Choir Boy

Mr. Dellard, standing behind the piano in Shepard Elementary School’s music room, points to me. This is my signal; I step forward, separating myself from the rest of the eight year old boys that make up our public school choir’s tenor section. I have the solo in this song, the only song in our repertoire that even has a solo. For two verses, the twenty-five other children fade into the background, dim lights eclipsed by my star. They are merely the Supremes; I am Diana Ross.

The Gifts of Madame Death

Madame Death’s dressed all in black and seated next to a battered metal table. We do not look at her, or touch her, or do anything else to acknowledge her. For her part, she says nothing, but only watches our circle while we partake in the first communion of the night: water and crackers, nothing else. We chew on this meager harvest, and for a moment, at least, we forget that we stand in the backyard of a house in St. Louis, Missouri, a house with electricity, heat, and more food waiting in the kitchen than we could possibly eat in one night.