This fall, a new music project was officially launched called “The Green Album.” The project will result in a single album featuring many popular Pagan music talents sharing songs “themed toward celebrating and drawing awareness to the World that nurtures us.” It is “a collaborative concept album featuring Tuatha Dea, Wendy Elizabeth Rule, Sj Tucker, Sharon Knight, Winter JP Sichelschmidt, Celia Farran, Bekah Kelso, Ginger Doss, Damh The Bard, Kellianna Girouard, Spiral Dance, Spiral Rhythm, Murphey’s Midnight Rounders, Brian Henke and Mama Gina LaMonte.” On the project’s Facebook page, Mama Gina wrote, “I am so excited to be part of this amazing collaboration! I have a brand new song that I’ll be recording […] – but it’s still a secret.” Each of the contributors will be sharing one song, either new or old, for that is inspired by the theme.
I’m currently at the 2014 Sacred Space Conference in Laurel, Maryland. I’ve been to a lot of Pagan events over the years, big and small, but I’ve never immersed myself into a truly East Coast event, and it has been something I’ve wanted to do for a long time. My Pagan life started in the Midwest, and then, I gravitated to the West Coast, and while I’ve met many fine East Coast folks, I knew that things were a bit different there. Thanks to a generous offer from the organizers of the conference, I was finally able to find out first hand. First off, the hospitality has been top-notch, and it’s clear that the board take their responsibilities seriously.
Pagan voices is a spotlight on recent quotations from figures within the Pagan community. These voices may appear in the burgeoning Pagan media, or from a mainstream outlet, but all showcase our wisdom, thought processes, and evolution in the public eye. Is there a Pagan voice you’d like to see highlighted? Drop me a line with a link to the story, post, or audio. I’m going to start off this week’s edition of Pagan Voices with the short documentary “Britain’s Wicca Man,” where you can hear the very Pagan voices of Gerald Gardner, Philip Heselton, Christina Oakley Harrington, and others. Sadly, this version has been heavily edited from it’s original hour-long running time, leaving a scant 27 minutes to cover over 50 years of history.