Column: What of the Christians?

Pagan Perspectives

One of my most vivid school memories comes from a history lesson I had when I was about seven or eight. From very early on, history had been my favorite subject. The books were always filled to the brim with colorful pictures, and the fact that the topic encompasses just about everything that ever took place regarding mankind drew my attention. That day at school, we were supposed to learn about the Renaissance and the 16th century. As I opened my book, my eyes met with a picture of a crowd laying waste to a church, breaking windows and tearing down statues.

Column: Bergtatt and the Mountainborne Faith

While I may live in a relatively tiny city by most standards, my Norwegian hometown of Tromsø, with just over 70,000 inhabitants, still has all the characteristics of a much larger metropolis, including a unique architectural heritage. While some of the town’s most famed constructions are old wooden wharfs and shoddy fishermen’s cabins, the one building that is maybe the most closely associated with the image of the city is, as it is often the case with other cities in Europe, its church: the Arctic Cathedral. Designed and built in 1965 by the Norwegian architect Jon Inge Hovig, the church, which is in fact not a cathedral but a “mere” parish church, was thought of from the start as a symbolic focal point for the town. Located across the bridge leading to the mainland, the church, which can be seen from any point in the city center, attracts tens of thousands of visitors every year who come to gaze at its inspired architecture or attend one of the numerous concerts organized daily in its main hall. The Arctic Cathedral is, by all means, a beautiful building.