For three days beginning on July 13, Atlanta hosted Mystic South: Theory, Practice, and Play. According to the convention’s Facebook page, the Pagan event “highlights the Southern flair and mystic spirit of our own part of the country.”
Headliners this year included John Beckett, Ivo Dominguez, Yaya Nsasi Vence Guerra, Sangoma Oludoye, Mama Gina, and the Night Travelers. The conference schedule included rituals, workshops, papers, panels, presentations, and a live podcast. Several events centered on Norse material and Heathen religions. To get a sense of the conference from a Heathen perspective, I spoke with Ryan Denison of the Mystic South organizing committee.
In the modern art world, the traditional gallery system that many of us feel we know from popular media depictions has slowly given way to an ever-expanding series of international art fairs and biennials where the high-rollers buy, sell, discover new work, and hob-nob. These large-scale events have become the place to gain attention, so it is notable that the upcoming Florence Biennial in Italy will be featuring the work of Mexican artist Cristina Francov. “Cristina Francov is a Mexican artist whose work offers visions and allegories through a series of self-portraits and transfigurations of her own body. Her early fascination with both esoteric mysteries and the great European masters developed into a form of hybrid digital photography which is humanistic, mysterious and carnal all at once. Cristina is entirely self taught in the art of photography but an academic foundation in the methods of oil painting and drawing mixed with her natural talent led her to become recognised both nationally and internationally for her contribution to the art of digital manipulation (she has exhibited in London, Germany and Italy alongside several solo shows in Mexico).
[The following is a guest post by P. Sufenas Virius Lupus. P. Sufenas Virius Lupus is a metagender person, and one of the founding members of the Ekklesía Antínoou–a queer, Graeco-Roman-Egyptian syncretist reconstructionist polytheist group dedicated to Antinous, the deified lover of the Roman Emperor Hadrian, and related deities and divine figures–as well as a contributing member of Neos Alexandria and a practicing Celtic Reconstructionist pagan in the traditions of gentlidecht and filidecht, as well as Romano-British, Welsh, and Gaulish deity devotions. Lupus is also dedicated to several land spirits around the area of North Puget Sound and its islands.]
Many of our modern Pagan festivals are titled for their implied or specific themes: a goddess-focus is suggested by PantheaCon; TheurgiCon deals with theurgy and hermeticism and the traditions which derive from these; Pagan Spirit Gathering is apt to be understood in all the variety of ways which the first two words of its title can imply. But, a gathering that draws a crowd of occultists, magicians, hermeticists, alchemists, gnostics, and quite a few Pagans (whether they are one or more of those things additionally) as well, is Seattle’s Esoteric Book Conference.
As I mentioned earlier this month, from May 19th through the 25th London will host an international collection of esoteric artists in a special exhibition, “I:MAGE,” sponsored by Fulgur Esoterica (publisher of the Abraxas journal). Boasting an impressive lineup of artists, both classic and contemporary, I:MAGE promises to bring more attention to esoteric art and show how these creative individuals collectively work towards the “externalization of the mythical.”
“Ranging from the work of women pioneers such as Ithell Colquhoun and Steffi Grant, to the dark symbolist themes of Agostino Arrivabene and Denis Forkas Kostromitin, to the contemporary audio-visual practices of NOKO, I:MAGE promises to be a landmark exhibition.” In speaking with Fulgur Esoterica about the show, they offered to send me some thoughts on the exhibition from two of the participating artists, Jesse Bransford and Francesco Parisi, in addition to insights from Christina Oakley Harrington, co-Editor of Abraxas, and Director of Treadwells esoteric book store in London (which will be hosting a range of talks, presentations, and discussions during the exhibition). I have long felt that esoteric fine art deserves more attention, so it is was my pleasure to accept their kind offer and now share the resulting communications with you here. Christina Oakley Harrington: “The art world is waking up to the inner realities of its artists, and to the fact that for many centuries, right through modernism, many artists have been profoundly influenced by esoteric ideas and have worked intimately through (and with) occult symbolism.
Well-respected esoteric publishers Scarlet Imprint, producers of high quality limited-edition volumes on such topics as the cult of Pomba Gira, Palo Mayombe, and magical grimoires, has announced that they are going to start releasing their titles as ebooks. “The e-book hopefully means more people will read books. That can only be a good thing. It also means that we can create affordable versions of our work so that readers can take the risk on new authors and unfamiliar subjects. You can dare to read and enrich yourself outside of your field, perhaps you haven’t encountered Pomba Gira or Palo Mayombe before, or you want to see if the poetry cuts it.