Art, Religion and the “Gods of Suburbia”

In 2014, artist and pop surrealist Dina Goldstein finished her third large-scale project called “Gods of Suburbia.” The series is comprised of 11 photographs that depict gods, goddesses, prophets and other figures of religious import within a thoroughly unexpected composition. Each photograph challenges the dominant visual and narrative concept of deity by tearing down religious stagecraft and putting up something completely mundane. In other words, Goldstein takes these sacred or celebrated figures and drops them into the framework of contemporary Western society. “‘Gods of Suburbia’ is a visual analysis of religious faith within the context of modern forces of technology, science and secularism.

Column: Reclining Pan

Pan lies at the end of a hallway on the first floor of the St. Louis Art Museum, stretched out on his back on a bed of stone. In his right hand, he holds his pipes, ready to bring them to his lips for a song; he rests his head against his other arm, his left hand toying with the head of a goat whose skin the god wears as a cloak. Bunches of grapes rest between his shaggy feet. A tiny salamander crawls near his right hoof.