Column: A Walking Tour of Asgard

Hallgrímskirkja sits at the center of downtown Reykjavík, a massive gray slab of church that has, to me, about the same level of architectural charm as the Potosi Correctional Center. It rises up from the street in a concrete wave meant to look like the basalt pillars found elsewhere in Iceland; it has no color to it, and given the cloudiness of Iceland’s skies, often it forms a gray wall against a gray curtain. Although Hallgrímskirkja is probably the most famous building in Reykjavík, I found few reasons to visit it. I am told that for a handful of krónur one can go up into the spire and enjoy a wonderful view of the city, assuming that the fog isn’t too dense. Some of my classmates did this, and reported having a lovely experience, but I never made the trip myself.

Column: Njord

“Did you know that this idol once received a blood sacrifice?” The Icelander and I were standing in the assembly hall of Ásatrúarfélagið1, the Icelandic Ásatrú church, waiting for our companion, Tandri, to finish putting some supplies away in the back room. We were standing in front of a carved wooden idol, six feet tall, made of pale, honey-colored wood. Dozens of runic inscriptions had been carved into the idol and marked with red paint; I might have been able to work out their meanings, assuming I had an Icelandic dictionary and about twelve hours of spare time. I only knew that the idol represented Njord2, the sea-god, because the Icelander told me so.

Column: Oxararfoss

The waterfall, I was told, was called Oxararfoss. It was not the largest waterfall I saw while I was in Iceland; that was Skogafoss, down in the south of the country, where I walked along the rocky beach below the cliffs until I came to the edge of the falls and let myself be drenched in the spray. Nor was it the waterfall I got to experience most intimately – that was Seljalandsfoss, where I walked up a flight of sturdy iron steps that leading behind the waterfall and found that on the other side, the trail’s improvements ended and all that awaited me were a series of sharp, water-slick rocks that had been worn away by the weight of other human feet. By comparison, Oxararfoss felt small and domesticated. As, I suppose, it was: Oxararfoss had been sculpted by human hands during the settling of Iceland.