Culture

Column: the Mainstreaming of Pride

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Pagan Perspectives

June saw events around the world commemorating the LGBT+ Pride celebration. (LGBT+ refers to lesbian, gay, bisexual, and transgender, “plus” other nonheteronormative gender and sexual identities.) While on the surface these seem to be happy affairs, awash in rainbow colors and set to the thumping beat of dance music, their history is one marked by oppression and bloodshed. Commemorating the June 1969 Stonewall Riots that sparked the birth of the LGBT+ equality movement, modern-day Pride celebrations have for years struggled against an onslaught of hatred and persecution in the United States and around the world. But as society continues to make its snail’s-pace march toward genuine equality, one unexpected – if problematic – ally has emerged: capitalism. What began solely as a human rights movement has now also become a viable market.

Culture

Tarot roundup: manga, Greek gods, Alice, and TV

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Zeus, Dr. Who, Alice in Wonderland, Medusa, those Sex and the City gals, and manga-influenced art are featured in new tarot decks. Here’s a look. Mystical Manga Tarot
Barbara Moore, illustrated by Rann, 78 cards, 175-page book (Llewellyn). Barbara Moore calls herself a “tarot shaman” and says she uses the cards to explore “the magic and mystery of everyday life.”

She’s also the co-creator, with various artists, of Tarot in Wonderland, Cats Inspirational Oracle Cards, Earth Wisdom Oracle, the Gilded Tarot, Hip Witch Tarot Kit, Steampunk Tarot, the Vampire Tarot of Eternal Night, and other decks. “A shaman is someone who, among other things, travels to worlds in non-ordinary reality to search for wisdom and guidance,” Moore writes on her website.

Bell Book and Camera

Book explores witches in film, TV from Oz to Sabrina

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ATLANTA — Almost four decades after the Wicked Witch of the West plagued Dorothy in The Wizard of Oz, the green-skinned, bushy-browed one lost her broom on, of all places, Sesame Street. Actress Margaret Hamilton reprised her famous role in an episode of the children’s TV series that aired on Feb. 10, 1976, writes Heather Greene in her new book Bell, Book and Camera: a Critical History of Witches in American Film and Television (McFarland, April 2018, 234 p). “With the exception of Big Bird and Oscar the Grouch, the inhabitants of Sesame Street are visibly frightened of Hamilton’s character,” Greene writes. The Wicked Witch also scared the hades out of young viewers, just as she had done for decades since the release of Oz in 1939.

Culture

Review: ‘Gods of the Vikings’ invade Disney World

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LAKE BUENA VISTA, Fla. — Odin, Freya and Loki must be jealous. In the new “Gods of the Vikings” exhibit in the Norway Pavilion at Epcot in Disney World, it was the slightly larger-than-life bust of Thor – especially the Norse god’s hammer, Mjolnir – that was getting the most photo-opp attention during a visit by The Wild Hunt. People young and old, and speaking numerous foreign languages, clutched the imposing, 18-inch Mjolnir as friends or family took photos – perhaps an indication of how the Marvel Comics movie franchise has made Thor a rock star beyond the community of practicing Heathens and followers of Ásatrú. Five feet from the Thor bust, however, was another Mjolnir, one less than an inch and a half long: an authentic Thor’s hammer pendant, made circa 800-1000 A.D. The artifact is on loan to the exhibit from the Norwegian University of Science and Technology in Trondheim, Norway.

Culture

Review: three Pagan poets for National Poetry Month

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If, as is proclaimed in the Charge of the Goddess, “all acts of love and pleasure are my rituals,” then the pleasure of poetry is among those rituals, too. April is National Poetry Month in the United States. Here’s a look at the works of three female poets: a Wiccan priestess, a pioneer in the modern women’s/goddess spirituality movement, and a priestess in the Welsh Bardic Tradition. The Charge of the Goddess: the Poetry of Doreen Valiente
Doreen Valiente Foundation in association with the Centre for Pagan Studies, expanded edition 2014, 142 p.

Ironically, the Charge of the Goddess included is this collection by the acclaimed “mother of modern witchcraft” is not her rhyming, poetic rendition but rather her far more famous prose version. The late John Belham-Payne, a friend and “working magical partner” of Valiente’s, shepherded her poetry into publication following her death in 1999, thus fulfilling a deathbed request by the Wiccan priestess who had been initiated into Gerald Gardner’s coven by the man himself in 1953.