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“It’s been a great journey, but all things have a life cycle. It is time for us to let you all know that Emerald Rose has decided to retire as a band after the end of this year.” – Arthur Hinds, July 16

ATLANTA, Ga. – On July 16  Arthur Hinds, singer and songwriter for the popular band Emerald Rose, announced via his personal Facebook page  that it was time to split the party. The Wild Hunt talked with Hinds, who is also a well known ritualist and bard at Pagan gatherings, about the highlights of performing with Emerald Rose and what’s in store for him in the future.

[Courtesy Photo]

[Courtesy Photo]

Over the years, Emerald Rose gained a devoted following in two areas that often overlap: Paganism and geek culture. The group was formed 20 years ago among a group of friends who enjoyed getting together and playing Magic the Gathering. As Hinds explains, one of their spouses said that they were wasting their time and should make some music for the Pagan community.

Larry Morris was already well-known in the local Pagan community as a drummer. Logan Sullivan had previous experience being in a band as a brass player. Clyde Gilbert’s background was in heavy metal. Hinds had been a singer and songwriter since he was in his teens.

“Our first paid gig was at a nudist resort where we played about 6 songs.” – Arthur Hinds

While the group was ostensibly created to appeal to Pagans, the group developed a Celtic folk-rock sound that soon made them one of the top local bands in the Southeast United States. Most of their music draws from Celtic mythology, but one CD, titled Con Suite, highlights their roots as a group of guys who love all things geek. It was the odes to Sci-Fi, Fantasy, and gaming culture that further widened their audience. Their music was used on the soundtracks of two documentaries, including Ringers, which is about Lord of the Rings fans, and Done the Impossible, which is about the Firefly Television series. They were also the headliners for Hollywood Lord of the Rings Oscar parties in 2003 and 2004.

The Wild Hunt: So you were created as a Pagan band, but when did you become a sci-fi/fantasy convention favorite?

Arthur Hinds: Ahhh, well all four of us were geeks- from comics to anime to science to RPGs and of course MTG. Clyde and I had been to a bunch of DragonCons [a yearly Sci-Fi and Fantasy convention in Atlanta] in the varied incarnations it went through, but we did not know each other at the time.

Then in 2002 Clyde talked [DragonCon] into letting us in. Larry, in particular, writes wacky geeky songs that fit well, but really our strength at cons has been as a Pagan band. The overlap between Pagan and geek is gigantic.

TWH: Yes it is. Why do you think there’s such an overlap?

AH: There are probably PHD papers on that subject. It might have to do with the power of imagination, creating thought forms. Most Pagans identify with created worlds where Nature is recognized as live and worthy of veneration. So many Pagans are first drawn to their path after being illuminated by fiction. Mists of Avalon called many to the Goddess. Also, the willingness to think outside the mainstream is there as well.

TWH: So, at the start, all band members were Pagan? Are they still?

AH: Honestly Cara, I would prefer not to speak for another person about their spiritual path. I think it is safe to say that I am very much Pagan.

TWH: Fair enough. The announcement that Emerald Rose is disbanding comes 20 years after its creation. Is their significance to that? Did you think, “20 years? Hmmmmm…..”

AH: I can’t say that the number really impacted our announcement. It was simply time. Our lives and commitments did. 20 years, however is a loooooooong time.

TWH: It is. Most bands don’t stay together anywhere near that long. Life changes, personality conflicts. Why were you able to stay together?

AH: Well, first of all, we started as really good friends and many of the choices we made over the years were based on that friendship. And really, the Pagan root that we grew from helped to give stability as well.

TWH: In that 20 years you’ve created so much music. Played so many venues. Do you have a favorite memory from a Pagan venue or some time where the spiritual component was most memorable?

AH: Wow, you are asking a lot

TWH: I know, right?

AH: I always love singing Freya Shakti for the right crowd, it has raised much power, but I think I am going to go with a different song. We were performing Dagger of the Moon outside on an overcast night, when the crowd gasped as one. I turned to see that the clouds had parted to reveal a crescent right behind us.

TWH: Where was that at?

AH: I think Maryland Fairy Fest, but I’m not entirely sure. Another one of my favorite Pagan show memories took place on a rainy night. We were dry and safe on a covered stage but the crowd was getting damp. They did not scatter, but kept on dancing. All of a sudden the sky opened and a rain fell. Did the people run? No, they took off all of their remaining clothes and danced harder. I bet U2 never had that happen. it was a mighty rain

TWH: On the flip side, what has it meant to you, to be able to offer excellent quality Pagan music? Why do it?

AH: I love it. I love Pagan music. I love playing and performing in general, but being able to let my spirit shine is the glimmer on the lake. For me it is part of my clergy work and art of my Bardic spiritual path.

TWH: So you know this question is coming. Why is Emerald Rose breaking up?

AH: We haven’t had a giant fight. We still like each other, but our lives and creative paths are separating. It has been happening for a couple of years, and we thought that we owed it to our fans to not just sort of fade away. We wanted to let them know that we are leaving this wonderful path with good feelings and great memories.

TWH: I know from my own experience with serious health challenges how stressful it can be on a spouse. Your wife has been facing her own medical challenges. Is that coming into play for you personally as a reason why you’re ready for Emerald Rose to end their run?

AH: Only a little. I think. I have walked a hard medical path with My Lovely Wife our entire relationship.

TWH: What’s next for Arthur Hinds? I can’t picture you not performing and I’ve seen how much you enjoy encouraging people to perform at Pagan Spirit Gathering’s talent show.

AH: Well, I came to Emerald Rose as a singer and songwriter of both Pagan and secular music, and that is how I leave it. I have three solo CDs and I am working on a fourth. I plan to continue touring and singing and telling the old tales. I had an awesome crop at this year’s PSG show and I’ll continue to do that as well.

TWH: Thanks Arthur. Anything you’d like to add?

AH: Well, I just want to thank the fans who supported us all of these years. I know that sounds like an old saw, but in truth, it is what kept us going. We had a hell of a time.

[Courtesy Photo]

[Courtesy Photo]

On Friday, March 28, Paramount Pictures will release Noah into U.S. theaters after a flood of controversy. Noah, dubbed a biblical blockbuster, was co-written and directed by Darren Aronofsky, the award winning director oBlack Swan (2010.) Noah has an all-star cast including Russell Crowe, Anthony Hopkins, Jennifer Connolley and Emma Watson.

Almost any time a biblical story is adapted to film, there will be controversy. Does the movie adhere to the original narrative? Does it represent its characters and thematics accurately?  Are the creative elements born of the spirit in the original text? These are some of the questions that circle around all biblical films. Realistically these are the same questions that arise with the adaptation of any famous text. However when religion is the story’s birth-mother and caretaker, the questions are far more poignant and the debate more heated.

“Noah’s Ark” is arguably one of the most well-known Old Testament stories and is often used as a children’s tale. It has been re-told in so many formats that it almost transcends its biblical roots becoming a mythical story in our over culture. “Noah’s Ark” has even found its way into the whimsical world of Disney cartoons (Fantasia 2000) and Broadway musicals (Two By Two).

Considering the amount of creative license needed to produce a Broadway or Disney rendition of the story, it may seem surprising that anyone would consider protesting a live-action adaptation by an award-winning director. However that is exactly what has been happening.

To date the film is banned in four Islamic countries (UAE, Indonesia, Bahrain and Qatar) and is expected to be banned in Egypt, Jordan and Kuwait. Their objections are based upon the Islamic rejection of “any acts depicting the messengers and prophets of God.” as reported by Reuters.  Paramount expected these bans.

Paramount Films Noah 2014

Paramount Films Noah 2014

Back here in the U.S. viewer complaints center mostly on Noah’s characterization as well as its sub-themes. According to The Hollywood Reporter, a group of Christian viewers invited to test market the film “questioned [its] adherence to the Bible story and reacted negatively to the intensity and darkness of the lead character.” One interviewee described Noah as a “crazy, irrational, religious nut who is fixated on modern-day problems like overpopulation and environmental degradation.” In response, Russell Crowe  has told an ABC interviewer, “This is a dude who stood by and watched the entire population of the planet perish. He’s not benevolent. He’s not even nice.”

Similar complaints have been pouring in since the movie’s inception. In 2012 Brian Godawa coined the now famous title “Noah: Environmentalist Wacko.” After reading the script, he wrote “This movie will be rejected by millions of devoted Bible readers worldwide because once again it subverts their own sacred narrative with a political agenda of pagan earth religion.” Godawa has also been quoted  as saying, “the director had transformed a scriptural story into ‘environmental paganism’ by blaming the great flood on man’s “disrespect” for the environment.”

