Building Pagan Solidarity: The Community Wreath

In this modern, transient, and digitally-driven world, we find ourselves frequently discussing the meaning, development, make-up or even the apparent death of “community.”  For Pagans, this can be a particularly profound discussion due to the incredible diversity in our faith and practice.  How do we develop and nurture a positive and lasting Pagan solidarity across differences in belief and tradition? In Atlanta, the answer has come in the form of a wreath. In the spring of 2012, Lady Charissa, senior priestess of North Georgia Solitaries (NGS), began a community wreath project that has now been going for over nine months. She explains:
The idea behind [the wreath] is for people, groups, or covens to add a ribbon to the wreath symbolizing how connected we all are. We are connected to the people we like and work with; connected to the people we’ve never met, connected to the people that we don’t care for.

Giving Thanks through Ancient Wisdom

In the growing darkness of November, the sacred fires are lit by the wisdom keepers of our age! It’s Sunday again. Last week, I wrote about the growing popularity of one U.S. holiday – Halloween. Now, a week has passed and, collectively speaking, America has turned its attention to yet another holiday – Thanksgiving. With that shift come new decorations, sacred family traditions, and most importantly, a squeaky-clean mythos involving a big ship, a bunch of Pilgrims, and of course, the “Indians.”

With that in mind let’s consider reversing the thread from last week’s post in which I examined a spiritual holiday going secular.

Talking with Mark Ryan: part 2

When we left off yesterday, Mark Ryan was discussing his experience creating the Greenwood Tarot.  This wildly popular deck was published in 1996 after five long years of work by himself and artist Chesca Potter. Eventually, Mark moved on to other projects. He made guest appearances on a number of American T.V. shows and movies such as: Frasier, Alias, J.A.G., and Charlie’s Angels (film).  He was hired as a sword coach for Richard Gere during the filming of First Night.