The Ballachulish GoddessOriginally carved in around 6000 BCE, discovered in a Highland peat cutting in 1880 and now held by the National Museums of Scotland, this wooden figure of a woman has generated interest ever since. Recently, a team from the University of Cork recreated her as a life-size figure made out of birch with Iron Age tools. The new goddess has been buried near Loch Leven, close to the place where the original figure was found, and she will be excavated in a year’s time to see how she has aged. Some believe that the original, also known as “the Goddess of the Straits,” was placed there to watch over sailors: she would originally have stood upright and gazed out over the dangerous waters which connect the loch with the sea.
Dr. Benjamin Gearey, archaeology lecturer at UCC, told The Scotsman: “The Ballachulish Goddess is something that has haunted me for many years. She is a very evocative character. There seems to be a tradition across Europe in carving this type of figure, but the Ballachulish Goddess is quite exceptional. What is interesting about the goddess is that what you see in the museum is very different to what she looked like.”
The original discovery caused significant conservation issues. Gearey, who is an expert in woodwork found in wetland areas, points out that the figure began to warp and disintegrate as soon as she was removed from the peat, and parts of her legs actually dropped off. The figure was carved from alder, which is highly resistant to waterlogged conditions, but was obviously very old and thus fragile. The new figure – based on a photograph taken shortly after the goddess was brought out of the peat – and the representation in the museum are rather different. The original figure seems to have been surrounded by a wicker cage and held a container. The figure also seemed to have held objects in both hands, and there is a suggestion that these were representations of male genitalia.
Gearey continues: “You get a slightly different sense of her. Some people see her as quite benevolent although others less so. The figure has been to local schools. Some felt she had a protective quality but also someone wouldn’t touch her and thought she was quite threatening. Most people in Ballachulish knew something about her. We heard lots of different stories, including how the local railway workers refused to carry her because they thought she was a Pagan idol.”
Speculation that the figure was indeed an idol started early on, in a meeting of the Society of Antiquities of Scotland in 1881:
“The report is that of a nude female, as rudely modeled as it is almost possible to conceive, but at the same time presenting a distinctly recognisable imitation of the human form. The head has a rounded protuberance which has been suggested to be the hair gathered into a top knot, the face is somewhat flattened, the nose partly obliterated and the eyes made by the insertion of quartz pebbles to represent eye balls. Nothing akin to his remarkable image has hitherto been known either in Scotland or Ireland.”
In fact, subsequent finds have been made, in Holderness in Yorkshire and in Europe.
A new stone circle
In Aberdeen, meanwhile, the “discovery” of an unknown stone circle in the parish of Leochel-Cushnie also generated excitement among the Scottish archaeological community – until it was revealed to be a modern replica. Recumbent stone circles, which feature a large horizontal stone flanked by two verticals, are found throughout the northeast of Scotland, and the originals date from 3,500 – 4,500 years ago. It was thought that this circle, reported to archaeologists by a farmer, might be among them, and it caused considerable interest due to the small size of the stones and the diameter of the circle – until the former owner of the farm came forward and informed archaeologists that he’d put the circle up in the 1990s.It’s certainly not unknown for new stone circles to be erected: there is one in Glastonbury which is around a decade old, and it has been common practice for the Welsh Eisteddfod to put up circles in places where the Eisteddfod has been held. There is an imposing one on the outskirts of Builth Wells, for instance. Although Neil Ackerman, historic environment record assistant at Aberdeenshire Council, said that the revelation of the Aberdeenshire circle’s age “is obviously disappointing… it also adds an interesting element to its story. That it so closely copies a regional monument type shows the local knowledge, appreciation and engagement with the archaeology of the region by the local community. I hope the stones continue to be used and enjoyed. While not ancient, it is still in a fantastic location and makes for a great feature in the landscape. For this reason we include any modern replicas of ancient monuments in our records in case they are later misidentified. We always welcome reports of any new, modern reconstructions of ancient monuments, especially those built with the skill of this stone circle and that reference existing monument types.”
Both the modern goddess and the modern stone circle are of interest to Pagans in the U.K., raising some interesting questions regarding how we view replicas as opposed to genuine antiquities. The Glastonbury stone circle, for instance, is often used for ceremonies, as are the more modern stone circles found throughout Wales and elsewhere. We might ask ourselves whether age automatically confers something more numinous, or whether the representation might suffice – whatever its age might be.