It is no secret that Hollywood breathes contemporary issues into its adaptations. Was this film project born after an executive finished reading a report on global warming and the potential drowning of populated coastal areas? It is conceivable. The international media has billed Noah as “the original disaster story.” Interestingly enough, a 1928 Warner Brothers version of Noah’s Ark is largely considered the first melodramatic Hollywood disaster movie. There is an undeniable narrative correlation and, realistically, disaster movies are hot box office fodder.

Returning to 2014, Aronofsky’s Noah is just that: Aronofksy’s Noah. As filming progressed, Paramount became increasingly nervous that his creative license would not appeal to its target audience – conservative Christians. They began to test market various cuts of the film at the risk of straining the producer-director relationship. In the end, Paramount has opted to release the director’s cut despite viewer concerns.

According to the Washington Times, Aronofsky calls his film a mythic,“dark parable of sin, justice and mercy.” He also said it is the “least biblical Bible film ever made” calling Noah the “first environmentalist.” However Aronofsky also notes that biblically-based details directly informed the film’s development including the shape of the Ark and Noah’s drinking bout. In a recent ABC interview he said, “You don’t want to mess with it [the story]. You just want to bring it to life and … breathe life into it.”

Although Paramount will be releasing Aronofsky’s version, they are doing so with the following message attached:

The film is inspired by the story of Noah. While artistic license has been taken, we believe that this film is true to the essence, values, and integrity of a story that is a cornerstone of faith for millions of people worldwide. The biblical story of Noah can be found in the book of Genesis.

Paramount’s decision to add this disclaimer was based upon a request from the National Religious Broadcasters, “a non-partisan international association of …Christian communicators coming together to spread the life-changing Truth of the Gospel of Jesus Christ through every electronic medium available.” Having spent a reported $130 million on the biblical blockbuster, Paramount felt the disclaimer was fiscally prudent.

There are many Christian, Muslim and Jewish leaders who have come out in support of the film. Most recently, the Pope himself granted Crowe an audience after three requests.  According to several reports, he blessed the film’s release.

Paramount Pictures Noah (2014)  Starring: Russell Crowe

Paramount Pictures Noah (2014) Starring: Russell Crowe

Despite Papal approval, viewer objections still haunt the film. Creationist Ken Ham has asked his followers to see Ray Comfort’s Noah film, being released the same day, “instead of wasting money by supporting a pagan Hollywood Noah movie that really makes a mockery of the account of Noah, the Ark and the Flood.”

Once again the primary accusation is one of fostering “paganism” (lowercase intended.)  In most cases, the word is simply used to refer to “secularism or environmentalism.”  However in many of these reviews, the writers are in fact referring to what they call “pagan earth religions.”

This begs the question: Does the film have Pagan themes?  After hearing such complaints, did Paramount ask the opinion of people practicing “Earth Religions?” If so there are no such indications or media reports.

Will you go see the film? Pagan blogger Jonathan Korman is looking forward to its release. He wrote, “I have been joking that Darren Aronofsky’s forthcoming film Noah is a film for which I may be the only audience. I’m ethnically Jewish, a former atheist, and a Modern Pagan, with a fascination with the whole range of religions and myth.”

He may be right in its very eclectic appeal. Compressing the flurry of mainstream articles and reviews, here’s a glimpse at the global scope that has and still is surrounding the film and its production. In the mythic style of Lord of the Rings, Aronofsky’s Noah is a creative retelling of a beloved biblical story written and directed by Jews; containing contemporary Pagan Earth Religion themes; marketed specifically to a conservative Christian audience and banned by the world’s Islamic community.

And they call Hollywood secular.

Chiwetel12YearsInterviewidephoto3Winning the Oscars for Best Picture, Best Supporting Actress, and Best Adapted Screenplay, 12 Years a Slave continues to generate conversation among people from all over the world. The movie, based on the true story of Solomon Northup, has brought the reality of slavery in the United States to the big screen – as others before it — but this time gaining lots of attention for a production well done. The story of slavery is not new, society is still learning from the impact and damage of this glitch in time, and ultimately how that trickles down to the many different factions within our world today.

These conversations — generated by what is current on the big screen — help to shape culture and have a potential influence on discussions that help to further shape culture; this is not just within greater society, but even within the smaller sects of society, like it is within the Pagan community.

The winning award for this movie shows some, previously lacking, acceptance for movies that depict people of color as the main attraction, but also for the story itself. A moment of acceptance for the beauty and the horror of the story of chattel slavery, the subjective definitions of freedom, and the perspectives that continue to influence how people look at our history and our present. As discussions of diversity continue to flourish within the Pagan community, reflections on our past become the discussions that are mirrored in our discussions of today.

solomon sign imagesThere were some incredible moments within the horror of this movie that pulled the audience in, to stay with the images on the screen. In addition to the discussions of racism, privilege, oppression, there has been a lot of discussion around actress Lupita Nyong’o award winning performance. Nyong’o, who won the best supporting actress award for her remarkable performance of some of the most heart wrenching scenes in the movie, carried the movie with her stunning performance as the slave Patsey. The harshness of the brutal damage of slavery, rape, and dehumanization was shown alongside of the reality of survival and resilience of spirit.

The Pagan community is expanding and understanding the levels of intersectionality within varying levels of oppression, history, marginalization, resources, and privilege, and how that impacts the way that the Pagan community functions today. Which brings us back to seeing the impact that films like this have on society, and how people within the Pagan community feel about the impact of films like this on our community.

In exploration of this topic, several Pagan practitioners responded to questions regarding their personal reflections on the movie, and on community.


What are your impressions of the movie 12 Years a Slave?

As a student of history who has spent a considerable chunk of time on African/Diaspora/African-American history, I find the modern portrayal of such narratives on the silver screen integral to our overall understanding of our shared American history. Though I have not yet read the original writings in which the movie was based upon, I felt that the movie itself was a compelling piece which presented a very unique perspective into the slave system of the United States. – Byron Tyler Coles, student.

I am still shocked by the impugnity with which white people oppressed the people whom they had enslaved. Even the plantation owners who showed the occasional inklings of humanity still built the foundation of their entire society upon the endless suffering of those whom they considered property. – Chris Moore

12 Years a Slave brought the brutality of slavery home to me in a way that I’ve never experienced before. Knowing that slavery happened and was awful from an intellectual standpoint was completely different than seeing it shown on the faces and bodies on the screen. My heart broke again and again, seeing the atrocities that are only one small percent of what life must have been like for those enslaved. It’s a knowing that doesn’t go away, that personalized slavery in a way that wasn’t personal before. – Del

I was deeply saddened by this film. It was heart wrenchingly painful to view the treatment of my ancestors, and more painful still to consider that although many things have changed, many have remained the same. We have no plantations in the 21st century, we have prisons overflowing with African American male bodies. We have no plantation Overseers in the 21st century, we have police officers whose unchecked brutality is often directed at African American males and ended the lives of Oscar Grant and Trayvon Martin. We don’t have female house slaves in the 21st century but we do have African American women whose faces remain unseen, voices remain unheard, stories remain untold, and whose experiences, cultural contributions, and lives remain undervalued. – Heaven Walker, Dianic High Priestess

la_ca_1213_costumes_12_years_a_slaveHow do you think a movie like this has an impact on the overall culture of society?

Many have refused to see this movie because it is “too depressing” or because they “already know about slavery” or because it “isn’t like that today” and fail to see its relevance to current day race relations and culture. Some saw this movie and said “that’s terrible, I had no idea things were that bad” and then went out to dinner at a 5 star restaurant and failed to notice that most of the waiters or bussers were people of color and most of the customers were white. Some saw the similarities between then and now and were deeply moved. And a tiny but mighty few saw the film, understood its relevance and importance, and said “what can I do?” – Heaven Walker, Dianic High Priestess

Unfortunately I am afraid that I will not have a lasting impression on the overall culture of today’s society, and this is due to a variety of reasons. Most particularly for younger adults, we have been barraged with a rather imbalanced and historical unsound idea of American history concerning slavery. I believe this can be seen in our fairly unsettling ability to address racism, colorism, and etc in the country today let alone throughout the centuries. However, it does for a split second bring to light such a conversation that too often loses steam once the Hollywood award season is over with. – Byron Tyler Coles, Student.

