CHARLOTTESVILLE, Vir. – It began with online organizing among nationalist groups to protest the removal of a Confederate statue from a local park. It ended with street battles, three people dead, and an unknown number injured. While most Pagans watched the events on the news or through live streams, there were Pagans and Heathens present at the weekend riots.They were protesters who lined the streets around the park, and they also participated in the Unite the Right rally as members of the self-described “alt-right.” And one well-known Pagan even helped organize the rally and was scheduled to speak.
Today is Easter Sunday. As is typical, the days prior are filled with conversations exploring the hidden meanings of the holiday’s commercialized symbols, such as fully bunnies and pastel eggs. In the past, The Wild Hunt has done its own contemplations on the subject. Are there really ancient Pagan origins nestled within the sacred Christian holiday? As infinitely interesting as that discussion may be, I would like to focus on something entirely different; something often not discussed.
SAN JOSE – This past weekend, close to 3000 Pagans, Heathens, Polytheists and others of diverse religious beliefs descended on Double Tree Hotel in San Jose, California to attend the annual PantheaCon event. This is the largest indoor conference of its kind in the United States. Held over President’s weekend in mid-February, PantheaCon boasts “more than 200 presentations that range from rituals to workshops and from classes to concerts.” While PantheaCon is very popular and attracts an international following, there are far more people who do not know what it is, don’t care to attend, or do not have the time and means to attend. As observed by Jason Mankey in his post “Pagan Festivals and the .25%,” the number of people who actually attend PantheaCon and other community-based large events is relatively small compared to the number of Pagans and Heathens in world.
In 2014, artist and pop surrealist Dina Goldstein finished her third large-scale project called “Gods of Suburbia.” The series is comprised of 11 photographs that depict gods, goddesses, prophets and other figures of religious import within a thoroughly unexpected composition. Each photograph challenges the dominant visual and narrative concept of deity by tearing down religious stagecraft and putting up something completely mundane. In other words, Goldstein takes these sacred or celebrated figures and drops them into the framework of contemporary Western society. “‘Gods of Suburbia’ is a visual analysis of religious faith within the context of modern forces of technology, science and secularism.
On Friday, March 28, Paramount Pictures will release Noah into U.S. theaters after a flood of controversy. Noah, dubbed a biblical blockbuster, was co-written and directed by Darren Aronofsky, the award winning director of Black Swan (2010.) Noah has an all-star cast including Russell Crowe, Anthony Hopkins, Jennifer Connolley and Emma Watson. http://youtu.be/_OSaJE2rqxU
Almost any time a biblical story is adapted to film, there will be controversy. Does the movie adhere to the original narrative? Does it represent its characters and thematics accurately? Are the creative elements born of the spirit in the original text?