Archives For Columbia-Willamette Pagan Pride

As I mentioned yesterday I’m off to the Columbia-Willamette Pagan Pride in Portland, Oregon. Once there I’m scheduled to have a public discussion with Anne Newkirk Niven, editor of Witches & Pagans, about Pagan media (3-4pm for those attending). Also, if you haven’t already, check out the article The Oregonian about the Pagan Pride event, featuring an interview with your’s truly. Because I’m about to hit the road, I don’t have time to do a normal update today, so consider this an open thread to discuss whatever you’d like. I’ll try to update this post later with pictures (and maybe some audio) from the event.

If you’re in the Portland area, why not drop by?

As always, keep it civil, be kind to your neighbors, and have a great day. Normal content will resume on Monday.

I think that modern Paganism has hit some sort of landmark when hip(ster) touchstone Vice Magazine features a new music column spotlighting a show in Ann Arbor, Michigan headlined by a band called ‘Wiccans.’

Wiccans in Ann Arbor, Michigan (Photo: Vice)

“Last night I walked into Encore Records, the best record store in Ann Arbor and one of the best anywhere, where Wiccans front women Aran Ruth and Kelly Jean Caldwell had cleared a space on the floor to spread out a flowery blanket on top of which they were busily setting up an altar made out of spellbooks, incense, a silkscreened tapestry of a tarot card Empress, and candles—one of them in the shape of a kitten because there’s apparently no rule against mixing magick and cute shit. When they had everything properly arranged and lit Aran picked up an acoustic guitar, Kelly picked up a flute, Fred Thomas (who plays in Saturday Looks Good to Me, which Kelly used to sing for) picked up a set of bongos and a djembe, and the thirty or so representatives of Ann Arbors sizable indie rocker, weirdo artsy crust punk, and hardcore witchcraft scenes sat in a semicircle around them.”

Not to be confused with the hardcore punk band of the same name, Wiccans sounds like “Pentangle meets Pentagram” and sings songs with titles like “Invocation of the Horned God,” “Moon Door,” and “Oh Holy Maiden.” In a perhaps unintentional nod to the past of modern Pagan music, their release is available only on cassette. This raises many questions, are Wiccans Wiccan? Will they be releasing their music in a format other than cassette?  Will they play at a Pagan festival if we asked them nicely? In any case, it’s an interesting development, one that speaks to how Wicca is mainstreaming, while still holding on to enough counter-cultural edge that bands are being named after it.

In other news, it’s Pagan Pride season and tomorrow is the Columbia-Willamette Pagan Pride in Portland, Oregon. I’ll be there to have a public discussion with Anne Newkirk Niven, editor of Witches & Pagans, about Pagan media. It should be fun! I was lucky enough to be interviewed by local paper The Oregonian in advance of the event, and you can read the results here.

“Basically, we’re just like you. That is the message all minority faiths try to tell the world: We have the hopes and fears of everyone else. We just follow a different religion. We have a message and wisdom that we can share, about being more aware of the natural world, that the divine can have a feminine face. Some real potent elements within pagan faith can be helpful to the wider world as we deal with ecological calamity and the basic rights of women. The message from the closing ceremony of the Paralympics was universal in scope. There can and should be a space where our poetry and our world are integrated with everyone else’s.”

I thought it turned out very well, do check it out if you have the chance. If you’re in the Portland area, why not drop by? It’s being held at an amusement park! For real! I’ll try to post photos and experiences from the event tomorrow.