Paganism
Column: Discovering the Spirit of Fellowship at the Asgardian Heathen Festival
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International columnist Lyonel Perabo recounts his experiences at the fourth annual Asgardian Festival in the United Kingdom.
The Wild Hunt (https://wildhunt.org/tag/norse/page/4)
International columnist Lyonel Perabo recounts his experiences at the fourth annual Asgardian Festival in the United Kingdom.
Our guest columnist Tahni Nikitins presented at a recent conference at Cherry Hill Seminary and reports on the event.
Karl E.H. Seigfried’s interviews with four members of Berkano Hearth Union (BHU), a community for Heathens and people interested in Heathenry based in Georgia.
There is no denying that the north has always played an important role in the worldview of Europe and the Western world in general. From the Romantics that sung the praise of the wild, Nordic nature at the turn of the 19th century to the current popular entertainment craze spawned by media franchises such as Frozen, Vikings and the like, the north is as relevant as it has ever been. This influence is even more noticeable in regards to the world of contemporary Paganism. Not only has Heathenism experienced a noticeable revival and growth in the past couple decades, but Nordic deities, practices and iconography are routinely found within more eclectic movements as well. However, all things considered, the Nordic countries (Norway, Sweden, Denmark, Iceland, Finland and the Faroe Islands) are all relatively small and somewhat isolated.
For over a hundred years, from the middle of the 19th century to the postwar period, the indigenous Sámi minority of Norway was the target of an official policy of forced assimilation, essentially an attempt at ethnocide, which brought the Sámi language, way of life, and society to its knees. The painful process, very similar in many ways to the boarding school system of Canada, was however fiercely challenged by a new generation of young Sámi activists that ultimately brought the government to acknowledge the rights of the Sámi nation and the need for official representation. This liberation movement, which arose in the ’60s and ’70s, ultimately lead to a dynamic revival of Sámi culture that can still be experienced today: from summer arts festivals to academic representation and the spread of traditional crafts, contemporary Sámi culture, despite still facing numerous challenges, is more vigorous than ever before. In this teeming milieu of cultural development, numerous young Sámi figures have sprouted up in the past couple of years to showcase the intersection of their unique artistic vision and their traditional background. It is in this context that Elin Kåven, a singer, artist, and dancer from Karasjok in Arctic Norway has grown and developed her artistry, all the way from the frozen expanses of her hometown to the country’s most famed stages.