Almost from the beginning comic books have lent themselves to repurposing mythology in order to tell stories. Usually this process was indirect, with new characters like Superman and Batman acquiring mythic resonances over time. However, the riches of ancient cultural myths and stories were far too tempting to simply borrow elements from, and soon you had figures like Thor and Hercules fighting alongside more down-to-earth heroes. In the late 1980s and through the 1990s this dive into ancient myth and religion took a more serious turn as writers like Alan Moore, Neil Gaiman, Jamie Delano, and Grant Morrison grappled with increasingly complex notions regarding the narrative reality of fantasies they were producing. Comic books, many started to argue, were the conveyers of the new mythologies.
There are lots of articles and essays of interest to modern Pagans out there, sometimes more than I can write about in-depth in any given week. So The Wild Hunt must unleash the hounds in order to round them all up. Last week, the comic book Young Avengers #2 had the conversation that many Pagan comic-book fans were awaiting: What’s up with Wiccan calling himself “Wiccan”? Here’s hoping it leads to a new code-name that isn’t also the name for a, well, Wiccan. The issue was written by Kieron Gillen with art by Jamie Mckelvie, the same team who did the criminally under-appreciated Phonogram miniseries (which should be required reading for anyone who loves the intersection of music and magic).
Way back in 2006 I reported on a band new comic mini-series that was debuting called “Phonogram”. The book revolved around the lives of magicians (called “phonomancers”) who use music as their medium. Phonogram t-shirt design.”Music is Magic. You know this already. You’ve known this from the first time a record sent a divine shiver down your spine or when a band changed the way you dressed forever.