Bonewits, who founded Ár nDraíocht Féin in 1983, is one of the people that Hopman spoke with to create this book. Because he and others interviewed, including Lady Olivia Robertson, have since passed away served as an impetus to get this book published, Hopman told The Wild Hunt. “I had a sense that it was historically important,” she explained.
However, the technical hurdles were not insignificant. Much of the original work was saved on floppy disks that were inaccessible because it’s all but impossible to find that kind of drive anymore. Hopman had to resort to scanning transcriptions of the interviews, which she had originally done on a typewriter. This created other issues. As can happen when text is scanned, it “was full of weird symbols, it was just a terrible mess,” she recalled. The entire document had to be carefully reconstructed to make to readable again.
But reconstruction, in another form, is something quite familiar to Hopman. Her approach to Druidry is Celtic reconstructionism, which seeks to build upon the oldest written sources to learn about Druidic ritual, belief, and philosophy. Since that tradition was oral, the best sources available are the writings of Christian monks who recounted the stories of the Druids in the seventh century.”It’s honoring what the ancients did,” she said, but it’s not the only way to follow the path. A Legacy of Druids shows that such diversity is as much in evidence a generation ago as it is today.
Phillip Carr-Gomm, longtime leader of the Order of Bards, Ovates, and Druids (OBOD), weaves together the many perspectives in his foreword:
. . . when I read the interviews Ellen has collected here, I realised that they articulate most of the issues contemporary Druidry is still concerned with today, and the insights they offer are as valid now as they were twenty years ago. This in itself would be sufficient justification for publication, but in addition I found I could engage with the material in another way. In reading the interviews, I had the benefit of hindsight – twenty years on I could see what ambitions had been realised, and whether any fears had proved justified. In addition, I could imagine how a similar collection gathered today might differ, and I could start to get some sense of what legacy modern Druidry might be leaving the world.
Many of the Druids interviewed for the book are from Britain, which is why Hopman opted to go with a British publisher, Moon Books, at Carr-Gomm’s suggestion. “They accepted it in 24 hours,” she said, and that interest seems to be reflected in the fact that Amazon is showing it as a bestseller, even though it’s not due to be released until April 29. According to Moon Books’ Nimue Brown, “I can only think that’s people pre-ordering copies – and to a degree that we just don’t normally see this far ahead of a book’s release. And of course rankings are all relative – if five people all bought Ellen’s book in a short time frame when no one else was picking up Druid titles, it would put her high on the list for a while.”
That’s something Hopman finds gratifying. One of her other dozen books, Being a Pagan: Druids, Wiccans, and Witches Today, was included on a Huffington Post list entitled “27 Essential Texts About Paganism For Your Bookshelf.” However, she hasn’t seen that translate into sales. That text is the intellectual ancestor of A Legacy of Druids as it follows the same interview model, one that Hopman decided to use for her own Druidic path as it matured and grew. As Hopman wrote in her introduction:
As Druidism slowly gained recognition, I saw that a forum was needed where Druids too could express themselves so that the public would come to know us more fully. At this time in history Druids are still a small sub-set of the current Neo-Pagan revival, with many different flavors and beliefs within each sect. . . . The one thing we all have in common is our reverence for nature and a passionate desire to protect our Mother Earth.
Hopman told The Wild Hunt that she was never trained as a writer, and that she sometimes feels like her projects are directed by a divine force. That sense was especially strong when writing the first of her Iron Age Druidic fiction trilogy Priestess of the Forest. As she explained, “Writing it felt like watching a movie; I was just the scribe.” That might be an apt description, because a screenplay is currently being written based on that book, with Elyse Poppers already having been cast to play the female lead. “That’s new ground for me,” Hopman said. “I’m just lunging ahead.”
While the official release of A Legacy of Druids is April 29 to coincide with Beltane, Hopman does have signed copies available through her web site right now.