To be honest, as much as I would like to think that 12 Years a Slave would change the culture of Silence and Denial that permeates the US, I have little hopes that a movie by itself, no matter how well done, could effect the kind of change needed. But I do think that it helps bring the history of violence and oppression in to the national dialogue. I don’t think that it will change the minds of those who are willfully ignorant, sadly, but I think that just talking about it is a way of breaking down the walls of cultural cognitive dissonance that have permeated the US. This movie reminds us that you can close your eyes, you can not look – but it happened – these stories are real, these people, and hundreds, thousands, millions, of others, were hurt – and no, you didn’t hurt them, but how are you helping?

And also, I wouldn’t presume to speak for African American people, but I would think that in some ways, as hard a movie as this was for both descendants of oppressors and oppressees, it’s also very powerful – to have your history validated, to have your cultural stories taken seriously and displayed with sensitivity. And if the movie won’t change the mind of those who’ve chosen to shut their eyes, I think that it has the power to lift up those who have felt silenced, and give their history a voice.  – Del

I felt really conflicted about the movie. I do think its a really important movie for white people to see, because it takes slavery, a situation that they could in no way relate to or understand, and makes it relatable by having it happen *to* someone who was free. Since he was a free man who was kidnapped, everyone can see the horror of how wrong that was, and can put themselves in his shoes. However, what left my conflicted was realizing that the filmmakers were invoking little empathy about what was happening to the rest of the slaves. They do of course show the horrors of what happens to them as well, but you leave the theater feeling good about his wrong being righted at the end, and never look back and think about the rest of them. I think that is why this movie is so successful because everyone can relate, which is also why I think its important for white people to see, but at the same time I think it devalues the lives and stories of the rest of the slaves. In the final scene where he is reunited with his family, like everyone in the theater I was crying, but shortly thereafter I realized, “Wait, why am I crying for him and not the other slaves? Why is his story so much more tragic?” Because this happened *to* him, He is not “supposed” to be a slave, therefor its wrong. The rest of the slaves were born into it, so for them it’s just the way it is, but for him, it was wrong. – Ellie Bryan, Musician.

I think there is actually a danger here that the more privileged among us will take solace in the idea that slavery is somehow “over”, or that the institutional, generational oppression of people of color is not alive and well in the here and now. The events in this movie need to be seen as the antecedent of our current reality. – Chris Moore

I hope it does. Just last week my children’s supervising teacher said to me and the boys “racism is over, thing are equal”. Upon seeing the look of shock on my face she said “I mean, at least for me it is”. And honestly I don’t know if a movie like this, about the past, can change someone’s mind about today. – Melanie Moore


Do you think this particular movie, and movies like this, has an impact the culture within the Pagan community? Why or why not?

I think only time will tell, though we are ultimately a sub-culture in and of ourselves, we are none the less part of the mainstream culture. In religious practices that originate in cultural specific locales, I believe it is essential that we understand how ethnic nationalism can affect our religious traditions in modern pagan practices, and how it influences us to understand American history and other individuals. – Byron Tyler Coles, Student

We Pagans are generally open-minded. The danger of this attitude can be complacency, or an unwillingness to further examine our assumptions. I think this movie can raise the awareness of those Pagans who are willing to feel uncomfortable and challenged. – Chris Moore

I would like to think that this movie would have great impact on pagan culture, and there are many groups such as Reclaiming and Come As You Are Coven who are not only committed to Social Justice but consider cultural education and social justice activism to be part of their magical practice and deeply linked with earth based spirituality. And there were far too many in the pagan community who did not see this film because they were convinced that it had nothing to do with them or their experience and did not connect with the idea of “Perfect Love and Perfect Trust” on a sociocultural level.- Heaven Walker, Dianic High Priestess

12 years images

How can movies like this impact individuals within the Pagan community’s ability to understand the impact of historical oppression on diversity today?

Magic and movies are both visual mediums, and often experiential; what we see often becomes truth. The truth is informal censorship of slavery through film history is a dialogue that extends far beyond the visual medium; and we as a country have done little to truly understand and reflect on our history and the real human impact of slavery. 12 Years a Slave reveals itself as one of the first major film attempts to explore slavery not as a political institution (“Lincoln”) or as an individualist fantasy-land in which any slave could take on an army of whites if they “wanted” to ( “Django Unchained”) but as it was actually experienced to those who endured it. It is authentic truth, much like magical experience is authentic truth.

For the Pagan Community, when we come to the table of authentic experience we come to feel, know, honor, and begin to heal. As Pagan’s we step further into the dialogue that we visualize in 12 Years a Slave that is still experienced today, by using magic to transform our nation’s legacy of power, privilege and oppression into a future of Love. To me this is the films greatest impact, the impact of truth. – Erick DuPree, writer, magic maker

I honestly think that no one movie could enlighten a mind to the historical basis of racism in America today, if that was possible it sure wouldn’t be a movie I would be breaking down doors to see. Unfortunately our shared, national history is marred with racial, sexual, and social-economic classism that for some, is just too hard to swallow. And thats alright, however, we must not let the discomfort be the excuse to address such occurrences of yesterday or today. I am strong believer that if new knowledge doesn’t make you uncomfortable knowing, or pondering, it is not worth learning at all. Movies such as 12 Years A Slave, Beloved, and so on can give us great insight into cultural and religious history within our nation, allowing us to embrace the good and reflect on the ugly. We can look to our nation’s history as religious/spiritual/ethical narratives of truth in showing what not to do, how to prevent, yet present us with the challenge of understanding them today.  – Byron Tyler Coles, Student

I hope that the ability for everyone to relate to the wrongs being done to him would help pagans understand historical oppression, although I don’t know that a misunderstanding of historical oppression is necessarily an issue within the pagan community (I think most pagans understand that their people and ancestors were oppressed and oftentimes decimated by Christianity, so I would think that the ability to relate to oppression would already be there) – Ellie Bryan, Musician.

That’s the problem. There was no “happy ending” for the vast majority of enslaved people. I hope people look around and see that new systems of oppression have been consciously and unconsciously built upon the ruins of slavery, including other forms of actual slavery! – Chris Moore


How does the presentation of Lupita Nyong’o challenge perceptions of womanhood and beauty on and off the screen?

patsey 12 yearsThe character Patsy gave a very strong portrayal of women during the times of slavery. Often the male experience is focused on and the experiences of women are invisible. However, this showed the truth of the female experience and how women endured not only brutality, but sexual abuse, the loss of their children, the contempt of their mistresses and fear for their lives. Lupita won a much deserved award for this performance and the illumination of black female experience. She is also being celebrated for her beauty and talent and is a positive image for black women today who are constantly confronted with negative stereotypes of African American women and feel unseen and undervalued in our culture. – Heaven Walker, Dianic High Priestess

I think she is exoticized both on and off the screen. In american/western culture oftentimes dark-skinned women are not considered beautiful. However Nyong’o’s foreign-ness allows for an exception to this rule, she is exotic and therefor beautiful. I think her presence in the media is a step in the right direction for breaking down barriers that block dark-skinned women from being accepted as beautiful, however, it’s like everything she does is amazing, simply because she is exotic. If her exoticism was taken away, would she still be as fascinating? I can’t say for sure. If she was a dark-skinned girl from America would she receive the same treatment? I don’t know – Ellie Bryan, Musician.

While there are many differing opinions and interpretations on this film, it is obvious that a film like this can generate some very important conversations and discussions within our community on topics of race, history, and our collective futures. I personally found it refreshing to see so much conversation happening in the Pagan community around this one movie, because it gave a silent permission to talk about some things that are usually not open for discussion. These conversations might eventually lead to a more empathetic, and culturally sensitive society in general, and within the Pagan community as well. As a microcosm of the macro society, every chance to understand and challenge perception is one that the Pagan community can grow from.
**Special thank you to those who took the time to answer the questions for this piece.

After reading the Wild Hunt article on the Community Wreath, Babette Petiot, a French Polytheist living in the Auvergne countryside, decided to begin a community wreath in France. When I read about this project, called Aureole Païenne, I immediately contacted Babette. I was terribly curious about the Pagan experience in France.  Which traditions are prevalent? What obstacles do they face? Where do they make spiritual purchases?

Babette Petiot's village in the Auvergne countryside

Babette Petiot’s village in the Auvergne countryside

Babette, who is the moderator of the News et liens païens Face Book group, entertained my questions and offered me extensive access to the French Pagan community. With her help, I was able to get a snap-shot of Pagan life in France seen through the eyes of a diverse set of practitioners.

