Yesterday, on Facebook, Holly Allender Kraig announced that her husband, author and magician Donald Michael Kraig, was diagnosed with stage 4 pancreatic cancer and is currently undergoing chemotherapy. They are asking for prayers and magical assistance to help get rid of the cancer. I was able to contact Holly Kraig directly, and she sent this statement for Wild Hunt readers. “Don was diagnosed with stage 4 pancreatic cancer in late 2013. It’s a diagnosis, not a death sentence.
[The following is a guest post by P. Sufenas Virius Lupus. P. Sufenas Virius Lupus is a metagender person, and one of the founding members of the Ekklesía Antínoou–a queer, Graeco-Roman-Egyptian syncretist reconstructionist polytheist group dedicated to Antinous, the deified lover of the Roman Emperor Hadrian, and related deities and divine figures–as well as a contributing member of Neos Alexandria and a practicing Celtic Reconstructionist pagan in the traditions of gentlidecht and filidecht, as well as Romano-British, Welsh, and Gaulish deity devotions. Lupus is also dedicated to several land spirits around the area of North Puget Sound and its islands.]
Many of our modern Pagan festivals are titled for their implied or specific themes: a goddess-focus is suggested by PantheaCon; TheurgiCon deals with theurgy and hermeticism and the traditions which derive from these; Pagan Spirit Gathering is apt to be understood in all the variety of ways which the first two words of its title can imply. But, a gathering that draws a crowd of occultists, magicians, hermeticists, alchemists, gnostics, and quite a few Pagans (whether they are one or more of those things additionally) as well, is Seattle’s Esoteric Book Conference.
If you are a Pagan or occult practitioner of a certain age, the word “Vertigo” brings up certain associations. A speciality line of comic books launched by DC Comics in 1993, Vertigo comics focused heavily on mythic, occult, psychedelic, and magical themes, introducing American audiences to rising talents like Neil Gaiman, Grant Morrison, and Dave McKean. Inspired by the earlier 1980s work of writers like Alan Moore and Jamie Delano, Vertigo created a new niche of “adult” comics that drew many people, myself included, back to reading comic books. I distinctly remember happening upon a write-up of Neil Gaiman’s “The Sandman” in The Monthly Aspectarian of all places, which led me back to a comic book store for the first time in years. For me, and for many of my peers, Vertigo gave a needed dose of youth, experimentation, and anarchic cool to a Pagan/magical subculture that was still trying to adjust to a sudden boom in popularity.
The (in)famous occultist Aleister Crowley once explained his theory on magic, “Magick is the Science and Art of causing Change to occur in conformity with Will,” by noting that the act of writing a book was a magic(k)al act. “It is my Will to inform the World of certain facts within my knowledge. I therefore take “magickal weapons”, pen, ink, and paper; I write “incantations” — these sentences — in the “magickal language” ie, that which is understood by the people I wish to instruct; I call forth “spirits”, such as printers, publishers, booksellers and so forth and constrain them to convey my message to those people. The composition and distribution of this book is thus an act of Magick by which I cause Changes to take place in conformity with my Will.” This has always been the definition of magic I’ve preferred when explaining its practice within modern Pagan religions to the uninitiated. These are exercises of our Will, we see our actions in this world as magical acts that create changes around us.
For some time now there’s been a current of occult and magic(k)al elements within the arts, most notably in the worlds of fashion and fine art. An especially popular theme within this current today are the works of magician Aleister Crowley, most likely due to the influence of experimental filmmaker Kenneth Anger, who introduced several famous actors and musicians to Crowley’s philosophies and practices. I mention Anger specifically, because a recent ritual performance of a Crowley working at L&M Arts in Los Angeles stems directly from his influence, involving Anger collaborator Brian Butler. Why is this of note? Because Butler was joined (and almost joined) by some rather famous names.