For many Pagans, Heathens, and polytheists, it is once a time of celebration. The days surrounding the first of May mark many traditional spring festivals and religious holidays recognized around the world. Of these, the most well known is Beltane or Bealtaine, which, in some traditions, honors the union of goddess and god, or marks the beginning of a Celtic summer. It is also considered the high point of Spring on some Wiccan calendars. In many secular and non-Pagan religious communities, the day is celebrated as May Day, complete with the iconic Maypole, music, and dancing.
EDINBURGH, SCOTLAND – On Jan. 18, the U.K. saw its first legal same-sex Pagan marriage ceremony. Tom Lanting and Iain Robertson, both hedge witches, were married in the 16th century vaulted cellars of historic Marlin’s Wynd. The ceremony was performed by Louise Park of the Pagan Federation Scotland. “We felt as practicing Pagans we wanted to create a day for not only ourselves but for everyone who attended our ceremony and as Scotland recognizes love within All beliefs we were able to start our lives together bonded in the eyes of the God and Goddess and FINALLY the law,” told The Wild Hunt in a brief interview.
This is part 3 of a 3 part series on the Beltane Fire Society, a secular ritual performance and street theater group based in Edinburgh, Scotland who has rekindled public celebrations around the Celtic quarter holidays with Pagan-inspired ritual and street theater. By Rynn Fox, Staff Writer, The Wild Hunt
While each Beltane Fire Society ritual centers on a core narrative, the performance itself has its roots in Galoshan plays, a type of Scottish medieval street theater traditionally performed on All Hallows and during winter. Samhuinn depicts the Celtic story of the Summer and Winter Kings’ battle for control of the seasons as overseen by the Cailleach. For Beltane, the ritual enacts the joining of the May Queen to the Green Man and summer’s arrival. Lughnasadh celebrates the harvest, while Imbolc symbolizes the return of spring with the putting to sleep of the Cailleach.
This is part 2 of a 3 part series on the Beltane Fire Society, a secular ritual performance and street theater group based in Edinburgh, Scotland who has rekindled public celebration around the Celtic quarter holidays with Pagan-inspired ritual and street theater. By Rynn Fox, Staff Writer, The Wild Hunt
The Beltane Fire Society began in Edinburgh, Scotland in 1988 as the brain-child of musician and artist Angus Farquhar. Though some city residents still maintained the unbroken Beltane tradition of climbing to the top of Arthur’s Seat, a local hill, to greet the sun and wash in dew, Farquhar wanted to revive the holiday as a community celebration. “The aim was to recreate a sense of community and an appreciation of the cyclical nature of the seasons and our connection to the environment—something that is often overlooked in our modern society and urban environments,” said Board Member Matthew Richardson. This meant rediscovering the traditions surrounding Beltane and other seasonal community festivals.
This is part 1 of a 3 part series on the Beltane Fire Society, a secular ritual performance and street theater group based in Edinburgh, Scotland who have rekindled public celebrations around the Celtic quarter holidays with Pagan-inspired ritual. By Rynn Fox, Staff Writer, The Wild Hunt
Torchlight and fire sculpture light the cold winter night as a procession of mythical and archetypal figures writhe in the wintry dark. A cacophony of drums echo through narrow city streets. A black masked figure clutching a tall staff takes the stage. Oblivious, the Winter King swings his sword, nearly delivering an executioner’s blow to the Summer King—but the figure steps into the swords’ path, absorbing the blow without injury.