Paganism

Column: Voices from Ice and Snow

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There is no denying that the north has always played an important role in the worldview of Europe and the Western world in general. From the Romantics that sung the praise of the wild, Nordic nature at the turn of the 19th century to the current popular entertainment craze spawned by media franchises such as Frozen, Vikings and the like, the north is as relevant as it has ever been. This influence is even more noticeable in regards to the world of contemporary Paganism. Not only has Heathenism experienced a noticeable revival and growth in the past couple decades, but Nordic deities, practices and iconography are routinely found within more eclectic movements as well. However, all things considered, the Nordic countries (Norway, Sweden, Denmark, Iceland, Finland and the Faroe Islands) are all relatively small and somewhat isolated.

Culture

Column: Report from Frith Forge

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Frith Forge, the first international conference focused on inclusive Ásatrú and Heathenry, was held Oct. 6-8 outside of Potsdam, Germany. The event was the first major project of the International Relations and Exchange Program of the Troth, a U.S.-based Heathen organization with members around the world. The German host was Haimo Grebenstein of the Verein für Germanisches Heidentum (Association for Germanic Heathenry). The conference had 31 attendees from t12 countries: Canada, Denmark, England, France, Germany, Ireland, Netherlands, Norway, Spain, Sweden, Switzerland, and the United States.

Culture

Column: the Dance of the Arctic Fairy

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For over a hundred years, from the middle of the 19th century to the postwar period, the indigenous Sámi minority of Norway was the target of an official policy of forced assimilation, essentially an attempt at ethnocide, which brought the Sámi language, way of life, and society to its knees. The painful process, very similar in many ways to the boarding school system of Canada, was however fiercely challenged by a new generation of young Sámi activists that ultimately brought the government to acknowledge the rights of the Sámi nation and the need for official representation. This liberation movement, which arose in the ’60s and ’70s, ultimately lead to a dynamic revival of Sámi culture that can still be experienced today: from summer arts festivals to academic representation and the spread of traditional crafts, contemporary Sámi culture, despite still facing numerous challenges, is more vigorous than ever before. In this teeming milieu of cultural development, numerous young Sámi figures have sprouted up in the past couple of years to showcase the intersection of their unique artistic vision and their traditional background. It is in this context that Elin Kåven, a singer, artist, and dancer from Karasjok in Arctic Norway has grown and developed her artistry, all the way from the frozen expanses of her hometown to the country’s most famed stages.

awen

Department of Defense adds Heathen and Pagan religions to recognized faith groups

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UNITED STATES – The Department of Defense (DoD) has added several Heathen and Pagans religions to its recognized faith groups list after a multi-year effort by Heathen and Pagan religious organizations and individuals. The DoD added or updated just under 100 religions to its document: Faith and Belief Codes for Reporting Personnel Data of Service Members. Being listed on this document allows Pagan and Heathen military members to accurately communicate their religious preference, rather than being designated “Other,” and grants them associated benefits and protections.  

Four of the religions added to the document include Heathenry, Asatru, Seax Wicca, and Druidry. The Army had already recognized The Troth, while the Air Force had already recognized Heathenry and Asatru.

Perspectives

Column: the Face of the Past

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I recall the tour guide at the Þjóðminjasafn in Iceland telling our group that, although her museum was small by comparison to some other countries’ national museums, Icelanders felt proud of it because the treasures it contained all truly belonged to Iceland. The pieces on exhibit came from local archaeology and preservation, not from colonial prize-taking. I suspect she had the British Museum in mind when she said it. I have set today aside for wandering through the collections at the British Museum, and although my heart falters at the sight of the items in the Egyptian and Assyrian galleries, the legacy of empire blankets every inch of that space. The ever-present contradiction of the great museum looms larger here than perhaps anywhere else: the wonder of seeing the lamassu guardians from Assyria, the distemperate knowledge that while I stand here in London admiring the masterpiece, in northern Iraq, from where the lamassu were taken, the aftershock of colonialism still rumbles.