In general, the French Pagan population is small and spread out.  “After a quick opinion poll on Face Book we estimate ourselves to be between 3000 and 5000. But it is more a guess than anything,” Babette said.  There are no reliable statistics just as in the U.S.

Babette also described the community as young. She said, “We are just getting out of the proverbial broom closet.”  Echoing this description was Luc Martel, a Hellenist from Lyon. He said, “le Paganisme français est encore dans son enfance, il reste invisible et informel, même s’il est en phase de croissance.” [Translation: French Paganism is still in its infancy.  It still remains invisible and informal even in this growth phase.]

log20o10Who is coming out of the broom closet? Which paths are most popular? French Pagan practice spans the spectrum. To name a few, there are Polytheists, Hellenists, Ásatrú, Reconstuctionists, and Alexandrian and Gardnerian witches. However, most of my contacts said that Druidisme is the most popular. Mariane, an Ásatrú and director of the French division of the Pagan Federation International, said “[Druidism seems to be] the best organized and has the largest number of followers.”  Ana Lama, Druidress for Communauté de l’Arbre Druidique (CAD), adds:

We have an important connection to [Celtic] history on our own ground. We try as much as we can to rely on archeological discoveries…Most of our groups are built upon Gallic roots using Gallic tribe names and rituals. Many druidic groups… are affiliated with Great Britain groups.

A few people did speculate that Wicca has the greater following. However, this is difficult to assess because most French Wiccans are self-taught eclectic, solitary practitioners. There are very few covens or organizations outside of Paris and Lyon. The most well-known is the Ligue Wiccane Eclectíque based in Paris. It supports Cercle Séquana and the on-line magazine Lune Bleue.  Siannon and Xavier Mondon two Ligue Wiccane members, co-coordinate one of the few Wiccan festivals: the Festival de Déesses.


Why are most Wiccans solitary eclectics? The answer is simple: language. To date, the majority of Wiccan books are written and published in English. Therefore non-English speakers have had limited educational resources. Iconic books like Starkhawk’s Spiral Dance and Margot Adler’s Drawing Down the Moon, for example, have never been translated.  However, Scott Cunningham’s books are available in French. As a result, many French Wiccans follow his solitary teachings.

Along with reading limitations, there are also very few metaphysical shops. This problem affects all Pagans; not just the Wiccans. Consequently, as best stated by Luc Martel, “Le Paganisme reste encore largement une cyber-religion.” [Paganism is still largely a cyber-religion.]  Most communication, interactions and purchases are done online.  This cultural phenomenon supports Martel and Babette’s earlier point that the community is, as a whole, “young.”  Wide-spread internet usage began less than twenty years ago.

Despite the emerging Pagan culture, Babette says many Pagans are still “deep in the broom closet.” When I first asked why, I expected horrific stories of religious prejudice. But, in fact, I got a very different answer. As Siannon of Ligue Wiccane Eclectíque said, “Religion in general is a bit taboo.”

Sacred site along the Loire

Sacred site along the Loire

The French have a very different relationship with religion than Americans. As Babette explains:

There has always been this vision of [religiosity] as something for the poor, non-educated, or for women. [This] explains partly why secularism is such a big deal.  I’m almost sure a French person will far more easily talk you about sex than religion.

To understand this more clearly, it is best to briefly compare the religious ideology between the U.S and France. The U.S. Constitution supports religious freedom by protecting the right to worship.  All religions must be included or excluded where appropriate.  In France, the law supports religious freedom by legally excluding religion from public life – recognizing none. This is called laïcité or secularism.  As an example, in 2004, the French Government banned the wearing of religious symbols in schools including head scarfs, yarmulke, crosses, pentacles etc.  Could the U.S. government ever impose such a ban? Consider this PewGlobal comparison. 50% of Americans feel that religion is a very important and 53% said that it was “necessary to believe in God.”  In France, the figures are 13% and 15% respectively.  Which society is, as a culture, more secular?

Siannon and others argue that French laicité actually means “no religion unless you are Catholic.”  In 1995, the State created Miviludes, an office to watch for derive sectaire [Cultic Deviances.]  Unlike in the U.S., French law clearly defines cults in an effort to protect its citizen’s safety. In 2009, Miviludes fined a French Scientology group for engaging in fraudulent behavior. Although this is done in the name of secularism, the State’s cult watch is considered a threat to minority religious practice.

Due to this culturally-ingrained secularism, there are very few aggressive public challenges to Paganism. Xavier Mondon of Ligue Wiccane Eclectíque explains: “[People don’t even realize that] there are any pagans left today. For most people, [Paganism] is…old historical stuff.” Most of the population is indifferent or simply unaware. Others confuse it with silly fantasy or “charlatainism” as noted by Xael, a Wiccan eclectic and Shaman. While there are Christian zealots who confuse witchcraft and Satanism, this is infrequent and only happens in the private sector.

Leanthe, Fleur de Lyon: a symbol of peace and harmony for Pagans in Lyon

Leanthe, Fleur de Lyon: a symbol of peace and harmony for Pagans in Lyon

Aside from the limitations caused by language, misconceptions and the State’s cult-watch, there is a bigger problem facing the French Pagan community. As best stated by Luc Martel, “Le plus grand obstacle au Paganisme français, ce sont les Païens français !” [The biggest obstacle for French Paganism is French Pagans.]  All of my correspondents made this same statement in some form. Christophe, a Gardnerian Witch, blamed the large population of teenage practitioners who don’t know how to perform rituals or organize covens and who believe being a “witch” is trendy. Others blamed hot tempers, egos and individualistic natures. Babette blames the broom closet. She said, “French Pagans are so comfortable “hiding behind their [facades] and the internet [that] they won’t come out.”

However, the culture is changing. Druidress Anna Lama noted, At this moment we are trying to organize all Druidic groups under a Druidic council called Comarlia.  Along with the PFI, Ligue Wiccane Eclectíque and other such organizations, there are smaller groups forming locally and on the web. Of course, Babette and Luc Martel, with his groups Fleur de Lyon and Café Païen, are working on the community wreath project: Aureole Païenne. Babette remarked, “[We are] trying to be an active community. We have a long way ahead of us and the first steps are to let the different traditions speak to each other and create bridges.”  Echoing this hope, Xael said, “Things are changing.  In time, I believe Paganism will be recognized as a true spiritual [path.]”

The French Community Wreath
The French Community Wreath

Note: The original community wreath will be retired during an Ostara ritual at the Atlanta Pagan Market Place of Ideas next weekend.  A new wreath will take its place and begin its journey. Babette and Georgia-based NGS have exchanged ribbons to be included on each other’s wreaths. There have been at least two other U.S.-based community wreaths started since the original article was published.

My Life as a “None”

Heather Greene —  February 3, 2013 — 16 Comments

Before I started writing for The Wild Hunt, Jason suggested that I introduce myself.  I never did and time scurried away.  So today, I’m going to share with you a personal revelation – an admission, of sorts.  I frequently write about my Jewish upbringing.  But now I must confess that I was really only Jew-ish.  In actuality, I was raised a “none.”

antique photograph

Photo courtesy of Flickr’s curtis4x5

As I child, I lived in a wholly secular family environment. We didn’t have a mezuzah.  We didn’t belong to a temple. Religion had no place in our lives. Words like “prayer,” “faith” and “God” were foreign terms used by other people. Existence was explained through science and philosophy. Ethics were harvested from history, art and experience.

And so it was, my life as a “none.”  Before I continue, let me be clear. We were not atheists, agnostics or humanists.  We were nothing.  We just lived in the world as it presented itself; which, as it turns out, was very religiously diverse. While that eclectic environment was fundamentally excellent, the diversity eventually became a problem.

Everyone around me had a religious identity linking them to a community filled with rich tradition and heritage. Through these identities, they had a defined relationship with spirit.  Some kids went to CCD (Confraternity of Christian Doctrine) classes and others to Hebrew school. Some missed school for Yom Kippur and others fasted during Ramadan.

While I felt the presence of spirit, I had no means of accessing it. The few Jewish prayers that I knew were spoken in a foreign language; rendering them spiritually useless.  I was left standing alone outside the religious speak-easy with no password to enter.

This void became my burden and my quest.  I clung desperately to the small trickle of Jewish culture that was accessible.  In doing so, I did find my cultural heritage but, unfortunately, I found no suitable relationship to spirit.

