself. However “What is wrong with Pagan Studies?” launches an attack on scholars rather than scholarship. Davidsen uses the foundation built by Michael York and Graham Harvey to dismiss the vantage from which he speaks in few critical sentences. He declares scholars of Paganism en masse to be emic religionists who need to be educated in critical theory, sheltering a cohort of essentialists who are consciously misusing academia as part of a clandestine intra-Pagan power struggle.” - Melissa Harrington, responding to a critique of Pagan Studies by Markus Davidsen (you can read the critique here).

Sam Webster (with Herm), photo by Tony Mierzwicki.

Sam Webster

“There is much that Pagans can do in the world, but it will require leadership to do it and leadership is a relationship. Leadership is a two way street. Those who lead only do so because of those they serve. Mind, I did not say ‘follow’. Leadership is inalienably about service, or it is tyranny. Leadership is also risky. For Pagans this danger is acute. Besides putting oneself out in public which inevitably makes one a target, compounded by the isolation the role also produces, Pagans all too often operate by the ‘penguin’ mode of leadership. Penguins, it is said, follow their leaders down to the waterfront and stop before going in. The leaders, at the front of the pack, scan the waters for orca, leopard seals, and the like, which prey on penguins. But the waters are dark and the dangers, invisible. So, the pack pushes the leader in. If they come back up, they all jump in. If only blood comes to the surface, they go swimming elsewhere. Leadership is often about taking risks, but it must be matched by the loyalty of those the leaders serve for it to succeed. Both must be worthy.” – Sam Webster, on how leadership is relationship.

Donald Michael Kraig

Donald Michael Kraig

“I remember when cell phones first hit the market. They were supposed to free you up and give you more time. Now, they’re so “smart,” they take away time, allowing addicts to stare at their messages and email in the desperate hope that something important will flash on its screen. I realized that I’d been to festivals and conventions where people had their heads buried in their phones. You could be talking with them while they look and then say, “One second; I just have to answer this message…” If you’re a doctor, that conceivably could be true. Otherwise, you do not own that smart phone…it owns you. Consider this: if your battery had run down, or if the phone hadn’t signaled you with a sound or vibration, and the result was that you didn’t answer that message or email RIGHT NOW, how would your life or the life of the person sending you that note, be different? What if the message to you were delayed by 15 minutes? What about a half hour? Instead, people walk down the street, staring at their phones, missing the world around them; missing out on the world around them.” – Donald Michael Kraig, hits out against smart phones as “Magick destroyers.”

P. Sufenas Virius Lupus

P. Sufenas Virius Lupus

“The mention of a very specific goddess: Isis. And that goddess, I have no doubt, is in mourning at present, not for Osiris, but for a human woman who over the last nearly seventy years did more to spread the religious devotion to Isis than anyone has since, very likely, Apuleius in late antiquity: Lady Olivia Durdin-Robertson, the principal foundress of the Fellowship of Isis. Lady Olivia was born on April 13, 1917, and recently died on November 14, 2013. She was, truly, one of the most important individual pagans, I think, of the 20th and early 21st centuries, and I think that Isis most certainly inspired and came through her to many others. Sadly, I never was able to meet her, or to get to Clonegal Castle while I was in Ireland; however, a friend of mine did, and spoke very highly of Lady Olivia and of her experiences there in general. May Isis enfold her wings around Lady Olivia, and may she be guided swiftly into the west, with a thousand ushabtis of turquoise to carry out her works for her!” – P. Sufenas Virius Lupus, on Olivia Robertson, co-founder of the Fellowship of Isis, who passed away last week. While at the site, do check out this wonderful tribute and sanctification.

Jason Mankey

Jason Mankey

“It’s true that the Pilgrims did celebrate some sort of Thanksgiving back in 1621, and it did come with Native Americans, pumpkin, and probably wild turkey. Unfortunately it wasn’t necessarily a holiday about “coming together” so much as it was about showing off English muskets. In recent years much of the Pilgrim myth has been stripped away. Most Americans are now aware that the Puritans of Plymouth Rock weren’t really the nicest folks. I’m respectful of their dedication to hard work and devotion to their faith, but they weren’t necessarily pioneers of religious freedom. Sure they were interested in their religious freedom, but these were the same people who were burning witches just seventy years later. The myth has always been better than the reality, but I still find value in it. When people reflect on the Pilgrims and the Patuxet it’s a reflection not of what actually was, but what we wish to be. Most of us do dream of a country where everyone can come together to share a meal without caring about race, creed, or gender. Maybe that’s why Thanksgiving is my favorite holiday. It speaks to the best of what we can be. It’s certainly about food and family, but it’s also about coming together despite our differences. I’ll eat a good pound of turkey next Thursday, hug my wife, call my Dad, and watch about ten hours of football, but I’ll also stop to remember what it means to be truly thankful for the blessings in my life, and to reflect on the things that bring us together instead of drive us apart. Happy Thanksgiving.” – Jason Mankey, on why he likes Thanksgiving.

