Documentary film depicts binding ritual on Trump, NRA

WASHINGTON — In a modest apartment, David Salisbury leads seven of his fellow Witches in a ritual around a small table as documentary filmmaker Patrick J. Foust records the ceremony. This ritual, however, is quite different from the placid dumb supper held by Salisbury and friends that Foust had captured the previous Samhain. The table is covered with not only branches, tealight candles, an athame, and a small cauldron sitting atop a disc-shaped pentacle, but also a five-dollar bill painted red — to symbolize blood — and a piece of paper with the huge block letters “NRA.”

The voice of Salisbury, who is one of the leaders of Firefly House, is more strident, too: “Hone in on our intention. This tragedy of rampant gun violence, murder, mass killings – all these terrible, painful things that we are seeking to stop, to put an end to this night . .

Film Review: WinniPagans

Two weeks ago, I reported on the production and release of the film The WinniPagans by Dodie Graham McKay.  Shortly after that article was posted, Covenant of the Goddess’ North California Local Council (NCLC) offered to host a screening at PantheaCon.  The screening will be held in presidential suite 1054 on Sunday, February 17 at 10am.  Dodie will be on hand to field questions and take comments. Last week I was fortunate enough to receive my very own copy for review. It wasn’t long after my trip to the mailbox that I was comfortably settled into to my seat, popcorn in hand, to watch the film.  In anticipation of the U.S. premiere of The WinniPagans, here is my review:

Film Review: The WinniPagans
The twenty-five minute documentary is a gentle examination of Pagan life through the eyes of the WinniPagans.  Dodie takes us on a journey into their personal lives, their homes, their workplaces, and their social spaces.  On camera, the WinniPagans share stories, reflect on experiences and discuss the unique regional challenges that they face in Winnipeg.  The film feels like a sampling or an appetizer, if you will, to something much greater.  It gives us a peak behind a curtain into something that seems foreign but, yet, at the same time very familiar.