Astronomical Clock in Prague Courtesy of Anthony Dodd

Astronomical Clock in Prague
Courtesy of Anthony Dodd

As the wheel turns, life changes. I am no longer nothing.  My quest led me to Wicca and my burden was left at some doorstep long ago. Interestingly enough, I can also now say that I was never nothing.  There is finally a label for what I was: “religiously unaffiliated.”  I was a “none.”  According to Pew Forum, the “unaffiliated” population has now grown from 5-10%, in the 1980s, to today’s 19.8% of the overall population. This growth warranted finally giving the group a name.

What has fuelled this growth?  Harvard Professor, Robert Putnam told NPR, “this young generation has been distancing itself from community institutions…” Putnam goes on to relate this phenomenon to the heavily polarized socio-political landscape with regards to religion. While that may be so, I’d also suggest that this increase coincides with our transformation into an independent “do-it-yourself” society.  (e.g. Home Depot, You Tube, TiVo, eTrade.)  We now have “do-it-yourself” religion.

While that sounds as if I’m mocking the concept, I’m not.  Remember, I was raised a “none.”  As such, I’ve always participated in creative, off-beat religious expression.  One year, we renamed our secular Christmas holiday to “Peacemas,” celebrated with Jewish friends, Kugel and Pictionary. 

Additionally, secular culture is increasingly able to fill the void that plagued me as child – one of connectivity. Of course, the internet plays a big role, but outside of that, “nones” are connecting in the physical world.  Just this month, the First Church of Atheism opened its doors in the U.K.  Founder Sanderson Jones said, “We want all the things that are good about bringing a community together and make us better people, just without God being involved.”

Similarly, Calgary boasts the new Calgary Secular Church.  Founder Korey Peters explained, “We are a small group of a-religious or atheist people who want the community and celebration we used to have in our Christian (or Mormon) churches.”  These “nones” are searching, as I did, for the community connection that only comes through one’s relationship to spirit; whether that spirit be through humanity or other secular modalities.

Reason Rally

Summer Reason Rally in WDC
Courtesy of

Now there’s even a movement.  I suppose someone stood up and said, “Hey, wait!  There are a lot of us.  What can we do with that?” Dale McGowan, director of Foundation Beyond Belief , told CNN:

Part of it is trying to consolidate … cultural presence. That has something to do with politics, but it is also more generally cultural…Much as churches and synagogues foster and nurture communities, Atheists can do the same to gain clout and broader acceptance

On January 26th in Atlanta, the eighth annual Heads Meeting took place. It was attended by leaders from various secular organizations such as; The American Humanist Association, Foundations Beyond Belief, The Center for Inquiry, and American Athiests. They met to discuss the socio-political future of the “non-affiliated.”  Dale McGowan explains:

These groups operated separately from each other and sometimes at odds with each other. There was a realization that we should meet once a year and come together on the goals that we have in common.

What makes a “none?”  How do they distill all that diversity into one single word?  What is the defining point?  Simply put, they all check “not affiliated.”  That’s it. That’s what binds them. That’s what makes them “nones.”

I relate this to art. The “nones” are the negative space – the environment around the meticulously drawn picture. Good artists always carefully consider their negative space because in visual imagery, nothing is always something. As a child, I was defined as nothing.  Now, the “nones,” are embracing that definition; being defined by what they are not.  They are the negative space filling 20% of the collective social canvas. They are something.

Many years ago, I left the life of “nothing” and found a spiritual path, a deep connection to humanity through the language of Wicca.  I went from being a “none” to being a Priestess; from the negative space to the positive.  Why are the “nones” important to me now?  Why should they be important to Pagans?

The “nones’” cultural evolution appears to be running almost parallel to the Pagan movement.  Just as they did, many of us looked up one day and said, “Hey, wait! There are a lot of us.  What can do with that?”  We are asking similar questions. Do we need to organize?  Should we build institutions? How can we foster community? Do we need leaders?  And most importantly, how do we define “Pagan?”  Where is the checkbox on the form?  We have much to learn from the “nones.”

BeachGirlAs for my personal journey, I can now better appreciate my childhood.  My parents’ secular path allowed me the freedom to eventually build my own relationship to religion; to become a spiritual artist.  Where once there was angst and frustration, there is now respect and gratitude.

To this day, my life as a “none” colors my Wiccan experience. I enjoy drawing the sacred out of the secular and finding the magick in the mainstream. While I have yet to do a full moon ritual with Broadway music, I can see the creative possibilities. For me, the lines between the secular and the sacred are blurred, colored by the language of Wicca. I do still check “unaffiliated” and will continue to do so until Wicca or Pagan has its own check box.

Last week I presented the question of Pagan solidarity. Does it exist? Should it exist? What is the impact and evolution of such a concept? Generally speaking, it is widely accepted that Pagan solidarity, in some form, is vital for both the protection and continued growth of the non-traditional religions that fall under the Pagan umbrella. Additionally, solidarity can offer a sense of community and comfort over a host of social networks supporting both Pagan groups and solitary practitioners.

In December of 2011, Lady Liberty League mobilized a Task Force to protect a Southern Pagan family’s religious liberty within a public school system. The Task Force, of which I was a member, was comprised of professional individuals representing different Pagan organizations and Pagan spiritual traditions. Together, in solidarity, we worked for three weeks and, in the end, achieved quite a victory.

After that case was settled, the Task Force itself disbanded. However, Lady Liberty League still operates; watching and waiting. Since 1985, the organization has been ever on the “ready” with the ability to mobilize Pagan resources as needed. When active solidarity becomes a regular occurrence an organization is born.

Let’s turn now to a network of Pagan voices to hear their thoughts on the growth and importance of the Pagan organization.

Chas Clifton

Chas Clifton (center)

Our desire to be seen as a legitimate religion by government entities has forced us to change to fit their definitions, which, in the United States at least, were designed for Protestant Christians…We have been dealing with this issue since the mid-1970s, when the Covenant of the Goddess was created. – Chas Clifton, editor of The Pomegranate: The International Journal of Pagan Studies and a practitioner of American Eclectic Craft

Jonathon S. Lowe

Jonathon S. Lowe

One of the most basic principles of Paganism is that we are all interconnected to everyone and everything around us. Solidarity helps us to solidify those connections… Organizations are merely facilitators helping to make these connections possible.”  – Rev. Jonathon S. Lowe, Interfaith Minister, Founder Midnight Star School of Witchcraft, Coordinator of The Atlanta Pagan Marketplace of Ideas 

Lady Charissa

Lady Charissa
North Georgia Solitaries

I am a member of several worthy organizations that…have members with diverse beliefs and yet all of these organizations work every day to help build community by concentrating on the task at hand and respecting each other’s differences. Lady Charissa, founder of North Georgia Solitaries, coordinator of the Pagan Assistance Fund, High Priestess of Silver Pine Grove 

Before we go any further, we need to deal in semantics. Most responders made no distinction between an institution and an organization. Are they same thing?  Covenant of the Goddess representatives, Rachael Watcher and Ginger Wood say no.

On the Fears and Dangers of Institutionalization:

Certainly some individuals and small groups might come together for the sake of mutual interest and form an organization, but would that constitute an institution? … Those who are drawn to think outside the box in expressions of spiritual freedom are not generally going to be ready to discard that freedom of thought for yet another set of doctrinal mandates. – Rachael Watcher, National Interfaith Representative for Covenant of the Goddess 

Ginger Wood

Ginger Wood

We do have organizations that have worked hard some for over 30 years, to give Pagans a flag to unite under. [But] I will not accept [institutionalization] as “must” and I pray to the Goddess that none of us are forced to institutionalize in order to be heard.  – Ginger Wood, National First Officer of Covenant of the Goddess, Priestess of Gryphon Song Clan and Pagan novelist

Both Rachael and Ginger are using the accepted sociological definition of institution which is explained at length in the Stanford Encyclopedia of Philosophy. Very briefly, an organization is less complex or rigid in structure, scope or activity than an institution.   

Christine Hoff Kraemer

Christine Hoff Kraemer

We need to think deeply about what kinds of organizational structures best support our values…guard against rigidity in power structures and in belief systems. – Christine Hoff Kraemer, Managing Editor at Patheos Pagan Channel, Cherry Hill Seminary Instructor

Institutionalization is a big issue for me, always has been. It’s something I’ve resisted…  In more recent years my attitude has softened. Years ago my friend Sam Webster insisted that we needed to establish institutions because institutions are the only thing that lasts.  Individual humans pass on.  M. Macha Nightmare, Priestess, witch, teacher, ritualist and author.

M Macha Nightmare

M Macha Nightmare

Macha makes an excellent point. Humans do pass on. Organizations or institutions can be passed down. Can we create viable Pagan institutions that serve solidarity without sacrificing spiritual freedom and, at the same time, last for decades to come?