That’s all I have for now, have a great day!

This week saw the launch of the Pagan Bundle, a one-week special deal in which for $50 (or more) you can purchase a bundle of goods and services from a variety of Pagan vendors, saving hundreds of dollars off of the normal list price.


“We’re taking a bunch of awesome things made by great people and selling them all together at a huge discount. Simple as that. The Pagan Bundle proceeds will help support excellent pagan practitioners who produce superb and original works for the benefit of us all. The project was born from a longing to help those who are striving to make a full-time living with a spiritual practice or craft, so that they can focus less on the month-to-month struggle to make ends meet and more on doing what they are here to do; creating awesome things that enrich the lives of others.”

Included in the bundle are books by Brendan Myers, music from Amelia Hogan and Sharon Knight, access to video teachings by T. Thorn Coyle, and tattoo designs by Morpheus Ravenna, among other items and services. When I asked Ravenna about her participation, she said that “I joined on as a contributor to the Bundle because I think it’s a great idea, and because it’s the first project of its kind that I’ve seen that’s been designed by and for Pagans.”

Morpheus Ravenna

Morpheus Ravenna

“The Bundle is a way for me to sell my own artwork and creations, and so it benefits me directly. But I also feel strongly about creating a vibrant social economy that supports the arts, and so I’m also on board because I’d love to see more projects like this succeed for other creators. As an artist, I’m keenly interested creating a world where artists and creative people can make a living doing what they were born to do. The Bundle is a beautiful way for me to help support a whole bunch of great creative people while also hopefully bringing a bit of success to my work as well.  I also had a lot of fun creating some original, new designs for it. Jan asked me to do a range of original designs that would be of interest to people from different traditions and backgrounds, so I got to step outside my comfort zone and explore different thematic and symbolic areas. I’m the kind of artist who responds to novelty and a bit of creative pressure. In the process of working up the designs, I found myself developing my style into new areas. So it’s been a creatively fertile project for me.”

Fellow Bundle participant T. Thorn Coyle added: “We need more art and magick in the world. Many artists struggle to get their work out, and do so much for our communities. I’d like to see more artists getting paid for their efforts. I’m proud to be part of The Pagan Bundle because I love supporting beauty and magick, helping to re-enchant the world.”

T. Thorn Coyle

T. Thorn Coyle

Curious to know more, I posed a few questions to Jan Bosman, a web designer and creator of the Pagan Bundle project, about how this came about, and what the goals are moving forward.

What inspired the Pagan Bundle?

“It started last Samhain with a conscious effort on my part to be more generous with the people I encounter in my life (I was inspired by Brendan Myers’ book The Other Side of Virtue). I began attending pagan events a few years ago, and I’ve since become close to a number of inspiring, authentic and powerful people – they are musicians, artists, authors, spiritual teachers, and practitioners of one flavor of paganism or another. They are doing what they are on this earth to do, and yet none of those callings tend to translate into lucrative careers. I dislike watching idly as those I care about struggle to provide for themselves and live month-to-month while trying to be soulfully employed. I have a good job designing websites and the luxury of not worrying about meeting my basic needs or the survival of my business, so I was compelled to find a way to help. After a few weeks of trying to figure out exactly how, the answer came to me in a dream – a very lucid and specific dream (down to the pricing model and distribution). The format of the Pagan Bundle was partially inspired by other bundle sales such as the Humble Bundle, as they are fantastic vehicles for helping contributors become more well known and well paid.”

Do you think this bundle initiative will provide a boost for the individual vendors?

“That’s the ultimate goal of the whole thing. All the profits from the sales are split evenly between the eight contributors. If we sell a few hundred bundles, that’s a huge direct impact for them. It’s a difference that helps them not have to worry about how to pay rent for a few months so that they can continue the awesome things they do, and so that they can have a bit of a cushion to finance a new project. In those terms, its easy for me to see that we all benefit from this. I’ve donated a few thousand hours to organizing the project and building the website over the last year, as well as a decent chunk of money to make it happen. If we get hundreds or thousands of sales, I can cover a bit of overhead, but I’m not taking a cut – it’s all going to the artists, authors, musicians, magicians and teachers.”

Jan Bosman

Jan Bosman, creator of The Pagan Bundle.

 How are you promoting the bundle?

“The eight people who have contributed goods to the Bundle all have followings of their own, and all of them are promoting the Bundle to their blogs, mailing lists, social media, and so on. One of the ways I hope to provide a boost for the contributors is through the cross-contamination of their fans. For instance, someone may buy the Pagan Bundle solely for the 6-week Introduction to Energy Work online course may find themselves a big fan of Sharon Knight’s albums – a fan that may end up buying the rest of her stuff as well. We’ve also been running a few promotions that give people discounts while they spread the word to their friends – not because 89% off isn’t enough of a saving, but because spreading the word is a huge help to the whole project.

