[Editor’s Note: This review does contain some spoilers.]
The Witch is an unsettling and cinematically-beautiful film that challenges its viewers through its themes and multilayered construction. But it is not at all what you might expect. Written and directed by Robert Eggers, The Witch is the latest film to capitalize on the public’s continued obsession with witch stories and, even more specifically, the Salem mythos. Subtitled “A New England Folk Tale,” the title alone sets a definitive tone for an American audience before a single ticket is purchased and the lights go down in the theater. The legendary connection between witches and New England is woven into the very fabric of the American story, captivating the imagination and intriguing the mind.
There are lots of articles and essays of interest to modern Pagans and Heathens out there, sometimes more than our team can write about in-depth in any given week. So The Wild Hunt must unleash the hounds in order to round them all up.
In Religious Freedom News… PHOENIX, Ariz. — Announced in late January, The Satanic Temple was given the go-ahead to prepare an invocation to be read before the Feb. 17 Phoenix city council meeting.
There are lots of articles and essays of interest to modern Pagans out there, sometimes more than our team can write about in-depth in any given week. So The Wild Hunt must unleash the hounds in order to round them all up.
Let’s begin with a community note. The New York City Pagan community celebrated its 4th annual Witchfest USA in July.The event is a “Street Faire” that is hosted on Astor Place in the heart of Manhattan. The 2015 event was visited by a Broudly journalist who published her, somewhat skeptical or baffled, take on the entire experience. She wrote, “The crowd looked exactly as you’d expect a crowd of polite pagans to: Near the corner of Lafayette and Astor Place…”