Paganism
Carnival schools take on religious tolerance in Rio
|
In Rio de Janeiro, practitioners of Afro-Caribbean religions like Candomblé and Umbanda are using the Carnival celebrations as a means to fight for religious tolerance.
The Wild Hunt (https://wildhunt.org/tag/yoruba)
In Rio de Janeiro, practitioners of Afro-Caribbean religions like Candomblé and Umbanda are using the Carnival celebrations as a means to fight for religious tolerance.
The Wild Hunt examines efforts to repatriate African artworks, many of which were taken as a result of colonization, from their current place in European collections.
CHIANG MAI, Thailand — From the early 1600s to the mid-1800s, living African slaves would sometimes be thrown overboard from slave ships sailing the Middle Passage, as the transatlantic voyage of the slave trade was called. If the slave ships faced water shortages or any kidnapped Africans came down with a disease, slaves could be tossed overboard, sometimes chained together en masse. “So many bodies of dead or dying Africans were jettisoned into the ocean that sharks regularly followed the slave ships on their westward journey,” according to that encyclopedia entry. In the new film The Water Will Carry Us Home by multidisciplinary artist Gabrielle Tesfaye, those ships are followed by a very different entity: Yemaya, the Yoruba orisha of the sea and the mother of all life. “There are many stories within African spirituality of water spirits following the slave ships, Mami Wata, the presence of Yemaya,” Tesfaye said in an email interview from her home in Chiang Mai, Thailand.
Tony Kail is an ethnographer and writer. He holds a degree in cultural anthropology and has researched magico-religious cultures for more than twenty-five years. His work has taken him from Voodoo ceremonies in New Orleans to Haitian Botanicas in Harlem and Spiritual Churches in East Africa. He has lectured at more than one hundred universities, hospitals and public safety agencies. Kail has been featured on CNN Online, the History Channel and numerous radio, television and print outlets.
This year the Pan-African Festival celebrated it’s 7th year of festivities September 3 in Oakland, California at historic Mosswood Park. The event was filled with people of all types enjoying the fresh air, shopping, and eating food from the many vendors. This was my first year at the Pan-African festival, and I decided to go since I am always looking for ways to immerse my children in celebration of their African heritage. With camp chairs and drinks in hand, we met our other family members under the shaded trees where we set up camp. According to the website, the Pan-African Festival is described as a day full of activities and family fun:
“Oakland’s 7th annual Pan-African Festival is a free family event carefully curated to cultivate pride, joy, self-determination and sovereignty for diasporic Africans.