 Thus far, sales have been steady but measured. I’ve learned that its a damn hard thing to build a big website to sell something at the same time as promoting it.”

 How were the creators picked for this project?

“While a number of the creators were personal friends of mine, I had to come up with some very specific criteria in order to keep a consistency of quality and to ease potential logistical issues. I picked contributors must produce authentic, excellent and original works, preferably to the benefit of the greater pagan community. This isn’t required of every single item, but the bundle should be well-balanced. Contributors also had to be able to provide items in digital format. In large part because if we happened to sell 3,000 bundles, that’s a completely unmanageable demand to have to instantly fill. An all digital bundle means that distribution cost of the goods is pennies, as we’re only paying for bandwidth and not physical shipping. I also gave consideration to creators who: are making (or attempting to make) their spiritual practice or craft their full-time profession; are currently unemployed or underemployed (i.e. struggling financially); and have a substantial online presence and following (as this is a key method of promotion for the project).

Our eight contributors are fairly well known, create high quality stuff, and they can all use a boost in exposure and income. I knew most of them, and those creators recommended the others. We stopped inviting contributors after getting eight because more would mean further having to split the profits of the project, and less of a tangible impact for everyone. That said, there are many countless creative pagans who fit all of those criteria and, especially if this first Pagan Bundle sells well, I would consider more of these sales in the future – in which case there would most likely be a more open invitation process.”

 It should be interesting to see how well this initiative does, and if this new approach to selling Pagan goods and services on the Internet will create a new paradigm for promotion and sales. That will no doubt be up to the consumer, and they have 5 days left to make their voices heard. Be sure to check out interviews with all the creators, and more about what’s in the Pagan Bundle, at:

Pagan Community Notes is a series focused on news originating from within the Pagan community. Reinforcing the idea that what happens to and within our organizations, groups, and events is news, and news-worthy. Pagan Community Notes is just one of the many regular features The Wild Hunt brings you to help keep you informed about what’s going on in our interconnected communities. If you appreciate this reporting, please consider donating to our Fall Funding Drive (and thank you to the nearly 200 supporters who have already donated). Now, on to the news…

TCE-frontcover-med copyJournalist Beth Winegarner, who moderated a panel on Pagans and the press at the 2013 PantheaCon in San Jose, has a new book coming out in December that explores how different teen pastimes got “caught in the crossfire” after the 1999 Columbine High School massacre. Quote: “‘There are stories in The Columbine Effect from teens who got themselves through horrific incidentsincluding severe burns or parent who might dieby listening to heavy metal. Other teens told me about discovering themselves and finding a network of friends through Wicca or Satanism. And there’s research to back them up,’ Winegarner says.’The Columbine Effect’ highlights the voices of academics, authors, legislators and others whose work supports the idea that some of the most demonized pastimes are actually good for kids. From Supreme Court Justice Antonin Scalia to pagan author and NPR reporter Margot Adler, the book is filled with experts who see no harm in letting teens explore these interests.” It should be a thought-provoking work, and I’ll be lining up an interview with Winegarner in the near future to talk about Paganism within the context of her book’s thesis. For now, you can see a promotional video and read a sample chapter of “The Columbine Effect” at Winegarner’s official web site.

spiralheartSpiralheart, a community within the Reclaiming tradition, is launching Alchemeet, a once-a-month “Pagan meeting-of-minds that takes place online and is available to anyone who would like to join.” Quote: “The views presented in Alchemeet are designed to spark creative discussion in a safe environment and may be controversial by nature. These views do not represent the Spiralheart community as a whole and indeed may not even be the opinion of the host. Instead, the topics are meant to be edgy mental exercises in spirituality and to foster online community each month. Our hope is that you may feel infused or inspired to take these discussions and allow them to influence your daily practice—or not. It’s up to you.” The first talk will be held on November 5th, hosted by Boneweaver, on “The Necessity of Cutting Off One’s Legs In Spiritual Work.” Quote:  ”I’ll explain my symbolic missing legs and what I’m willing to sacrifice for my deep work—and why!—and then I’d like to hear from you. Are you willing to be brave for the spiritual realizations you seek?” Details on how to join the Google Hangout-based discussion/symposium can be found, here.

