I have a box of papers in my office that I like to look at every now and then; it’s an archive of sorts, a collection of artifacts from what seems to me like an entirely different era of Paganism. The box contains old rituals, festival invitations, newspapers, zines, and even a few decades-old picnic leases for public parks, the sites of sabbats that were held when I was only a few months old. I am a child of the internet, and it can be hard for me to think of what “Pagan community” meant, exactly, in the time before it. But my box gives me a glimmer, sometimes. One of my favorite items in the box is a run of a zine, The Magical Confluence, which was published by the Earth Church of Amargi quarterly in the late 80s into the early 90s.
Hallgrímskirkja sits at the center of downtown Reykjavík, a massive gray slab of church that has, to me, about the same level of architectural charm as the Potosi Correctional Center. It rises up from the street in a concrete wave meant to look like the basalt pillars found elsewhere in Iceland; it has no color to it, and given the cloudiness of Iceland’s skies, often it forms a gray wall against a gray curtain. Although Hallgrímskirkja is probably the most famous building in Reykjavík, I found few reasons to visit it. I am told that for a handful of krónur one can go up into the spire and enjoy a wonderful view of the city, assuming that the fog isn’t too dense. Some of my classmates did this, and reported having a lovely experience, but I never made the trip myself.
It begins with a woman holding a candle. She is walking around the room, a guide for the priestess, who is casting the circle for Samhain. But don’t look at the priestess just yet; hear her, yes, hear the words that begin every circle in our tradition, but watch the woman with the candle. The first bit of magick walks with her – for she is not only a woman with a candle, but an Evening Star, a psychopomp, the leader on a path down into the underworld. In the double-sight of ritual, she is both physical and mythical, both our friend and an unfamiliar star.
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Part three of my columns on Iceland. Previously: Oxararfoss and Njord. This candle has traveled further in its short life than I traveled in the first twenty-two years of mine. I bought it at my favorite metaphysical shoppe back home.1 It came with me from Missouri to Minneapolis, and from there, to Reykjavík, where it sat on the hard plastic desk bolted to the wall of my dorm room for the first week of my stay. Now we are sitting at a picnic table hidden in a copse of trees next to Tjörnin, a lake in downtown Reykjavík, my candle and I. I am looking at it in the half-light, running my fingers along its surface.