Diagnosed with aortic aneurysm in 2010, Evans knew he didn’t have long to live and penned his own obituary. Here are excerpts describing his spiritual/religious work.
“In the fall of the 1975, Evans formed a new pagan-inspired spiritual group in San Francisco, the Faery Circle. It combined countercultural consciousness, gay sensibility, and ceremonial playfulness. In 1976 he gave a series of public lectures at 32 Page St., an early San Francisco gay community center, entitled “Faeries”, on his research on the historical origins of the gay counterculture. In 1978 he published this material in his ground-breaking book Witchcraft and the Gay Counterculture. It demonstrated that many of the people accused of “witchcraft” and “heresy” in the Middle Ages and Renaissance were actually persecuted because of their sexuality and adherence to ancient pagan practices.
In 1984 Evans directed a production at the Valencia Rose Cabaret in San Francisco of his own new translation, from the ancient Greek, of Euripides’ play Bakkhai. The hero of Euripides’ play is the Greek god Dionysos, the patron of homosexuality. In 1988, this translation, together with Evans’ commentary on the historical significance of the play, was published by St. Martin’s Press in New York under the name of The God of Ecstasy.
In 1988, Evans began work on a nine-year project on philosophy. Thanks to a grant from the San Francisco Arts Commission, it was published in 1997 as Critique of Patriarchal Reason and included artwork by San Francisco artist Frank Pietronigro. The book is a monumental overview of Western philosophy from antiquity to the present. It shows how misogyny and homophobia have influenced the supposedly objective fields of formal logic, higher mathematics, and physical science. Evans’ former doctoral advisor at Columbia University, Paul Oskar Kristeller, called the work “a major contribution to the study of philosophy and its history.”
Evans work, especially “Witchcraft and the Gay Counterculture,” would end up being influential in the formation of the Radical Faeries.
“Arthur Evans was asserting the role of queer spirituality in his book Witchcraft and the Gay Counterculture, 1978. His book was a strong initiative in the Radical Faerie movement, influencing gay men to examine their relationship between gay spirituality and the old Pagan Nature religions. In his chapter entitled “Magic and Revolution,” Evans writes that it is the role of gay men to look forward to re-establishing our communication with nature and the Great Mother, to feeling the essential link between sex and the forces that hold the universe together…We look forward to regaining our ancient historical roles as medicine people, healers, prophets, shamans, and sorcerers. We look forward to an endless and fathomless process as coming out — as Gay people, as animals, as humans, as mysterious and powerful spirits that move through the life cycle of the cosmos. (154-5).”
Today, as we talk about gay/queer Paganism’s second wave, with groups like the Brotherhood of the Phoenix, Circle of Dionysos, and Ekklesia Antinuou flourishing, it’s important to remember those who paved the way. Figures like Evans not only laid the groundwork for gay Pagan spirituality, they also anticipated the battles over gay marriage back in the 1970s. May he rest in the arms of his gods, and may his spirit be remembered.