10279415704_0dda6c8066_mGuatemalan Mayan elder Apolinario Chile Pixtun, who got quite a bit of press a couple years ago debunking the 2012 Mayan calendar “doomsday” hype, recently visited Oakland, California where he led a Mayan Fire Ritual for a gathering of the People of the Earth Community. M. Macha Nightmare published her impressions of the event back in September. Quote: “What appealed to me was the obvious care and reverence with which everything was brought together and performed, the sense of fellowship I felt, the beauty of the surroundings, both natural and human-made, the quiet filled with actions but not with talking, and the flames.  I’m grateful to have had this opportunity.” Now, photographer Gregory Harder has posted his photoset from that event to Flickr. For those clued into the California Bay Area Pagan scene, you’ll see several notable folks, including Luisah Teish, Don Frew, Gus diZerega, and more. Below I’ve included one of the photos, from the ritual in progress.

Guatemalan Mayan elder Apolinario Chile Pixtun

Guatemalan Mayan elder Apolinario Chile Pixtun

In Other Pagan Community News:

That’s all I have for now, please remember to support The Wild Hunt during our Fall Funding Drive so that we can continue to bring you reporting from our interconnected communities!

Today is the start of the Faerieworlds Festival in Eugene, Oregon. Faerieworlds is a weekend-long event that mixes fantasy, art, music, mythic themes, and wild creativity to create something that is truly unique within the world of festival culture. Existing in a liminal space between the “transformational” West Coast festivals, Renaissance (and re-enactment) fairs, and traditional multi-stage music events, Faerieworlds is something that is hard to describe until you experience it for youself. As co-founder Kelly Miller-Lopez said in 2009, Faerieworlds opens “doorways to help people connect with beauty and magic.”

“For the first time ever…OMNIA will be bringing the one and only, pure and uncut PaganFolk to the US! Old world Paganism meets the New world tribes! The Clans that were sundered by time, politics and emigration will be re-united for this one amazing, fantastical, artistic and magical Festival in Oregon! I get all goosebumpy thinking about it!  Finally we get to play to an audience that speaks our language!  FaerieWorlds here we come! Nature has provided us with a lot of energy, and we long to share it with you! See ya there!”SteveSic Evans-van der Harten of the band Omnia

I would argue, as someone who has experienced Faerieworlds as both an attendee and an employee, that an integral element that makes Faerieworlds so special is that, in many ways, Faerieworlds is very Pagan. While the festival has no religious or theological mandate, and is welcoming to everyone, there is, and always has been, a strong Pagan thread running through the event. For those who simply want to frolic with Wotan the Faerie-Smasher, dress up in glitter and wings, sample from an array of artists, or simply dance to a diverse lineup of bands, the festival provides all that, and more. However, if you go in looking for it, you’ll notice the ritual and Spiral Dance during opening festivities, that headliners like Omnia, S.J. Tucker, Sharon Knight, and Woodland sing songs from within a Pagan frame of reference, and that Pagan luminaries like T. Thorn Coyle are there conducting workshops. These Pagan elements do not dominate, but merely inform the festival, creating a creative ambiguity that resonates far beyond modern Paganism’s borders. As Faerieworlds co-founder Robert Gould put it in 2012, when talking about why Faerieworlds booked singer-songwriter Donovan, all great art inhabits this ambiguous, liminal, space.

2013 Faerieworlds Map

2013 Faerieworlds Map

“The most common and unifying quality of great art is ambiguity: it’s ability to be experienced and interpreted by people of any gender, age, culture or time.”

This melding of elements, this willingness to stand in a liminal space, has allowed Faerieworlds to strike chord far wider than any explicitly Pagan event, drawing an estimated 6-8000 people per day last year, and with an even bigger year planned for 2013. As I said in 2011, Faerieworlds taps into our primal communal need for festival, for gathering, to honor nature and the numinous

“Events like Faerieworlds tap into a deep cultural hunger for romanticism, for a re-enchantment of the world that has long been denied by both secular and religious institutions in the West. I don’t think the recent fantasy boom is happening in a vacuum, nor do I think it is any coincidence that a growing number of people are opting out of traditional forms of religion altogether while still holding onto religious beliefs. While Faerieworlds, or Burning Man for that matter, aren’t explicitly “Pagan” they tap into a primal need for festival, for gathering to honor the numinous, the changing seasons, each other, and our own creativity. I think that these events, especially as we weather hard times, will continue to grow in importance. There is a vital roots-up form of small-p “paganism” emerging here that is very compatible with our more formal adoption of Pagan religion.”

Faerieworlds is something magical and unique, something that I think many Pagans need to see, and perhaps emulate. Grown from a small local gathering of friends and family, Faerieworlds has become, in its 12th year, something of an institution in Oregon, rivaling the venerable (and popular) Oregon Country Fair. They did it by realizing that the need to tap into myth, into story, into festival, resonates far beyond the borders of our personal communities, whatever they may be.

I hope to see you at Faerieworlds, and let’s all live our legends!

