Archives For Karagan Griffith

Pagan Community Notes is a series focused on news originating from within the Pagan community. Reinforcing the idea that what happens to and within our organizations, groups, and events is news, and news-worthy. Pagan Community Notes is just one of the many regular features The Wild Hunt brings you to help keep you informed about what’s going on in our interconnected communities. If you appreciate this reporting, please consider donating to our Fall Funding Drive (and thank you to the over 50 supporters who have already donated). Now, on to the news…

Outdoor temple at the Maetreum.

Outdoor temple at the Maetreum.

The Maetreum of Cybele in Catskill, New York, which was recently attacked by an individual hurling rocks and epithets, has been in an ongoing property tax fight with the Town of Catskill over religious exemptions. They are currently appealing a State Supreme Court ruling against them on the issue, and are asking that all Pagans and supporters pray and work for justice. Quote: “The Maetreum is entering the final stages of our appeal process. We ask ALL Pagans and witches to do work to ensure justice, that the panel of judges will see the truth behind our case, that the Goddess speak through the mouth of our attorney during the oral arguements. I’ve said it before and will repeat it. This case is vital for the equal treatment of all minority religions in the US, particularly Pagans but not limited to them by any means. Please forward this request widely and quickly… and please do the magically [sic] work required.” Members of the Pagan religious order feel their case for appeal is strong, and note that this decision “should terrify ALL minority churches, Pagan, Christian and others because it set standards almost impossible for any small congregation to meet.”  We’ll keep you posted as this develops.

S.J. Tucker

S.J. Tucker

Popular Pagan musician S.J. Tucker follows up her release earlier this year of the mold-breaking soundtrack “Ember Days” with a new collection of songs entitled “Wonders,” inspired by author Catherynne M. Valente’s Fairyland novels. Quote: “All of the songs on Wonders were inspired by Cat Valente’s lovely book, The Girl Who Circumnavigated Fairyland in a Ship of Her Own Making.  Many of you may recall that I got hired to be the narrator for the audiobook of the sequel last summer.  Cat’s Fairyland books have been on my mind for quite a while now, so it’s really great to get to share with you ALL of the songs that those stories have inspired thus far!  Finally!  Yay for making a little bit of free space in my brain again!  Happy sigh…” The third installment of Valente’s series was released at the beginning of this month. You can see a promo video for Tucker’s new album embedded below. In addition to all that, Tucker has also released a mix for October of seasonally appropriate music (for a good cause).

with_love_from_salemThe documentary film from director Karagan Griffith, “With Love from Salem,” which I reviewed here back in August, is seeing its cinema debut on October 25th at CinemaSalem in Salem, Massachusetts. Quote: “This is it. Are you coming? If you want to be part of the Cinema Premiere of ‘With Love from Salem – the documentary’ buy your tickets now. Tell us if you are coming. [...]  This is the documentary about the Temple of Nine Wells, Richard and Gypsy Ravish and their journey of more than 20 years of rituals in Salem. [...] The Temple of Nine Wells has been walking to Gallows Hill on Samhain night for more than 20 years to honor the dead and the victims of the witch hysteria of 1692. This documentary will walk you through this event, from preparation to ritual, as well as through the differences between Samhain and Halloween, the sacred and the profane. An inside perspective of Samhain night in Salem, and of the men and women who through dedication and personal commitment continue to make a difference.” You certainly couldn’t ask for a better atmosphere than Samhain season in Salem to debut this film, one that I called a “surprisingly personal” and “intimate look at the lives of two elders whose duty to Salem has become deeply intertwined with their faith, their friendships, and how they interact with community.”

