Unleash the Hounds! (Link Roundup)

There are lots of articles and essays of interest to modern Pagans and Heathens out there, sometimes more than our team can write about in-depth in any given week. So The Wild Hunt must unleash the hounds in order to round them all up. 

In Religious Freedom News… PHOENIX, Ariz. — Announced in late January, The Satanic Temple was given the go-ahead to prepare an invocation to be read before the Feb. 17 Phoenix city council meeting.

Film Review: Disney’s Maleficent

Disney’s most iconic animated villain has returned to the big screen in a live-action fantasy that twists and soars as it fractures the original fairy tale upon which it’s based. At its simplest level Maleficent is an extended re-imagining of Disney’s animated Sleeping Beauty (1959) with a focus on its well-known, dark-cloaked villain. However in presenting this alternative perspective, the live-action film dabbles in contemporary feminist, religious and ecological themes as it takes you through its fantasy world. The story begins with Maleficent as a young fairy living in the Moors, a world of enchantment and peace. She eventually meets Stephan, an orphan human boy from the greedy human world.

Representations of the Hollywood Witch: Pre-1939

I am starting this journey in the early days of American cinema; from its inception in 1895 through its development into a viable culturally-influential industry. I’ve dated this period as “pre-1939.”  Many of you will recognize 1939 as being the release date of Metro Goldwyn Mayer (MGM)’s classic film The Wizard of Oz, a film that contains the most iconic Hollywood witch in American cultural history. From 1895 to 1916 moving pictures were just a technical novelty. As film historian Jeanine Basinger said, “No one really took movies very seriously. It was thought that they were a fad.” Most early movies depicted actual events, landscape photography, historical re-enactments or popular stories.