Neil Gaiman’s 2001 novel American Gods is a popular read in Pagan circles, and the new Starz television series was greeted with excitement by many of the book’s Pagan fans. Debuting on April 30, the series has aired three episodes as of this writing. The story revolves around the riveting premise that the old gods, being immortal, still exist. However, due to a lack of worship in the modern world, they are old and haggard and blend into American society, having arrived there when their followers immigrated, sometimes involuntarily. At the same time, America’s new gods, or the gods that represent the targets of modern worship such as media, computers, and globalization, are strong, vibrant, and at war with their predecessors.
There are lots of articles and essays of interest to modern Pagans out there, sometimes more than I can write about in-depth in any given week. So The Wild Hunt must unleash the hounds in order to round them all up. One ongoing issue relating to the political tumult within Egypt (which is ongoing) has been the fate of art and antiquities looted during these times of crisis. So, it’s a small ray of light that French officials are returning five pieces that were spotted by Egyptian officials at auction. Quote: “Five antiquities looted and removed from Egypt after the Arab Spring uprising in 2011 have been returned by the French government to the Egyptian authorities.
There are lots of articles and essays of interest to modern Pagans out there, sometimes more than I can write about in-depth in any given week. So The Wild Hunt must unleash the hounds in order to round them all up. The “paganism-as-slur” story continues to gain ammunition, this time from the Family Research Council, who argue that America has entered an age of “pagan” sexuality. Quote: “What we really have outside is a pagan sexuality which is totally different from a Christian sexuality. And I don’t think enough Christians have yet put that way starkly enough to themselves.
If you are a Pagan or occult practitioner of a certain age, the word “Vertigo” brings up certain associations. A speciality line of comic books launched by DC Comics in 1993, Vertigo comics focused heavily on mythic, occult, psychedelic, and magical themes, introducing American audiences to rising talents like Neil Gaiman, Grant Morrison, and Dave McKean. Inspired by the earlier 1980s work of writers like Alan Moore and Jamie Delano, Vertigo created a new niche of “adult” comics that drew many people, myself included, back to reading comic books. I distinctly remember happening upon a write-up of Neil Gaiman’s “The Sandman” in The Monthly Aspectarian of all places, which led me back to a comic book store for the first time in years. For me, and for many of my peers, Vertigo gave a needed dose of youth, experimentation, and anarchic cool to a Pagan/magical subculture that was still trying to adjust to a sudden boom in popularity.
There are lots of articles and essays of interest to modern Pagans out there, sometimes more than I can write about in-depth in any given week. So The Wild Hunt must unleash the hounds in order to round them all up. According to a Gallup poll, confidence in organized religion has reached an all-time low in the United States. Only 44% of those polled had a “great deal” or “quite a lot” of confidence in “the church or organized religion” today. Quote: “Two major findings apparent in Gallup’s confidence in the church and organized religion trend are, first, the long-term decline in Americans’ confidence in this societal institution since 1973, and second, the suppressed confidence among Catholics relative to Protestants starting in 1981, and becoming more pronounced by 2002.”