Pagan Community Notes is a series focused on news originating from within the Pagan community. Reinforcing the idea that what happens to and within our organizations, groups, and events is news, and news-worthy. My hope is that more individuals, especially those working within Pagan organizations, get into the habit of sharing their news with the world. So let’s get started!

Starhawk at Occupy Santa Cruz. Photo by Matt Fitt, Santa Cruz IMC.

Starhawk. Photo by Matt Fitt, Santa Cruz IMC.

Starhawk, noted activist and author of “The Spiral Dance,” took to Facebook to speak out on the verdict in the Trayvon Martin murder trial, and to also speak more broadly about race, and “stand your ground” laws. She initially posted: “I’m enraged and heartsick at the injustice of the Zimmerman verdict. I stand with the black leadership and their allies calling for a Department of Justice investigation, for an end to racial profiling, and the end of the dangerous laws that encourage vigilantes to target anyone they consider ‘other’ with impunity! So much work to do!” Then, followed up to expand on her previous statement. Quote: “I am indeed heartsick and enraged at how many young women are given long sentences for fighting back against their abusers. But people, both those cases underline one of the core ways racism and patriarchy work–by defining who gets to use violence and who does not [...] I advocate nonviolence. But nonviolence is not passivity. It calls us to actively acknowledge that racism and patriarchy are deep, inherent, endemic forms of perpetual violence that infuse our society deeply, and will take much thought and work and courage to transform.” She finished by addressing critics who would rather she focus on “spiritual stuff” rather than her activist work by noting that “this IS my spiritual stuff.”

pent-o-clockA new Pagan-themed community television program and videocast has launched, with a mission of serving Pagans in Oregon while also covering national and international Pagan news. Called “The Pent O’Clock News” the 30-minute program will air on Salem’s CCTV Channel 23 and Corvallis’ CCAT 29 television stations. Quote: The monthly show includes stories on the national and international level that impact our Pagan Community. The focus of the show is on news about the Pagan Community in Oregon. Hosted by Oregon Pagans Carl Neal and Michelle Hawkins [...] The show is an opportunity not only to more deeply connect Oregon’s Pagan Community, but it is also an opportunity to introduce ourselves to our non-Pagan neighbors. Understanding begins with knowledge and it is hoped that both Magick Moment and The Pent O’Clock News can help to provide that knowledge.” The Pent O’Clock News joins other Pagan-themed community television programs like Keepers of the Flame in Connecticut, along with several ongoing Pagan videocasts

a2514629697_2Pagan singer-songwriter Sharon Knight has released her new album “Neofolk Romantique.” Quote: “A collection of Celtic traditional and original songs ranging from romantic and fanciful to dark and brooding. Faery lore, lively jigs, and haunting ballads of pirates, murder, love, death, and the quest for poetic inspiration, sung by a feisty redhead. Comes with a 21-page booklet of lyrics and song notes.” This is Knight’s first solo album since 2005′s “Song of the Sea,” though she’s hasn’t been idle in those intervening years, releasing an album with her band Pandemonaeon in 2010, and two album of chants with T. Thorn Coyle in 2008 and 2009. Sharon Knight will be hitting the road to promote her new album at the end of July, which includes a stop at the Faerieworlds Festival in Eugene, Oregon, where she’ll be sharing a stage with Pagan-friendly artists like Omnia and S.J. Tucker. In a recent interview Knight said that she’s already working on her next album, a collaboration with her husband Winter. Quote: “I am finishing up my next album with my husband Winter. He is my main collaborator and a fantastic musician [...] over the years we have developed such an outstanding rapport, we practically read each others’ minds in the studio, it is such a great working relationship, I can’t imagine doing this without him.”

Nora Cedarwind Young

Nora Cedarwind Young

Back in March I reported that that Circle Sanctuary Priestess, Death Midwife, chaplain, and Green Burial advocate Nora Cedarwind Young is terminally ill, and wasn’t expected to live for much longer. However, Young has beaten the estimates and predictions, and is still with us. This happy news has created a financial crisis for Young and her family as they deal with ever-increasing medical bills and a fundraiser has been started to help them cover the costs. Quote: “One of Nora’s favorite adages, “The gift you give is the gift you get!” is the theme for our efforts here.  This amazing and beloved priestess has stayed with us much longer than anyone thought possible!  Nora has been somewhat stabilized with a strict routine of medicines and wound care, but the cost of such endeavors, as you can imagine, has been quite a burden on the couple, even though they have insurance. The intent of this fundraiser is to alleviate the extreme stress they have been under by providing some financial help for the non-covered costs that have accumulated, and cover additional treatments, like intravenous vitamin and mineral therapies, that Nora says really make a difference in how she feels.” If Nora Cedarwind Young has touched your life, please consider helping out.

In Other Pagan Community News:

That’s all I have for now, have a great day!