In Other Pagan Community News: 

  • In more Pagan music news, the project known as Kwannon, spearheaded by singer and songwriter Jenne Micale, has released a new album entitled “Ancestor” an “exploration of the Western Isle of the dead, of sunset, and the edges of things.”
  • John Beckett reports on the Dallas/Fort Worth Pagan Pride celebration that happened this past weekend. Quote: “The main ritual at noon was led by a local Sumerian group.  It was light in tone, it conveyed a good message for a community of diverse traditions and experience, and it was very participative – perfect for a Pagan Pride Day main ritual.”
  • The always fascinating Hedge Mason blog reports on the passing of Mestre Didi, a highly regarded Afro-Brazilian artist and priest of the Egungun tradition. Quote: “He believed there was no dichotomy between the arts, and that all the stories of his people were Afro-Brazilian songs. They were meant to be heard, sung and danced. This is why Master Didi was also recognized as a multifaceted artist, a Renaissance man of Afro-Brazilian culture.  He made the world a richer place for us all!” What is remembered, lives!
  • At the Llewellyn blog, Donald Michael Kraig announces a live “webinar” this Saturday entitled “How to Make and Use Talismans and Amulets.” Quote: “Throughout history, humans have used objects to bring health, safety, good luck, and to fulfill desires. Today, these objects are known as talismans and amulets. In this live, worldwide webinar, you’ll learn how to create them, how to turn them into powerful magickal tools, and how to use them effectively and safely.”
  • My excellent friend Cosette, who now lives in Australia, reports on Christian opposition to a Pagan/New Age event in Wedderburn. Quote: “Is there anyone or any organization to defend those rights, to assist festival organizers Jacquie Stallinga and Gaye Washington in engaging the local Christian community to assuage their concerns, and move forward in a cordial manner?” Hopefully more on this soon.

That’s all I have for now, please remember to support The Wild Hunt during our Fall Funding Drive so that we can continue to bring you reporting from our interconnected communities!

Pagan Voices is a spotlight on recent quotations from figures within the Pagan community. These voices may appear in the burgeoning Pagan media, or from a mainstream outlet, but all showcase our wisdom, thought processes, and evolution in the public eye. Is there a Pagan voice you’d like to see highlighted? Drop me a line with a link to the story, post, or audio.

Sam Webster (with Herm), photo by Tony Mierzwicki.

Sam Webster

“Religion, group spiritual engagement, is an aspect of culture, the way a group of people does things. It is learned from those you are with. In today’s world we are exposed to many ‘ways’ and have the opportunity to choose how we will live our lives from among them, even religiously. In the ancient world, while visiting or living in a different culture, one makes offerings to the Gods of the host culture. It is simply polite. If one adopted or was adopted by a culture, one could fully participate in that religious life: if you spoke Greek, you could participate in the Eleusinian mysteries, no matter where you were from. Some today are taking a recent notion of nationhood, one developed only since the mid-1700s, and reifying it into a false concept of ‘race’. Then they assign who should worship which pantheon. Normally I would not care. There are only a few behaviors in our fairly antinomian subculture that are unacceptable. Violence and abuse are among them. So is racism, itself a kind of abuse.  Taking one’s genome as determinant of who one should worship is simply another form of racism. It is a way of creating division amongst humans unfounded on any facts, on any reality, other than a misconstrued notion of what makes a people, what makes a culture. Culture, and religion, is found in what you do, not your bloodline. Those who use the idea of culture or religion as tied to one’s genetic inheritance are attempting to sneak racism into Paganism, and this must not be tolerated. It must be spotted, called out and banished. Not in Our House.” – Sam Webster, asserting that religious biological determinism is racism.

Morpheus Ravenna

Morpheus Ravenna

“This is a follow up to my last post, “Whose Ancestors?“, published on 8/29/2013. The post was also published at my PaganSquare blog, The Spear That Cries Out, hosted by Witches & Pagans online. It was subsequently deleted by the site’s editor, Anne Newkirk Niven, specifically in order to censor its content, because she objected to my calling the AFA a racist organization. The following is my response to that censorship, and I’ve also posted it on the PaganSquare site. Since it too is likely to be deleted, I am publishing it here as well. I wanted to let readers know what happened with that post, and what you can expect in the future. The post in question, “Whose Ancestors?”, was one in which I challenged the doctrine of racial separatism in religion espoused by some European polytheist traditions, primarily Heathens of the ‘folkish’ variety. In it, I called the AFA an unashamedly racist organization. I firmly believe this to be true, and when Anne Newkirk Niven, the editor of this site, asked me to remove the language in which I called the AFA racist, I refused to do so. Instead, I provided her with evidence as to the facts showing that the AFA is a racist organization. Since I would not edit the post to remove that language, Anne has deleted my post in order to censor it. You can read the original post here, where it is still hosted on my own blog site.” – Morpheus Ravenna, following up on her “Whose Ancestors?” piece, which I quoted in a previous edition of Pagan Voices.

