Column: Within the Lines

Eric O. Scott —  January 12, 2018 — Leave a comment

I have been thinking about land and sacredness, about the idea that we can choose a spot on a survey map and declare it sacred ground. My thoughts are grounded in the Gaea Retreat, the Pagan nature center in Kansas where I most often make my pilgrimages, but thinking about that particular place leads me to think about places like it more generally. What does it mean to call a place “sacred?” What does that mean for our relationship to it? And how do our religious, spiritual, and magickal conceptions of a place sit alongside the legal and social borders of the location? I know from being there, from doing magick there, that Gaea has a sacred energy to it, that it is a place worthy of pilgrimage; but I also want to know how it came to be that way, and why we choose to interact with a sacred landscape in the way we do.

An altar at Gaea Retreat [E. Scott].

I think the impulse that compels some Pagans to create retreats and nature preserves is the same impulse that leads the state to create national parks and monuments. The Wilderness Act of 1964 defines the wild like this: “A wilderness, in contrast with those areas where man and his works dominate the landscape, is hereby recognized as an area where the earth and its community of life are untrammeled by man, where man himself is a visitor who does not remain.” That is, a place set apart from human existence; so it is also with our places of Pagan pilgrimage: they are places to visit, not to live, save for a few caretakers who tend to the area on behalf of the pilgrims. Part of what makes them sacred is that they are not home, that we eventually have to leave them.

Gaea’s land, at the fundamental level, is not special by the standards of its surrounding landscapes; it has much the same qualities as any of the surrounding farmland in eastern Kansas. Most of the dirt is bog-standard Rosendale and Bendena silty clay loam, a soil series the USDA calls “very shallow and somewhat excessively drained.” Drive two miles in either direction down the gravel road outside of Gaea’s gates and you will find cattle farms and wheat fields. The average annual precipitation is 91 centimeters (most of which seems to fall on the Saturday night of the Heartland Pagan Festival.) Not long ago, within my memory, it stood apart from urban life —Jarbalo, the closest town, is so small that it closed its post office in 1958 — but the suburban strip mall character of the Kansas City exurbs has begun to creep closer and closer to Gaea’s boundaries. Perhaps someday soon the city’s sprawl will consume Gaea, too, but for now it maintains its distance.

Was this land sacred before we bought it? I don’t know. The Kansa, the indigenous people who traditionally lived in the area around Gaea, were driven out by smallpox, floods, unscrupulous land deals, and finally Indian removal, ending up in Oklahoma, where now no one speaks Kansa language as a first language. How the Kansa felt about this patch of land, whether it spoke to them in some way similar to how it speaks to me, I can’t say.

Before Gaea was Gaea, it belonged to a Baptist church; it had been used as a Bible campground since the 1950s. Perhaps this speaks to it having a numinous quality that preexisted our arrival. According to an article in the Leavenworth Times newspaper, before the Baptists owned Gaea, it had been used as a 1940s-era nudist camp – a fact that apparently none of the original investors in the modern camp knew. I don’t find the existence of such a camp surprising, in and of itself — such naturalist communities exist all over, hidden in the country’s back corners — but the idea that, just by coincidence, two different sorts of “naturalists,” both frequently disdaining clothes, happened to build camps on the same site strikes me as an unlikely bit of synchronicity. Although I worship the wights who inhabit particular landscapes, I’ve always felt uneasy about asserting the idea that those spirits “exist” outside of my personal metaphors; I believe, but belief is only a way to speak something unspeakable. It is too easy to see a perfect coincidence and declare it magick. I distrust perfect things, but this particular coincidence does give me doubt about my doubts.

Trees beyond the borders of Gaea [E. Scott].

It is the nature of imperialism and capitalism to turn everything they touch into a commodity, including the idea of sacred land. In colonizing North America, white settlers took landscapes that had been held as commons by indigenous tribes like the Kansa and enclosed them as discrete units – turning land into property. Under a capitalist notion of land ownership, this meant that our choices for sacred land were limited to those available for purchase. Survey maps and real estate markets set the limits of our shrines; zoning laws and tax codes prescribe the functions of our religion.

(There is a copse of trees in the middle of a field in the cattle ranch next door to Gaea; I see it whenever I stand on Gaea’s western edge, near the place I camp. This copse strikes me as a holy place, and if given the opportunity, I would give sacrifices of wine and incense to its resident spirits, but there is a barbed-wire fence between myself and that field. The fence is a legal fiction; there is no difference, really, between the dirt on one side of the fence and the dirt beyond, but the legal fiction could get me shot, and so I do not give my offerings to the land wights in that stand of trees.)

Here we have 168 acres of land, demarcated by our practice, devotion, and stewardship, and also by our nonprofit status and our ability to placate the local government into allowing our community to continue to exist. Once, in the early ’00s, a local government board did in fact retract that permit: the Leavenworth County Planning Commission voted to bar Gaea from operating as a campground, citing concerns about nudity and loose morals on the property. Though Gaea won the fight to continue its operations, even now, more than 15 years later, Earth Rising remains guarded about anything that could draw negative attention to Gaea for fear of a hostile bureaucrat bringing Gaea and its community of witches, nudists, and queer folks to an end.

In the way that a set of cross-hatched lines can seem to make up a face, the rules of a society can seem to make up our lives; they are the lines in which we are drawn. The surveyor’s office draws us in lines of property on real estate maps. The county commissioner’s office draws us in lines of legal text and meeting minutes. The norms of our society draw us in lines of gender identity, racial coding, sexual ethics. The past draws us in lines of lineage, land-use, and colonial legacy. Our lives are drawn with this set of pen and ink; it is within the lines they draw that we try our best to be free.


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Eric O. Scott

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Eric O. Scott was raised by witches. He is a contributing editor at Killing the Buddha. He won the Moon Books prize for Best Pagan Fiction Writer Under 30 in 2012. His first book, The Lives of the Apostates, was published in 2013. He received his MFA in Fiction and Creative Nonfiction from the University of Missouri - Kansas City in 2010, and is currently a PHD student in Creative Nonfiction and Medieval Studies at the University of Missouri - Columbia. His middle name is not "Odin."