Today marks the beginning of Faerieworlds, a three-day arts and music festival in Eugene, Oregon that embraces the mythic and the fantastic in ways that many of us in the Pagan community would find familiar. A transformational space where each of us is encouraged to embrace the numinous in our own way, our own context. A chance to “live our legend.” As I said last year, this event taps into a blossoming re-enchantment of the world, one that is very in line with modern Paganism, but is not exclusively so.

The stones at the center of Faerieworlds, before the event is underway.

The stones at the center of Faerieworlds’ realm, before the event is underway.

“Events like Faerieworlds tap into a deep cultural hunger for romanticism, for a re-enchantment of the world that has long been denied by both secular and religious institutions in the West. I don’t think the recent fantasy boom is happening in a vacuum, nor do I think it is any coincidence that a growing number of people are opting out of traditional forms of religion altogether while still holding onto religious beliefs. While Faerieworlds, or Burning Man for that matter, aren’t explicitly “Pagan” they tap into a primal need for festival, for gathering to honor the numinous, the changing seasons, each other, and our own creativity. I think that these events, especially as we weather hard times, will continue to grow in importance. There is a vital roots-up form of small-p “paganism” emerging here that is very compatible with our more formal adoption of Pagan religion.”

Jeet-Kei Leung dubbed Faerieworlds part of a”transformational festival culture,” one that re-merges spiritual/religious practices within the context of secular festival culture. Leung has just crowd-funded a web-series documentary on these festivals, and will be visiting Faerieworlds this year to document and interview participants.

“This webseries aims to explain this remarkable and important phenomenon while retaining the artistic sensibility and inspired creativity from which these festivals have been birthed in the first place. Our goal is to promote coherency and cohesion among those in the culture while building a bridge of understanding with those outside it–to support growth and expansion while preserving the magic and integrity of this potent movement.”

As in previous years, there are number of Pagan musicians involved, including Sharon Knight and SJ Tucker, and this year they are joined by the shamanic sounds of Soriah with Ashkelon Sain, the Persian world-fusion of Niyaz feat. Azam Ali, and, of course, festival headliner Donovan. Those elements, along with the performers, artists, vendors, and costumed participants, create a atmosphere that I feel is unique, one not even duplicated at the many explicitly Pagan events I’ve attended over the years. It’s a focused burst of creative energy that changes you if you’re open to the experience.

This year, I’m not only attending as a journalist, I also work for the producers of Faerieworlds, and I’m hoping to use that access to capture some images, impressions, and interviews that will enlighten and enrich. I would like to give a glimpse of the magic happening in my own backyard, in hopes that perhaps you’ll join me here someday, or even be inspired to create that pluralistic, transformational, fusion in your own backyard. Expect updates throughout this weekend!

Pagan Community Notes is a series focused on news originating from within the Pagan community. Reinforcing the idea that what happens to and within our organizations, groups, and events is news, and news-worthy. My hope is that more individuals, especially those working within Pagan organizations, get into the habit of sharing their news with the world. So lets get started!

Teo Bishop’s Sacred Electric Grove: Pagan blogger Teo Bishop of Bishop In The Grove fame has launched an IndieGoGo campaign to raise money so he can record an EP of original songs entitled “Sacred Electric Grove”. According to Bishop, this is a chance to “offer up another voice of mine; a voice used in ritual to invoke, to inspire, to conjure up emotion and passion.”

“This is the voice I used before I had language, or before I was fascinated by religion. This is the voice that preceded my Pagan identity (or any identity for that matter), and this is the voice which has come to inform so much of who I am. This is the voice of my soul, and I share it with you when the Moon is most full.”

Bishop is hoping to raise $10,000 dollars in one month, and says that “this is not a time to throw our money away, clearly, but it can still be a time to invest in something that stirs our heart.” For those interested in donating, Bishop has arranged a number of nice “perks” for those who donate, even if only a dollar. I certainly hope that Teo succeeds in his goal, not just for his sake, but as a model for other Pagan musicians to use, creating a community of support for our bards and artists. Teo Bishop is one of our rising leaders and thinkers, someone who I’m proud to call a friend. This addition to his writing at Patheos, and newly-launched contributions to HuffPo’s Religion section, should be one that enriches us all.

Starhawk on the Wisconsin Recall Elections: At her Dirt Worship blog, activist and author Starhawk weighs in on the Wisconsin recall elections being held today, and the upcoming elections cycle, stressing the need to remove the “toxic thought-blanket the political fabricators are laying over us.” The author of 2012′s “The Earth Path: Grounding Your Spirit in the Rhythms of Nature” calls on Pagans to send energy towards Wisconsin to counteract the “massive amounts of money” being spent to influence the results.

Starhawk at Occupy Santa Cruz. Photo by Matt Fitt, Santa Cruz IMC.