On the Building of Pagan Institutions:

Holli S. Emore

Holli S. Emore

“Pagans are perfectly capable of having healthy institutions which serve our needs and goals, indeed, we participate in such institutions every day in our real-world lives…Why wouldn’t we want to enjoy the benefits of stronger infrastructure, better accountability and healthy leadership?” – Holli S. Emore, executive director of Cherry Hill Seminary, Priestess of Temple Osireion 

Peter Dybing

Peter Dybing

A wide diversity of Pagan institutions are necessary as the glue that will bind us in our common effort to defend the rights of all belief systems. Peter Dybing, Pagan Service Advocate, Chief Officer, Federal Incident Management Team, 100% for Haiti Board member

Crystal Blanton

Crystal Blanton

We need some of the power that institutions bring to any community or movement… Togetherness commands attention …The key is finding a way to use the concepts of community solidarity in balance with some of the undesirable things that come with community dynamics – Crystal Blanton, High Priestess with Solitaries of the Second, Pagan author.

So how do we create that balance? How do we create and maintain healthy organizations and fluid institutions that promote solidarity and allow for that community dynamic?

Building trust person-to-person, which tends to spread to friends of those people who begin learning who each other is, how they think, what their concerns are, how they express their spirituality.… I think one of our greatest assets as Pagans is our diversity.  M. Macha Nightmare, Priestess, witch, teacher, ritualist and author. 

I think we should do our best to make strength out of diversity. If you have twelve Pagans together, they normally represent at least thirteen religions. [But] It is natural for people to seek agreement…I recommend we conform to one standard: mutual respect and intolerance only of intolerance. – Freeman Presson, Namen of Temple Zagduku & Fr. Ophis, Church of Hermetic Sciences. 

Selena Fox of Circle Sanctuary

Selena Fox

Like a delicious multi-ingredient salad, when Pagans unite, we can bring our individual flavors and textures as we join together — and we can maintain this diversity in our collaboration. Our diversity can enrich our solidarity.Rev. Selena Fox, Senior Minister at Circle Sanctuary 

Our diversity is our strength. Our diversity is our asset. Our diversity is our core.  So, with that essential ingredient, can we venture to build uniquely-structured institutions that respect and serve the expansive Pagan world view for generations to come?  If so, these institutions must conform to the rigid expectations of mainstream society; thereby ensuring our legal protection and promoting social awareness. And, as the wheel turns, this increased awareness will eventually lead to a broader and a healthier social acceptance of the diversity that began it all.

Thank you to all the contributors for their valued opinions and to the readers for opening the doorway to this conversation and continuing the process into the future.

Full Comments: (listed alphabetically)

Crystal Blanton
Chas Clifton
Peter Dybing
Holli S. Emore
Rev. Selena Fox
Christine Hoff Kraemer
Lady Charissa
Rev. Jonathon S. Lowe
M. Macha Nightmare
Freeman Presson
Rachael Watcher


Last week, I reported on the Atlanta Pagan community’s wreath project.  As explained, the wreath’s purpose is to build a sense of solidarity for that Pagan community. Following the post, several readers launched into a discussion that probed the very nature and meaning of Pagan solidarity. As one reader asked, “What is the purpose?”

Additionally, readers explored the concept of solitary solidarity. Can such a thing exist?  Or, as one reader put it, is the concept of the solitary group “oxymoronic?”

These are serious sociological questions that, in exploring, could help to define modern Pagan practice as it expands and diversifies. These age-old questions are very difficult to answer for a non-dogmatic, non-centralized religious group. But we may now have reached a point at which it is very necessary to confront them.

I opened the conversation up to the greater Pagan community, asking a variety of people their thoughts on the subject. I will share the responses in two parts. This week, in part one, we will examine the question of Pagan solidarity itself and, subsequently, how it relates to the solitary practitioner. Next week, in part two, we will explore the Pagan institution, its viability and purpose.

On the importance of Pagan solidarity

Ginger Wood

Ginger Wood

Nature-based religions have been in practice for thousands of years.  Nature religions will continue with or without “Pagan solidarity.” However, in a political sense… it is important that Pagans stand together when the need arises.  – Ginger Wood, National First Officer of Covenant of the Goddess, Priestess of Gryphon Song Clan and Pagan novelist

Christine Hoff Kraemer

Christine Hoff Kraemer

Pagan community solidarity is incredibly important. We don’t have to practice together or hold exactly the same beliefs to defend each other’s rights. – Christine Hoff Kraemer, Managing Editor at Patheos Pagan Channel, Cherry Hill Seminary Instructor

Without question, all of those who responded agreed that solidarity within the Pagan community is essential to facilitating growth and acceptance. As Rev. Selena Fox, Senior Minister at Circle Sanctuary, said, “When Pagans unite in Solidarity for a common cause; a synergy emerges that enhances our work together.”

Selena Fox of Circle Sanctuary

Selena Fox

However, Chas Clifton, editor of The Pomegranate: The International Journal of Pagan Studies and a practitioner of American Eclectic Craft, pointed out that we need to better define the terms “community” and “solidarity.”   He writes:

Chas Clifton

Chas Clifton (center)

We often say “community,” but what we really mean is “network” or “association.”  Right now, what we mainly have are networks — or subcultures that you can join or leave, participate in or not, according to your individual desires. We may be moving toward community but I don’t think we are quite there yet.

He continues on to question the definition of solidarity which he labels “tricky.”

Does it simply refer to religious freedom under the broadest umbrella, like you are a Druid, and I am a rootworker, but I respect you as a Pagan practitioner, and you respect me?  Or does it mean that I have to support everything that you do and all your struggles, like union workers not crossing each other’s picket lines? 

Perhaps we can meld the two definitions. Solidarity would then become the outward respect that binds our network, or our community, together with the potential of offering support.  If we omit terms like “have to” and “must” from “solidarity,” we are left with the strength of possibility and freedom. 

On Solitary Solidarity:

Where does that leave solitaries, those that choose to practice alone? If they seek out community, do they jeopardize their solitary status?  To repeat one reader’s words, are solitary community-groups “oxymoronic?” Can there be such a thing as “solitary solidarity?”

Lady Charissa

Lady Charissa

Solitaries are no different than any other Pagan. We all need strength in numbers to help protect our rights. Many solitaries like to come together, every once in a while, to socialize, share knowledge and celebrate our holy days. – Lady Charissa, founder of North Georgia Solitaries, coordinator of the Pagan Assistance Fund, High Priestess of Silver Pine Grove

Holli S. Emore

Holli S. Emore

I don’t see solitary spiritual practice as precluding community solidarity. Solidarity is the practice of supporting and helping each other, not necessarily agreeing with each other. Solitaries benefit from the published teachings and public events put on by those affiliated with groups.  We are interdependent, no matter how we define our practice. – Holli S. Emore, executive director of Cherry Hill Seminary, Priestess of Temple Osireion

Most agree that “solidarity” doesn’t end where “solitary” begins.

M Macha Nightmare

M Macha Nightmare

One need not belong to a formal religious group in order to identify with, and participate in, larger Pagan efforts any more than one needs to belong to a particular political party to vote. – M. Macha Nightmare, Priestess, Witch, teacher, ritualist and author.

Jonathon S. Lowe

Jonathon S. Lowe

Nobody loses their solitary practice or identity in the process of taking part in solidarity… The defining point of being a solitary practitioner isn’t to make yourself a hermit every time you practice. It is so that you can develop your own working spiritual system that is right for you, without having others interfere.  Rev. Jonathon S. Lowe, Shaman, Coordinator of The Atlanta Pagan Marketplace of Ideas

Most of the people that responded were in some way involved with or directly engaging the Pagan “network.”  In the interest of perspective, I sought out a Pagan who chooses the true solitary experience.  Stevie Diamond has never practiced within a group or been formally initiated, nor does she have the desire.

After hearing the questions, she echoed what Ginger Wood said, “Nature religions will continue with or without Pagan solidarity.” Stevie explained, “I am a quiet, reclusive person. It feels more personal and electric if I do a ritual or spell by myself.  I just can’t imagine chanting in front of someone else.”

Despite this choice, Stevie acknowledges the benefit of having a Pagan network. It was through another witch that she identified her spiritual path.  She has grown her own practice from books written by Pagan authors.  And, if she encounters problems, she stated, “I would feel comfort in a group knowing they believe what I do.”

