If you are a Pagan or occult practitioner of a certain age, the word “Vertigo” brings up certain associations. A speciality line of comic books launched by DC Comics in 1993, Vertigo comics focused heavily on mythic, occult, psychedelic, and magical themes, introducing American audiences to rising talents like Neil Gaiman, Grant Morrison, and Dave McKean. Inspired by the earlier 1980s work of writers like Alan Moore and Jamie Delano, Vertigo created a new niche of “adult” comics that drew many people, myself included, back to reading comic books. I distinctly remember happening upon a write-up of Neil Gaiman’s “The Sandman” in The Monthly Aspectarian of all places, which led me back to a comic book store for the first time in years. For me, and for many of my peers, Vertigo gave a needed dose of youth, experimentation, and anarchic cool to a Pagan/magical subculture that was still trying to adjust to a sudden boom in popularity.
[While I like to keep something of a firewall between my work at The Wild Hunt, and my job at Mythic Events, the folks who put on Faerieworlds in Eugene, and the FaerieCons in Seattle and Baltimore, I felt that in this case an exception was in order. Faerieworlds, while not explicitly Pagan, is steeped in the same mythic, transformational, energy you’d find at any number of festivals marketed to our community. This year, we are immensely proud to have recent Rock & Roll Hall of Fame inductee Donovan headlining, and Robert Gould, a co-owner and Producer of Faerieworlds, has written an eloquent appreciation exploring why this artist fits so well into the ethos our event inhabits. I greatly enjoyed reading it, and I felt that many of you would as well.]
“Why Donovan?” is a question we have been asked since we announced his landmark appearance at our event in Eugene, OR on July 29th, several months ago. A master of the poetic evocation of place, character and emotion, Donovan is, first and foremost a storyteller in the bardic tradition.