P. Sufenas Virius Lupus

P. Sufenas Virius Lupus

“I do know one thing very deeply: my gods aren’t racists, even when the cultures they came from have been racist. I can’t say for certain who among my ancestors were racists (though I know several of the recent ones definitely were), or if whole cultures of my ancestors were racists (and some of them certainly were, in overt as well as covert ways), but I am very certain that the gods generally don’t care, and likely never have, about who worships them, nor do they have ideas about who “is fit to” or who “should” worship them based on genetic or even cultural heritage. For all of the faults of the various ancient cultures that I spiritually descend from, one thing we can say for certain is that they were not racist about their gods [...]  No, none of these cultures had a perfect record when it came to dealing with other cultures; certainly, there were ideas of superiority, there were cases of cultural appropriation, there was slavery and imperialism and lots of other horrible things involved in many of these cases. But, at least the gods and their approaches to them tended to be relatively unconcerned with matters of race, or appropriateness of different races worshipping different gods…at least in many cases. While I find the notion of saying that people should only worship the gods and follow the spiritual paths of their genetic ancestors very problematic, likewise I find the notion that for reconstructionist-methodology-using polytheists, there should be “no contamination” from other cultural traditions or gods going on…well, laughable. It doesn’t take much looking at the actual sources and what has come down from the medieval and ancient worlds to see that such cultural exclusivism wasn’t going on at all, whether in the polytheistic periods or in the Christian periods of the cultures concerned.” – P. Sufenas Virius Lupus, noting that gods aren’t racists.

Soli

Soli

“Do you really think it’s wise to put up works illegally by people who have written material about how to properly curse and hex? If you can’t afford books, fine. Go to the library. Borrow from your friends. Use a free ebook app and get legal material to read? (Hint: not only are there a lot of free books available regularly for the Kindle, but there are also those great public domain titles as well as academic institutions who have material freely available. Don’t believe me? Go look up the Oriental Institute and their publications.) And I will note this, if you can afford a smartphone and the monthly plan, I am sure you can find some room in your budget for a $15 text. In short, stop stealing. Give credit where it is due. Ask permission. You are reading this on the internet right now. Most every author has some sort of Web presence. They might have material available or know where to get it below cost if it is really a matter of finances for you. Or search online for used copies. Which is, incidentally, acceptable under copyright. And if you messed up and did something stupid, admit to it. If you are hosting a web site or Facebook group filled with illegal pdfs, DELETE THEM. And don’t go whining when you get called out, or ban people right and left for pointing out the fact that you are breaking the law. Support your community. We’re still a minority. We still have to fight for rights because of our religious and spiritual practices. Breaking the law does not do a thing to help us.” – Soli / Shezatwepwawet, on why stealing/pirating Pagan books on the Internet is a bad idea.

Lupa, author of "Skin Spirits," at her shop.