Next week, in part two, we’ll examine the Pagan institution. Is solidarity the birth-mother of the institution?  And where does that lead?

(Note: I will post links to the full, unedited comments next week)

In November the media, along with The Wild Hunt, reported that The Charity Commission for Wales and England declined the The Pagan Federation’s request for charity status in the UK. Upon hearing the unfortunate news, I worked with my fellow Covenant of the Goddess Board members to offer support, “across the pond,” to those diligently working to achieve that coveted status.  As a result, I had the pleasure of corresponding with the president of The Pagan Federation, Chris Crowley. Our brief exchange gave me a much better understanding of the situation and I present my findings to you.

Pagan Federation

In a letter dated October 4, 2012,  The Charity Commission for Wales and England, a government organization charged with the regulation of all charity organizations, informed The Pagan Federation  that its application for charity status had been rejected. The Commission summed up its reasoning with the following statement:

“The commission is not satisfied that The Pagan Federation is established for exclusively charitable purposes.”

To reach a decision, the Commission brought in senior level advisors to evaluate The Pagan Federation’s application.  Under the Charities Act of 2006, all religious organizations must, like any other, prove to be a benefit to the general public or, as they say “advancing religion for public benefit.” Previously most religious organizations were exempt from these criteria.

It is not enough that an organization does something in the name of religion in order for it to be a charity advancing religion. It has to be shown that the aim of the organization is to advance the religion in a way that is for the public benefit, and not to further some other, non-charitable, aim. (The Advancement of Religion for Public Benefit, section C4)

The Pagan Federation felt its application established legitimacy as a non-profit, community-based religious organization that worked for public benefit. Its listed programs include community service, sponsorship of workshops, rituals and festivals, prison ministry, hospital visitations, Inter-faith outreach, and public awareness. In Scotland, where hand-fasting or wedding ceremonies are legally recognized, Pagan Federation clergy perform marriage rites.

In our interview, Chris Crowley explained:

The Pagan Federation was founded 40 years ago. Initially, it was set up to counter negative publicity concerning Witchcraft, primarily, and other Pagan Paths….From the 1980s onwards, however, we expanded our remit to also campaign actively for Pagan rights for all Pagans and also to become a contact network… We have had some success in establishing positive working relationships with some government departments. The most significant of these is the Justice Ministry who invited us, in the 1990s, to set up a prison ministry service to administer to Pagans in prison. It is still running very successfully. 

40th Anniversary Pagan FederationLater he added, “[Last year] we had a 40th Anniversary celebration in London which included a conference and a tree planting of 40 trees.” The entire event attracted 4-500 attendees, both Pagan and non-Pagan alike.

So where’s the problem?  While the Commission did acknowledge the Federation’s positive public work, the application seems to have gotten stuck in a quagmire of religious semantics. In the Charities Act of 2006 and UK Charity law, “religion” is defined as such:

[A] belief system involves belief in a god (or gods) or goddess (or goddesses), or supreme being, or divine or transcendental being or entity or spiritual principle, which is the object or focus of the religion (referred to in this guidance as ‘supreme being or entity’)  (The Advancement of Religion for Public Benefit, Section C1)

Specifically, section 2 of the Charities Act states that the term ‘religion’ “includes a religion which involves a belief in more than one god, and a religion which does not involve a belief in a god.”  It goes on to say:

The intention of the legislation was to make clear that religions that involve belief in more than one god and those that do not involve a belief in a god are included within the meaning of religion derived from existing case law. ) (The Advancement of Religion for Public Benefit, Section C1)

These statutes do take into account polytheistic practices. In fact, these are the laws that allowed The Druid Network to earn charity status in 2010. They were the first faith-based, Pagan organization to achieve this type of public recognition.

Charity CommissionHowever, in the case of The Pagan Federation, the Commission appears to be befuddled by the term:  Pagan.  Where “Druidry” defines a small subset of Pagan religious beliefs, Paganism itself is an umbrella term for a much broader group of religious practices that have no clearly delineated guidelines, no dogma or required practices.  The Commission feels that the term “Pagan” describes a “philosophy or way of life,” rather than a religion.

In its report, the Commission expressed a real concern over the fluid and dynamic nature of Pagan tradition and practice.  Responding to the concept of solitary practice and the Wiccan Rede, “an ye harm none, do what ye will,” the Commission remarked, “It appears that individuals are free to develop their own guidelines.”

Without the easily identifiable structure of monotheistic religions, Paganism and its organizations are a mystery to outsiders, even to those government officials who, like the Commission, appear to be making allowances for alternative religions.  Belinda Winder, Vice President of The Pagan Federation, told a Third Sector reporter:

“The first time we approached the commission, 15 years ago, one of its officials asked us if we sacrifice humans. I think we have come an awful long way in public understanding since then.”  (The Third Sector)

The Druid NetworkWith the language set forth in the Charities Act of 2006 and the success of The Druid Network, there’s hope for The Pagan Federation.

In November the Federation made its first appeal to a Charity Tribunal, part of the UK court system that answers annually to Parliament. I asked Chris why the organization is willing to go through this difficult fight knowing the potential cost in both time and money.  Aside from the tax breaks, he explained:

Mainly, [we will] achieve recognition as a valid religious and spiritual path and…have the same legal rights as, and parity with, other religions and…take our rightful place as part of the richly diverse community that lives in these islands.

Under the current conditions The Pagan Federation can only, as Chris notes, “represent individuals if they feel they have been victimized or unfairly discriminated against on a case by case basis.”  There is no uniformity in practice or legislation to fall back on.  UK Pagans are left out in the cold.  Fortunately, as Chris remarked, The Pagan Federation will “not give up and keep hammering away” until it can proudly stand as a recognized charitable Pagan organization.

 Pagan Federation International

Additional Note:  The Pagan Federation operates throughout the UK  It also has many international chapters, including one in the U.S.A.  To learn more about the organization outside of the United Kingdom, go to its international website.

By Rynn Fox, Wild Hunt Staff Writer

A new strategy game based on the Salem Witch Trials is the focus of a recent successful Kickstarter campaign. Created by Joshua Balvin, owner of Rock Paper Scissors Games, Salem gives players the opportunity to experience the historical events surrounding the Salem Witch Trials through the lives of the actual people involved—42 to be exact—whose lives were directly impacted, and in some cases, cut short as a result of events.

Ann Putnam Jr.

Artist rendering of Ann Putnam, Jr., a real-life victim of the Salem Witch Trials, being used as a character in the new ‘Salem’ strategy game. (Image from ‘Salem.’)

The game plays over the course of 4 rounds representing the 4 months (June–September 1692) in which the hysteria was at its height. Each round has 3 parts: a Witch Hunt and a Witch Trial followed by hangings. During the Witch Hunt, players send residents to jail and provide alibis for their own jailed citizens. At the end of each round all jailed citizens stand trial. Players then collectively decide who is hanged and who is spared. The player who is most successful at discerning witches from villagers wins! (Taken from Kickstarter page.)

While satirizing the phenomena of witch trials has been the focus of both video and board games in the past, according to an interview Balvin did with the Boston Globe, the game has one aim:

“(…) recreating the paranoia that there are witches among us, the fear that you might be next, and the mob-mentality that led to the loss of 20 lives during the summer of 1692.”

While building a game centered around people who were executed as scapegoats to the Puritanical fears of the time may seem tacky, the game could be used as an interesting teaching tool to show how fear and paranoia affect people’s choices and lives—and drive home this point better than a game with fictional characters and scenes.

Still, crafting game play to center around outing and hanging “witches” is sobering. And not because it focuses on the Salem Witch Trials or on Witches; it’s what happens when the word Witch is switched out with other words: three that come to mind are homosexuals, Jews and transgendered. With Salem, Halpern seems to have created an intriguing mirror of humanity’s darker side; the side that targets as scapegoats anything that smacks of otherness and inspires fear out of ignorance.

Joshua Balvin declined our interview request.

Before we move too far into the future, let’s pause a moment to talk about Halloween. Not the spiritual vigil of Samhain or seasonal harvest celebrations.  Let’s discuss the wholly secular, American and Canadian holiday of Halloween, complete with candy, costumes and PVC pumpkins.

Vintage Halloween Pumpkin Men

Vintage Plastic Halloween Pumpkin Men by riptheskull

It’s fair to say that Halloween has a somewhat uneasy place in the family of North American holidays.  On the one hand, we, as Pagans, fully embrace the festivities. It is the one calendar event that openly clings to its Pagan origins. When else can you buy a pentacle in TJ Maxx?   But, on the other hand, the celebration mocks its own spiritual roots, something that we hold very dear.