Starhawk at Occupy Santa Cruz. Photo by Matt Fitt, Santa Cruz IMC.

“Today, June 5, I and Selena Fox of Circle Sanctuary invite our allies to focus on Wisconsin, using the Goddess atop the State Capitol as a beacon to rouse the forces of truth and justice. For today is vote on the recall of Scott Walker, the union-busting governor who was the focus of protests and a sit-in in the Capitol in January of 2011, at the same time as the Arab Spring. Republicans are spending millions to defend him. Democrats—not so much. But this election isn’t just about Democrats and Republicans, it’s a test of whether or not massive amounts of money can determine who gets into office or who stays. Generally the answer to that is ‘yes’—whoever spends the most wins the race. Money is one form of energy, and most of us don’t have a lot of it. But we have other forms of energy—let’s see what we can do!”

In addition to Starhawk, Selena Fox of the Wisconsin-based Circle Sanctuary sent out a blessing that “the voting process be fair & honest” and “may there be progressive change for the better.” She has also sent out a picture of herself with her “I Voted” sticker.

Sharon Knight of Pandemonaeon at Faerieworlds: Yesterday the Faerieworlds festival in Eugene, Oregon announced that they had added Pagan musician Sharon Knight to their main-stage lineup. Knight is a member of the gothic-tribal fusion band Pandemonaeon, and has recording two albums of seasonal chants with T. Thorn Coyle, in addition to her solo career as a Celtic-influenced singer-songwriter. This is the first time Knight has played the main stage of this event.

Sharon Knight

Sharon Knight

“Just when you thought our stellar line up was complete, we are happy to announce that Sharon Knight of the gothic tribal rock band Pandemonaeon will be performing on the Faerieworlds main stage. Based in San Francisco, Sharon’s musical foundations are solidly based in her Celtic heritage from which she has evolved her uniquely rich and powerful personal style. The music of Sharon Knight combines a love of antiquity and romance with an affinity for the haunting and melancholy, adds a hearty dash of feistiness, reminding us that we can all see the world through the eyes of enchantment.”

Knight joins an amazing lineup this year, including the Persian tribal-fusion band Niyaz, long-time Pagan favorite SJ Tucker, shamanic throat-singing from Soriah with Ashkelon Sain, and Rock and Roll Hall of Fame inductee Donovan. So if you’re in the Pacific Northwest this July, don’t miss out on what should be a legendary year for this faerie festival! [In the interests of full disclosure, I work for the company that produces Faerieworlds, though I do not decide who's booked on their main stage, so I'm just as pleased as anyone to see Sharon Knight joining the lineup.]

In Other Community News:

That’s all I have for now, have a great day!

[The following is a guest post from Sharon Knight. Sharon Knight is a nationally touring musician in the mythic-Celtic vein, and also front person for gothic-tribal-folk-metal band Pandemonaeon. With her partner Winter and Anaar of Tombo Studio, they produce Hexenfest, a festival dedicated to magick and Paganism in music and the arts. She has a lifelong fascination for the places where magick and the arts intersect. She lives in the San Francisco Bay Area and can be found at http://www.sharonknight.net]

San Francisco, DNA Lounge April 17th

There has been an interesting fusion of Paganism and music developing over the last 15+ years, which has recently begun finding its way to American shores. This phenomenon is called Folk Metal and as you can probably guess, it combines folk music styles and instrumentation with hard rock and metal. Folk Metal originated in Europe and in many cases endeavors to revive the ancestral traditions of European Pagan culture. Nature, Paganism, mythology, history, and ancestral homage feature prominently in the lyrical themes of folk metal bands. For my part, I am smitten.

I recently went to see several of these bands perform at the aptly named Paganfest, in San Francisco on Aprl 17th.  Five bands played – Huntress, Hysteria, Alestorm, Arkona, and Turisas. I missed the first two – despite Huntress’s claims that they draw much of their inspiration from witchcraft, I find their take on witchcraft too sensationalistic. However I fully enjoyed the three main acts. Arkona is always outstanding and are quickly becoming one of my favorite bands. They describe their music as Slavic Pagan Metal. Founded by a husband and wife team on guitar and vocals, Akona’s power lies in the ferocity of front person Masha Scream, a petite dynamo wrapped in leather and wolf pelts, who brings to mind Joan of Arc and delivers medieval sounding anthems drawn from Russian mythology and folklore. Also, they have a bagpiper.

Alestorm is just plain fun. Not a lot of deep tradition here, but they deliver what they promise – “Bacon Powered Pirate Core”.  What more could you ask for in an evening’s entertainment? Also describing themselves as Scottish Pirate Metal, they sing of the simple things in life – wenching, drinking and questing, with traditional Celtic melodies perfectly suited to the sentiment.