Lupa

“Not too long ago, I watched a brief video created by our local public broadcasting station featuring footage of the Bull Run watershed. Nestled in the lower slopes of Mt. Hood and surrounding regions, this watershed provides Portland and other local communities with our superbly clean tap water. It’s closed to the public to protect the land and water from pollution, so few people have actually seen what’s in this vast, fenced-off area. Oregon Public Broadcasting got a rare opportunity to film parts of it to show the rest of us what we’re missing out on. The video showed some unexpected sights, to include a couple of abandoned stone fountains, but the part that impressed me the most was the river itself. Clear and beautiful, it splashes through an idyllic northwest conifer forest. I also didn’t realize just how small it was, at least where it was filmed. Of course, it gets bigger as more streams feed into it further on. But I was struck by the vulnerability of our water source, fed from rain and snow melt, and it made me review my own use of this limited commodity. See, we take water for granted all too often. We assume there’s enough for everything from drinking to watering golf courses in the desert to agriculture in the former Dust Bowl. But the Colorado River no longer reaches its terminus in the Sea of Cortez, the water table that feeds the Midwest has been severely depleted in less than a century, and yet we keep using fresh water like it’ll never run dry. Some people talk about desalinating ocean water, but this doesn’t address the ecosystems where the fresh water has been so depleted that they’re permanently damaged; we only think of ourselves.” – Lupa, on saving our water.

T. Thorn Coyle

T. Thorn Coyle

“We hide so much. We lie so much. We fear so much. This keeps us away from love. If we can come to be honest about our heartbreak, about our terror, about the ways in which failure dogs us, or hope makes us feel insecure, if we can come to be honest about our need to feel desired, our quest for recognition, the ways in which we have been hurting, and have hurt others, the ways in which we found laughter and joy, or worked through some pain…we can come to better know ourselves. We can come to better know one another. We can develop true compassion. We can know the world. We can imagine something better than ambition for money or power over others. We can imagine a place where we truly meet one another, truly see one another, where we stop playing status games: baring our necks or lording it over one another. In doing this, we open more fully to the flow of love. We heal. There have been many things planted in the soil of my life, things that have grown into a person, an adult, a human still figuring out how to more fully love the world.” – T. Thorn Coyle, on being naked and unashamed.

Lilith Dorsey

Lilith Dorsey

“I have been lecturing on Voodoo and Santeria for over fifteen years, and believe me I get a lot of weird questions. Many people wish to connect with the energies of the religion but are not initiated or under the proper guidance of their spiritual godparents. I had one woman after I became distracted after the end of my workshop come over dip her finger in the liquified candle wax from my Oshun candle and anoint her dog. I thought I saw something out of the corner of my eye but I let it go. Some time later I saw her again at one of my lectures and she listened intensely as I spoke of Oshun, the goddess of love and fertility. When the class was over, she came up to me and confessed the deed. I ask her what the dog was like now, she said it ate all her underwear. Obviously I don’t recommend this as a method of connecting with spirit, although it was quite amusing. There are several ways in Voodoo and Santeria to connect by performing ritual cleansings of your space. Some of the simplest involve the sprinkling of Florida Water and black salt in the corners of the home during the waning moon, this can be done in conjunction with the burning of white and/or black candles.” - Lilith Dorsey, on the importance of proper training, and proper ritual cleansing. 

John Beckett

John Beckett

“My belief we’re here for a purpose doesn’t flow from my Pagan religion.  It comes from something before that, from some deep intuition.  It’s part of that “core being” I wrote about in the last post.  It’s the same core intuition that told me the fundamentalist religion of my childhood couldn’t be right.  It’s the same core intuition that clicked when someone first explained modern Paganism and clicked again when I discovered Druidry.  It whispers “there’s more” – more to Life than the apparent world. I can hear the Religious Naturalists sighing – I’m sure to them I sound like the kid who opens his 27th Yule present and then cries “is that all?”  The natural world is beautiful and powerful and life-affirming and we are lucky to be here.  It is enough and more isn’t necessary. But that core intuition keeps whispering “there’s more” – something more than what is measurable.   And part of that more is a reason for being here, a purpose for my life.” – John Beckett, on purpose and will.

Finally, here’s a video interview with Karagan Griffith, discussing the documentary film “With Love from Salem” (which I reviewed here).

That’s all I have now, have a great day!