We aren’t alone in our unsettled attempts to navigate through the Halloween season.  American religious and community leaders repeatedly attempt to ban the holiday.  Why?  The list is endless including concerns over the overindulgence in candy, the potential dangers of trick-or-treating, the increased popularity of over-sexualized or violently graphic costumes and, of course, its Pagan origins. But the majority of folks really just want an excuse to party. Halloween provides a unique canvas that can only be topped by the decadent bacchanalia that is Mardi Gras. (The Atlantic, 10-30-12)

Japanese McDonalds Costumes

Ronald McDonalds Girls
Photo courtesy of

More recently, the Halloween debate has been getting larger – much larger. Over the past two decades, our secular holiday has been spreading across the globe, seizing the imaginations of youth cultures on every continent. The holiday has hitched a ride with missionaries, English language teachers and ex-pats. It’s being promoted by imported American cultural commodities like internationally-based Theme Parks, McDonald’s stores, Coca Cola products and Hollywood movies.  And, of course, the ever-increasing accessibility to the internet only fuels the proverbial fire.

In some regions, Halloween has been readily incorporated into long-established fall cultural traditions. In the U.K. and the Republic of Ireland, Halloween finds itself at its ancestral birthplace. Today, the newly-imported version has mixed with surviving local customs associated with, among others, Guy Fawkes Day.  As noted by English writer, Chris Bitcher:

“Trick or treat has now actually become a bona fide tradition in the UK ….Fireworks were our autumnal treat of choice and for a good little while we fought off any competitor to it. But then we gave that up and decided to embrace both.” (Your Canterbury)

Disneyland Honk Kong on Halloween

Disneyland Honk Kong
During Halloween

Across the globe in China, Hong Kong and Japan, people have been enthusiastically adopting the holiday. Lisa Morton, award-winning writer of Trick or Treat: The History of Halloween, and noted Halloween authority, attributes this acceptance to the presence of two Disney Theme Parks  (Tokyo and Hong Kong), Hollywood horror movies and a fascination with American pop-culture. During my own discussion with her, Lisa added, “In Japan, there is a love of festivals and affection for costuming or “cosplay,” which is associated with anime and manga.”  In mainland China, Halloween is slowly replacing Yue Laan or “ Hungry Ghost Festivals,” during which people appease and entertain ancestral ghosts.  To fuel and solidify this cultural shift, China will be getting its very own “Haunted Mansion” at Shanghai Disneyland in 2015.

On the contrary, in continental Europe, Halloween has been receiving a less than welcome reception. In Oct 2012, the Polish Archbishop Andzej Dzięga, was quoted on Polskie Radio, as saying, “This kind of fun, tempting children [with] candy, poses the real possibility of great spiritual damage, even destroying spiritual life.” He warned against the “promotion of paganism” and a “culture of death.”  In 2003, reported that France’s Catholics are trying everything to fend off a Halloween celebration they say is an “ungodly U.S. import.”

More recently, in Russia, the war over Halloween rages on. ABC Online reports that one Russian Education Ministry official called the holiday, a destructive influence “on young people’s morals and mental health.” The Moscow city schools banned Halloween celebrations claiming that they were concerned about, “rituals of Satanically-oriented religious sects and… the promotion of the cult of death.”  In the same article, an unamed Russian psychologist warned:

Halloween poses a great danger to children and their mental health, suggesting it could make young people more likely to commit suicide.”(ABC Online)

Despite this heavily Christian rhetoric, the resistance is not entirely about religion.  In our discussion, Lisa explained that, “While it is difficult to fully separate the expression of nationalism from religious tradition, many European countries, like France and Slovenia, have strong anti-American undercurrents.”  Religious fervor may, in fact, be serving nationalist interests.  Lisa said, in the end, she “believes the protests are far more about nationalism than religion.”

This is expressed in an article by Paul Wood, an Englishman living in Bucharest:

Just as the North American grey squirrel has made the red squirrel almost extinct so has the North American Hallowe’en taken over with extraordinary swiftness, extinguishing older, weaker traditions. This too is life, I suppose, but it is part of the process by which the whole world is becoming plastic. (Romania Insider)

Despite the rejection, Halloween is still growing, albeit very slowly, deep within European youth cultures.  In Italy, Halloween is called La Notte delle Streghe or “Night of the Witches.”  In Romania, home of the Carpathian Mountains, the local economy is profiting from world’s fascination with Count Dracula. What a better way to spend Halloween than in Transylvania on a “real Dracula Halloween tour” complete with a four-course dinner and prizes!

Now, let’s move into the Southern Hemisphere where Halloween faces a new obstacle. Simply put, the harvest-based holiday does not apply. In this part of the world, October 31st marks the middle of Spring, not Fall.  Over the summer, I was reminded of this fact when wishing an Australian friend, “Joyous Lughnasah.” She responded with an equally joyful, “Happy Imbolc.”

2671887 eeda9c5cIn the Southern Hemisphere, traditional festivals continue to be celebrated in accordance with appropriate seasonal shifts with no noticeable attempt to transplant Halloween to May.  However, youth cultures have been showing a small amount of interest in an October-based Halloween celebration, particularly in the English-speaking countries of Australia, South Africa and New Zealand.  If for no other reason, the Northern holiday offers a chance to party and dabble in the macabre – even if it’s completely devoid of its seasonal aspects.

What about the Americas?  As noted above, the countries in the Southern Hemisphere do not recognize Halloween chiefly due to geographical complications.  However, the closer you get to the U.S., the more our secular Halloween has influenced local October traditions.  In Costa Rica, for example, locals “have taken this “foreign” holiday and used it to revive an ancient Costa Rican custom: Dia de la Mascarada Tradicional Costarricense or Masquerade Day,” reports the Costa Rican News.

Closer to home, in Mexico, the famous and mystical celebration of Dias de los Muertos is, now, often called Dias de las Brujas or “Day of the Witches.”  Halloween practices have been woven in to this largely religious holiday.  As expected, there has been backlash from Mexican nationalists and religious leaders.  However, Mexico is just too close to the U.S. to prevent the blending of two very similar October holidays. And that continues to happen in both directions.

Just as Halloween has infiltrated Mexican culture, elements of Dias de los Muertos are now showing up within U.S. Halloween celebrations.  In an interview, Lisa Morton explained:

Last year I saw my first piece of major Dias de los Muertos American retailing – the Russell Stover candy company released several themed candy bars… That’s probably a sign that Dias de los Muertos is starting to be accepted into the American mainstream. It’s certainly very popular in those areas of the U.S. with large Latino populations.  More people seem to be joining in large-scale Dias de los Muertos celebrations in America every year.

Dias de los Muertos Candy

Dias de los Muertos Candy
Photo Courtesy of Lisa Morton

There are some areas of the world in which Halloween has yet to find a home for reasons already listed. These areas include the Islamic Middle East, the heavily Christian areas of sub-Saharan Africa, Israel, India and parts of South East Asia.  I’ll go out on a limb and add Antarctica to that list – just to complete the geography lesson.

What does all this mean for Pagans? First of all, in every article for or against Halloween, a discourse emerges surrounding the origins the holiday.  In many of these reports, the author includes a reasonable account of Halloween’s Celtic origins and Samhain-based traditions. Modern Pagan language is, unwittingly, hitching a ride on Halloween’s broomstick.

With the growing public interest in Halloween, we may find ourselves more able to openly join in the global conversation and, at the same time, deal with our own reservations. Maybe we should embrace the evolving holiday, “seize the spotlight” and become the stewards of Halloween worldwide?  After all, the U.S. media loves interviewing witches in October.  Or, we could completely renounce the secular holiday and its derogatory effigies. We could join others in protest with slogans like “We’re a culture. Not a costume.”

Regardless of our personal feelings about the secular celebration, Halloween continues to gain popularity worldwide, year after year.  As a result, every October when the veil thins, a brand-new door opens for us providing a unique opportunity for a teachable moment.  Now, we can say that both the ancestors and the world are listening.


Trick or Treat: The History of Halloween

Note about Lisa Morton: Trick or Treat:  A History of Halloween. This book is an historical and cultural survay of Halloween’s evolution from early Celtic traditions and lore through the ages and across the globe. It is a good read for history junkies, like myself, or students of comparative culture. Within her detailed work, Lisa did reach out to consult Wiccans, world-wide, and gave a decent nod to the modern-day Pagan spiritual celebrations of Samhain or Halloween.