Living

Column: Ásatrú Ritual and Climate Change Ethics, Part One

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The Ásatrú religion can offer new perspectives on climate change ethics via examination of the modern practice of historically grounded ritual known as blót – a rite that foregrounds reciprocity with the earth, inherent value in the natural world, transtemporal human relationships, global connectedness, and the consequences of human action. In addition to discussing Ásatrú textual sources and examples of ritual, this column offers a new ethical model for responding to issues of climate change. Ásatrú is a religion with a life that already relates to reality in a way that addresses major issues raised by climate change ethicists. Practitioners are both certain and competent in a life-practice that directly engages relationships within the transtemporal human community and with the wider world. Through study of lore and celebration of ritual, the practice of Ásatrú reinforces understanding of reciprocal relationships with the natural world, inherent value of living things, connections to past and future peoples, interrelatedness of all human actors, and consequences of human actions.

Culture

Column: the Dance of the Arctic Fairy

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For over a hundred years, from the middle of the 19th century to the postwar period, the indigenous Sámi minority of Norway was the target of an official policy of forced assimilation, essentially an attempt at ethnocide, which brought the Sámi language, way of life, and society to its knees. The painful process, very similar in many ways to the boarding school system of Canada, was however fiercely challenged by a new generation of young Sámi activists that ultimately brought the government to acknowledge the rights of the Sámi nation and the need for official representation. This liberation movement, which arose in the ’60s and ’70s, ultimately lead to a dynamic revival of Sámi culture that can still be experienced today: from summer arts festivals to academic representation and the spread of traditional crafts, contemporary Sámi culture, despite still facing numerous challenges, is more vigorous than ever before. In this teeming milieu of cultural development, numerous young Sámi figures have sprouted up in the past couple of years to showcase the intersection of their unique artistic vision and their traditional background. It is in this context that Elin Kåven, a singer, artist, and dancer from Karasjok in Arctic Norway has grown and developed her artistry, all the way from the frozen expanses of her hometown to the country’s most famed stages.

Culture

Column: When the Gods Hide in Songs

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In the history of European Paganism and Polytheism, it is known that numerous Pagan concepts, gods, spirits, and ideas remained part of the people’s psyche even long after the beginning of the conversion process. While these figures did not necessarily retain their original religious place and spiritual function over the centuries, many managed to nevertheless survive by being carried on, if not through religious traditions, then through popular culture. The Norse-Icelandic sagas are a good example of this phenomenon. Even though there likely weren’t any Pagan Icelanders around after the 11th century, their descendants kept on compiling, adapting, and writing down tales of Þórr, Óðinn, and countless Pagan heroes all the way to the 20th century. While these figures had left the purely religious sphere of the Icelanders’ worldview, they nevertheless remained latent characters about which tales were told, and even created, until being finally spiritually and religiously brought back in the late 20th century.

Perspectives

Column: Thor, the World Serpent, and What the World Needs Now

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What is the point of mythology today? What purpose do tales of gods and monsters of the long ago time play in our post-postmodern world? Any given myth within any given mythology can be read at multiple levels by multiple audiences. The Norse myths are no exception. Children (and the young at heart) enjoy the d’Aulaires retellings of the myths with a sense of innocent wonder at the exciting strangeness of it all.

Paganism

Column: On Hammers and Other Worlds

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I come from carpenters. I’m not sure I would call it a family profession – more like the results of a long line of bull-headed men who couldn’t stand more than a few years of answering to a boss. Eventually, we all quit or got fired, picked up some tools, and starting putting up fences and building porches. We’ve never been the type to get certifications. My grandfather, even now, prefers to conduct as much of his business as possible in cash, a habit developed over decades of being paid under the table.