“There is no escape from the cycle.” – Richard Ravish, With Love from Salem

Like another recent documentary involving modern Pagans that I enjoyed, Alex Mar’s “American Mystic,” Karagan Griffith’s “With Love from Salem” is not an introduction or history lesson, but is instead a portrait of a belief system, a culture, in action. It follows Richard and Amy Ravish, Wiccan clergy who led rituals on Gallows Hill in Salem, Massachusetts for more than 20 years.  While ostensibly about their Samhain ritual and procession on its 20th anniversary, what emerged to me on my viewing was surprisingly personal, an intimate look at the lives of two elders whose duty to Salem has become deeply intertwined with their faith, their friendships, and how they interact with community.

The mere mention of Salem, Massachusetts can be divisive within modern Pagan circles, with some Witches and Wiccans decrying the tourist-drawing Mardi Gras-like atmosphere around Halloween, and the Witches who have embraced that spirit of spooky fun as well. Yet, purposefully flamboyant Salem Witches like Laurie Cabot were instrumental in advancing tolerance and rights for Wicca and religious forms of modern Witchcraft. It was Cabot who founded the Temple of Nine Wells, “as a focus for worship and to facilitate a multi-traditional practice of the religion of Witchcraft in order to best serve the spiritual needs of the growing Wiccan community in Salem, Massachusetts.” A mission that was taken up by Amy and Richard as administrators of the temple. According to Amy “Gypsy” Ravish in the film, the ritual and procession at Samhain not only reminds people of the differences between Salem’s Halloween festivities and the religious observance of Samhain, it also gives an opportunity to those Pagan tourists who “can’t walk down the streets of their town, and say that they are Witches.” The tourism acts as a normalizing element, protective coloring for individuals across the country who see Salem as a pilgrimage.

Richard and Amy Ravish

Richard and Amy Ravish

“The commitment , passion and love for the Craft was and still is what moved Gypsy and Richard all these years.”Karagan Griffith, director of “With Love from Salem”

“With Love from Salem” subtly shows you how Salem has woven its way into the modern Wiccan mind, but it’s as much a meditation on aging in the Craft as it is about honoring those killed on Gallows Hill. Richard Ravish passed away in 2012, and as such much of the talk about aging, ancestors, and the spirit of Samhain take on a deeper resonance. It shows Wicca as a faith that endures through the Winter of their lives, and one that continues to resonate for new generations of Witches. The handheld camera work by Griffith gives an impression of home movies, which actually adds to the intimacy, rather than detracts. It’s like watching footage of the elders in your own group or community, talking about their work, their devotion. It gives us outsiders a chance to be a fly on the wall as these two elders plan a community ritual.

Ultimately, “With Love from Salem” is a time capsule, a document of a couple who quietly served a community since the 1970s, a fixed point where seekers and the curious could experience Witchcraft in a “land of ghosts.” It is about mortality and remembrance, not just for the victims of the Salem Witch Trials, but for our own elders as they age and pass on. As Richard Ravish says towards the end of the film, “there is no escape from the cycle,” there is only our acceptance, and our honoring of its gifts. Director Karagan Griffith has done an admirable job of documenting one couple’s journey within that cycle.

For updates on this film, see their official Facebook page.  You may also want to read my interview with director Karagan Griffith.

On June 12th, I reported on an upcoming documentary focusing on the Temple of Nine Wells in Salem, Massachusetts, and the lives of Richard and Gypsy Ravish, entitled “With Love From Salem.” Directed by Karagan Cratty Griffith, and produced by Logios Projects/Red Bird Productions, the first trailer for the film has been released.

Richard Ravish was one of the original “Witches of Salem,” and passed away in 2012 at the age of 59. Priestess Amy “Gypsy” Ravish is a popular Pagan singer-songwriter known for her albums “Enchantress” and “Spirit Nation.” Together they led Sabbats with the Temple of Nine Wells in Salem, Massachusetts for over 20 years. They helped shape the unique spirit that is modern religious Witchcraft in Salem, a spirit that is deeply entwined with those accused and executed for the crime of witchcraft in 1692.