Though I went to Paganfest for Arkona, Turisas stole the show. I jumped up and down for the entirety of their set. Which is saying something, since jumping is not in any way an activity I am compelled to. Looking like something that stepped out of a Mad Max movie, Turisas delivered a sonic assault that was relentless and powerful, yet also melodic, sophisticated, and thoroughly engaging. These lads are here to be bad-ass, make no mistake – they describe their music as Battle Metal. And indeed their songs are tailored to rally the berserker in us all. Their front man (Mathias Nygard) is grandiose and over-the-top, yet somehow doesn’t come across as pretentious, and their lead instrumentalist (Ollie Vanska) is one of the best violinists I’ve heard. Like so many great metal bands, Turisas hails from Finland.

In short, Paganfest was an evening of Viking warriors and battle goddesses, modern day berserkers come to slay us with song instead of swords. It roused the fierce pride of the tribe, and helped to shake off some of the apathy our world is plagued with. This was music fulfilling one of its highest purposes – waking the ancestral songs that sing in our blood, with ancient melodies and tribal rhythms that have lain dormant in our DNA for generations. This music compels us to rise, and fight to preserve what our ancestors died for – a welcome change from the usual trite sentiments in modern music.

Metal isn’t everyone’s thing, and it isn’t the only style of music I like. But I am very excited to see this level of musical discipline applied to Pagan themes, and I wish it happened more often. Our traditions deserve to be represented in the arts, and I hope this is a trend that continues across an ever-increasing range of musical styles and cultures.

[ Sharon Knight is a musician and artist exploring the fantastical, mythic, epic, and archetypal. She is passionate about the arts as a vehicle to bring us into ever deepening awareness of the mystery and magick all around us. She is fond of preserving folk traditions and bringing new life to them with modern interpretations. She performs as a solo artist/duet with partner Winter, and as a front person for gothic-tribal-folk-metal band Pandemonaeon. She can be found at and]

The other day I was part of a discussion online regarding the further marginalization of Halloween. The tone of the discussion was one of sadness that we are losing ground on preserving the one mainstream holiday that seems most in keeping with Pagan traditions. We have fought so hard to shed light on the true origins of Halloween and still we are faced with those who would whitewash it even further, stripping it of any meaning and making it no more that another excuse for mindless recreation.

It was this article that initiated the discussion, in the Rockford Spirituality section of the Examiner. (East Coast based).

The article cites examples such as Life Church in Roscoe, IL, which holds an annual Harvest Festival on Halloween Night, complete with Christian music, carnival rides, games, free candy, and guest lecturers inviting you to begin your spiritual journey with the church.

Other examples are date changes for Halloween, both proposed and already in effect, and trick or treating during daylight hours. The writer of the article fears this “blatantly demeans the already unstable recognition that the growing neopagan population struggles for.”

Do I share in the sadness expressed by my Pagan kin over this?

The short answer is no. While I can understand the sentiment that changing the dates of Halloween is demeaning to the recognition of Halloween as a sacred tradition, Halloween and Samhain have never really felt like the same thing to me. Admittedly, I have found it heartening that any remnants at all of a pagan custom have survived in the mainstream culture, but ultimately candy and costumes without any of the accompanying lore misses the mark.

For those seeking mindless entertainment, Halloween as celebrated by the masses will always be there for them, and it doesn’t really matter what day it’s on or what groups are trying to diminish its meaning further. Let them have the candy, crass commercialism, and general spectacle. These were never the folks that Samhain was meant for anyway.

I am not worried about losing our customs because there are still many people in this world seeking more meaning in their lives, not less. There comes a time when we realize the preciousness of life and no longer want to be distracted, but engaged. This is the sort of mindset that raised our Pagan traditions from the rubble of forgotten history and into a living tradition, and from what I see everywhere, this yearning for meaning is growing, not diminishing.

So take heart friends. This is nothing more than business as usual. Christians have been whitewashing our holidays for 2,000 years and still our traditions survive.

Lest I seem to be taking a situation lightly that is dear to some, let me say this – it is nice to feel that mainstream society is contributing to the overall flavor of a holiday that is sacred to us, if only in small things such as décor. It is fun to see our communities decked out with ghosts and goblins and various things that remind us that the veils are thinning. If we are saddened by these things diminishing, perhaps it is time to get involved. Host an “All Hallows Eve Festival” in your community. Why let the Christians have all the redefining fun? Have the proceeds benefit the community at large to gain visibility among non-Pagans. If Halloween is to be scheduled for the first Saturday of the month, celebrate all month, starting with Halloween and commencing with Samhain. If others are taking actions that diminish something dear to us, we must then take actions that emphasizes what is dear to us. We can’t change others’ behavior but we can put our own views out in to the world as well. As Scoop Nitzger used to say, “If you don’t like the news, go out and make some of your own”.