Column: the Dance of the Arctic Fairy

For over a hundred years, from the middle of the 19th century to the postwar period, the indigenous Sámi minority of Norway was the target of an official policy of forced assimilation, essentially an attempt at ethnocide, which brought the Sámi language, way of life, and society to its knees. The painful process, very similar in many ways to the boarding school system of Canada, was however fiercely challenged by a new generation of young Sámi activists that ultimately brought the government to acknowledge the rights of the Sámi nation and the need for official representation. This liberation movement, which arose in the ’60s and ’70s, ultimately lead to a dynamic revival of Sámi culture that can still be experienced today: from summer arts festivals to academic representation and the spread of traditional crafts, contemporary Sámi culture, despite still facing numerous challenges, is more vigorous than ever before. In this teeming milieu of cultural development, numerous young Sámi figures have sprouted up in the past couple of years to showcase the intersection of their unique artistic vision and their traditional background. It is in this context that Elin Kåven, a singer, artist, and dancer from Karasjok in Arctic Norway has grown and developed her artistry, all the way from the frozen expanses of her hometown to the country’s most famed stages.

Column: Coming Into the Out

“For the beloved should not allow me to turn my infantile fantasies into reality: On the contrary, he should help me to go beyond them.” – Frantz Fanon, The Wretched of The Earth

I resist watching movies. I have things to do, essays to write, shipping manifests to update, revolutions to plot, tea to drink. But his muscled arms are insistent; the scruff of his beard nuzzling relentlessly. We’re full fed on quiche and french toast with Irish butter and maple syrup reduction, and it’s raining. I give in.

Column: Fear of a Blue Sky

I. Fire and Bone: July, 2006

I was hurrying home, deep in thought and not paying attention, when I walked right into his sign, accidentally tearing it with my boot as I plowed through the cardboard. I looked down at the torn sign and snapped back to reality. “Oh god, I’m so sorry,” I blurted to the man sitting a few feet away as I started to bend over to pick it up. “Only Need $20 More For Bus Ticket Home” the sign said.

Column: Searching for America

The first time I ever drove cross-country, my only real objective was to get it over with as quickly as possible. I was moving from the East Coast to the West Coast, and I wasn’t looking forward to the long hours and days behind the wheel. I mapped out the quickest route that I could find, and took off in a precariously packed minivan full of my worldly possessions with the goal of reaching Oregon in five days. It turns out that the route that I thought would be the easiest was also the route that those who blazed trails long before me found to be the most practical as well. By the time I hit Nebraska, I quickly realized that I was following the general route of the First Transcontinental Railroad.