“Salem is, on it’s own merit and historically so, a mark in American history. The year of 1692 was a time of suffering and injustice – 20 innocent people died at the hands of their accusers. Witchcraft was used as a definition and excuse for these trials. But what about now? How do witches today in Salem Massachusetts pay homage to these victims? The Temple of Nine Wells has been walking to Gallows Hill on Samhain night for more than 20 years to honor the dead and the victims of the witch hysteria of 1692. This documentary will walk you through this event, from preparation to ritual, as well as through the differences between Samhain and Halloween, the sacred and the profane. An inside perspective of Samhain night in Salem, and of the men and women who through dedication and personal commitment continue to make a difference. With love, from Salem.”

I was able to conduct a short interview with Director Karagan Griffith, an Alexandrian High Priest with a background in acting and directing, about the film, why it was made, and when the public will get to see the completed project.

Karagan Cratty Griffith

Karagan Cratty Griffith

What motivated you to tell the story of Richard and Gypsy Ravish and the Temple of Nine Wells? What does their story tell us about them, about the Temple, and about Salem?

I have been a personal friend of Gypsy and Richard for quite some time. Since I met them I became fascinated by what they were doing, their commitment and passion for the Craft and those who practice it. I remember going to the first Temple of Nine Wells Ritual. It was in the Old Town Hall in Salem, and I thought that if public ritual was something to be done, then that was the way to do it. The documentary is precisely about that passion and commitment not only in an internal perspective of the Temple of Nine Wells but also in a more broad community sense. The idea of making the documentary came from the first time I attended to a Samhain ritual at Gallows Hill with the Temple of Nine Wells. The adherence of the people, the walk chanting up to Gallows Hill and the ritual itself, told me that this could not remain untold. I had to keep it and record it. I didn’t want to do just a recording of the ritual, so I thought that it would be a good idea to expand the recording to a documentary that would include their history/story but also the history/story of Salem and of the victims of the Witch-Hunters hysteria of 1692.

I think those of us outside of Salem often have a distorted picture of Witchcraft there. There’s so much media, especially around Samhain, that I think the lives and practices of the Salem Witches can get buried. As clergy who officiated a Samhain ritual for 20 years, what do you think the Ravishes teach us about the reality of Witchcraft in Salem?

Love is the word. I think that this is why I did this and they let me do it. Twenty years of Samhain rituals (and not only Samhain but all the Wheel of the Year was celebrated by the Temple, although the documentary focuses more on the Samhain ritual) have to be done with love. There wouldn’t be any other way. Again, the commitment , passion and love for the Craft was and still is what moved Gypsy and Richard all these years. I would also add generosity to list of words, since it was out of generosity that Gypsy and Richard gave all of this to Salem. Every year, on Samhain night, they took us up to the Hill to remember all of those who passed the Veil, including those who died in 1692. As Richard say in the documentary, we claimed the unclaimed, we took and remember those who in 1692 no one took, those who are buried without markers. Gypsy and Richard teach us about love. That is truly what they teach us about.

Finally, could you share a little bit about the making of this film? What’s gone into it? How long has it taken you? What were the challenges of doing this documentary?

The documentary was completely filmed with a Sony Bloggie, hand-held, without a camera stand. It is a very real documentary. I follow the making and all the preparations for the ritual in Gallows Hill, including meetings and decision making. I covered the walk up to Gallows Hill and the silent candle light walk back to the Salem witch memorial, escorted by the wonderful policemen who every year are there to make sure we are safe. We can see the ritual in Gallows Hill, the beautiful music and dance up in the Hill, and intimate conversations with Gypsy and Richard about how did it all begin. It is a journey through the history/story of Salem, the Temple of Nine Wells and Gypsy and Richard’s life and contributions for more than 20 years for the Salem community.

I started to collect footage for the documentary in 2011, so it took me almost two years to complete this project. I do have a good excuse since I am the director, cinematographer, producer with Jimahl di Fiosa and RedBird Productions. It is a very modest project but one that took great pleasure to make. The challenges were of course many, but when you are doing a documentary where the love, commitment and dedication is contagious, you will thrive on that to overcome any of the challenges.

Oh, and now that we have the trailer, when can we expect to see the whole film, and how will it be released?

The documentary will be released soon in Salem to the public and we are looking at some of the venues here to do that. We do not have a date yet but will be between June and July. We will have of course a private viewing of the documentary at Nu Aeon here in Salem for the members of the Temple of Nine Wells. Right after the release in Salem to the public, we will host a world premiere through a Hangout on Google+ with the presence of Gypsy and a selected number of guests and representatives of the various communities all over the world.

***

For updates on “With Love From Salem,” see the film’s official Facebook page. I’d like to thank Karagan Griffith for taking the time to answer some of my questions, and I look forward to the film’s premiere. The Wild Hunt will keep you posted once further details are announced.

Welcome to the working week! I hope you’re all having as good a Monday as possible. Let’s start off with an important update on a previously reported story, and then move on to some Pagan news of note.

Haitian Government Reassures Vodouisants in Wake of Constitutional Changes: Last week I reported on the newly-amended Haitian constitution, and an assertion from Euvonie Auguste, head of the National Confederation of Haitian Vodou (KNVA), that it removes legal protections for Vodou practitioners.

Haitian Vodou Ceremony (Photo: Chip Somodevilla/Getty).

Haitian Vodou Ceremony (Photo: Chip Somodevilla/Getty).

“Voodoo would be no longer protected by the Constitution amended. The Priestess Euvonie Auguste, Head of the National Confederation of voodoo in Haiti, deplores the abrogation of Article 297 of the Constitution which, accrding to her protected the sector voodoo against all forms of discrimination. Recall that Article 297 abrogated amongst other things the Decree-Law of 5 September 1935 on superstitious beliefs that restricted arbitrarily the fundamental rights and freedoms of citizens. Given this new constitutional situation, the priestess Euvonie Augustus, stated that now, the vodoo practitioners will have to use their own means to protect themselves from any attacks against them.

At the time I cast some doubt on this assertion, noting that Haitian President Michel Martelly wants to build a tourism industry around Vodou, making a new crackdown on the faith unlikely. Now, Joël Turenne, Director of Legal Affairs of the Directorate General of Ministry of Religious Affairs, who apparently was stunned by these accusations, has released a statement denying that Vodou is in any way unprotected or endangered by the new constitution.

“…with stupefaction the apprehensions of Voodoo sector concerning the abrogation of Article 297 of the amended Constitution” brings to the attention of all concerned, that “the constitutional amendment is and can not be prejudicial in any way, nor to the functioning of voodoo, or the rights of its adherents”. Especially, he specifies that “the presidential decree of April 4, 2003 make of the Voodoo a religion recognized which should in no way be confused with a superstitious practice.”

The Director went on to claim that the infamous 1935 anti-Vodou law concerning superstitious practices is not applicable under the law as it has “never been promulgated.” This sentiment was echoed by American Haitian Vodou practioner Mambo Racine, who noted that the “definition of Vodou as a “superstitious practice” has gone out the window, that’s why the amendment regarding the prohibition of “superstitious practices” promoted during the long-ago regime of Haitian President Stenio Vincent is no longer needed.”  It remains to be seen if this clarification from the government will mollify the National Confederation of Haitian Vodou. I’ll keep you posted of any further developments.

Witchtalk Talks to A Witch Queen: Karagan Griffith’s Witchtalk interviewed Maxine Sanders on the most recent episode, and you can now listen to it on Youtube.

“Maxine was initiated into the Circle of Witchcraft in 1964. The High Priest of that Coven was Alex Sanders, known throughout the world as ‘King of the Witches’. Maxine and Alex were Handfasted in 1965, and legally married in 1968. The Sanders became household names during the sixties and seventies, dramatically bringing Witchcraft, its practices and reality into global consciousness.”

Sanders released a autobiography entitled “Fire Child: The Life & Magic of Maxine Sanders ‘Witch Queen’” back in 2007, and truly is an important figure in the history of modern Paganism. This interview is a must-listen, so share widely!

In Other News:

That’s all I have for now, have a great day!